1969: Difference between revisions

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Norman Mailer: Works and Days
Frontmatter
Preface • Lennon Introduction • Lucas Introduction • Acknowledgments and Appreciations
Bibliographies
First Editions • Key Texts • Bibliographies • Biographies • Criticism • Cultural Backgrounds
Works
Works Index • NM’s Introductions • The Big Bite • Mailer for Mayor • Abbott Affair
Days
Days Index • Important Dates
Index
Index of Names • Works Categories • Days Categories
Books • Projects
v t e

The Armies of the Night (68.8) wins several awards: National Book Award in arts and letters (12 March); George Polk Memorial Award for magazine reporting (27 March); Pulitzer Prize for general nonfiction (5 May). In addition, Miami and the Siege of Chicago (68.25) is a finalist for the National Book Award in the history and biography category.

On 1 May, he announces his candidacy for mayor of New York (with journalist Jimmy Breslin as his running mate). He tells the media, "I will probably be in politics for the rest of my life. I mean it." He comes in fourth in a field of five in the Democratic primary; Robert Wagner wins, only to lose to Independent Party candidate John Lindsay in the general election.

Awarded honorary Doctor of Letters by Rutgers University on 4 June. Also in June, running as an "insurgent" candidate for the Harvard Board of Overseers, he is defeated in an alumni election.

In July, he begins coverage of the Apollo 11 mission for Life, traveling to Texas, Alabama and Florida, and interviewing the astronauts and NASA officials.

In August, Running Against the Machine (69.80), a collection of documents and interviews concerning the mayoral campaign, and edited by Peter Manso, is published.

He separates from Beverly Bentley in late summer, and begins living with jazz singer Carol Stevens.

The first book-length critical studies of Mailer's work are published: Donald L. Kaufmann's Norman Mailer: The Countdown; and Barry H. Leeds's The Structured Vision of Norman Mailer.

NM in 1969.
NM in 1969. Photo by Paul Schwartzman.
NM in 1969. Photo by Richard Frank.
Campaign buttons.
Credit: Bob Peterson.
Breslin and Mailer.

v t e Norman Mailer: Works and Days — 1950s
1850s 1860s 1870s 1890s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s
1950	—
1951	51.1 51.2 51.3 51.3a 51.4 51.5
1952	52.0 52.1 52.2 52.3
1953	53.1 53.2 53.3 53.4 53.5
1954	54.1 54.2 54.3
1955	55.1 55.2 55.3 55.4 55.5 55.6 55.7 55.8
1956	56.1 56.2 56.3 56.4 56.5 56.6 56.7 56.8 56.9 56.10 56.11 56.12 56.13 56.14 56.15 56.16 56.17 56.18 56.19 56.20 56.21 56.22 56.23 56.24 56.25 56.26
1957	57.1 57.2
1958	58.1 58.2 58.3 58.4 58.4a 58.4b 58.5 58.6 58.7
1959	59.1 59.2 59.3 59.4 59.5 59.6 59.7 59.8 59.8a 59.9 59.10 59.11 59.12 59.13 59.14 59.15 59.16 59.17 59.18 59.19

v t e Norman Mailer: Works and Days — 1960s
1850s 1860s 1870s 1890s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s
1960	60.1 60.2 60.3 60.4 60.4a 60.5 60.6 60.6a 60.7 60.8 60.9 60.10 60.10a 60.10b 60.10c 60.10d 60.10e 60.10f 60.10g 60.10h 60.11
1961	61.1 61.2 61.2a 61.3 61.3a 61.3b 61.3c 61.4 61.5 61.5a 61.6 61.7 61.8 61.9 61.10 61.11 61.12 61.13 61.14 61.15 61.16 61.17 61.18 61.19 61.20 61.21 61.21a 61.21b 61.21c 61.22 61.22a 61.23
1962	62.1 62.2 62.3 62.4 62.5 62.5a 62.6 62.7 62.8 62.9 62.10 62.11 62.12 62.12a 62.13 62.13a 62.13b 62.14 62.15 62.16 62.17 62.17a 62.17b 62.18 62.19 62.20 62.21 62.22 62.23 62.24 62.25
1963	63.1 63.2 63.3 63.4 63.5 63.6 63.7 63.8 63.9 63.10 63.11 63.12 63.13 63.14 63.15 63.16 63.17 63.18 63.19 63.20 63.21 63.22 63.23 63.24 63.25 63.26 63.27 63.27a 63.28 63.29 63.30 63.31 63.31a 63.32 63.33 63.34 63.35 63.36 63.37 63.37a 63.38 63.39 63.40
1964	64.1 64.2 64.3 64.4 64.5 64.6 64.7 64.8 64.9 64.10 64.10a 64.11 64.12 64.13 64.14 64.15 64.16 64.17 64.18 64.19 64.20 64.21 64.22 64.23
1965	65.1 65.2 65.2a 65.3 65.4 65.4a 65.5 65.6 65.7 65.8 65.9 65.10 65.11 65.11a 65.12 65.13 65.14 65.15 65.16 65.17 65.18 65.19 65.20 65.21 65.22 65.23 65.24
1966	66.1 66.2 66.3 66.4 66.5 66.6 66.7 66.8 66.9 66.10 66.11 66.12 66.13 66.14 66.15
1967	67.1 67.2 67.3 67.4 67.4a 67.4b 67.5 67.6 67.7 67.8 67.9 67.9a 67.10 67.11 67.11a 67.12 67.13 67.14 67.15 67.16 67.17 67.18 67.19 67.19a 67.20 67.21 67.22 67.23 67.24
1968	68.1 68.1a 68.2 68.3 68.3a 68.3b 68.3c 68.4 68.5 68.6 68.6a 68.6b 68.6c 68.6d 68.7 68.7a 68.8 68.8a 68.8b 68.9 68.10 68.11 68.12 68.13 68.14 68.15 68.16 68.16a 68.16b 68.16c 68.17 68.18 68.19 68.20 68.21 68.21a 68.22 68.23 68.23a 68.24 68.25 68.26 68.27 68.28 68.29 68.30 68.31 68.32
1969	69.0 69.1 69.1a 69.2 69.3 69.4 69.5 69.6 69.7 69.8 69.9 69.10 69.11 69.12 69.13 69.14 69.15 69.16 69.17 69.18 69.19 69.20 69.21 69.22 69.23 69.24 69.25 69.26 69.27 69.28 69.29 69.30 69.31 69.32 69.33 69.34 69.34a 69.35 69.36 69.37 69.38 69.39 69.40 69.41 69.42 69.43 69.44 69.45 69.46 69.47 69.48 69.49 69.50 69.51 69.52 69.53 69.54 69.55 69.56 69.57 69.58 69.59 69.60 69.61 69.62 69.63 69.64 69.65 69.66 69.67 69.68 69.69 69.70 69.71 69.72 69.73 69.74 69.75 69.76 69.77 69.78 69.79 69.80 69.81 69.82 69.83

v t e Norman Mailer: Works and Days — 1970s
1850s 1860s 1870s 1890s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s
1970	70.1 70.2 70.3 70.3a 70.4 70.5 70.6 70.6a 70.7 70.8 70.9 70.10 70.11 70.12 70.13 70.13a 70.14 70.15
1971	71.1 71.2 71.3 71.4 71.5 71.6 71.7 71.8 71.9 71.10 71.11 71.12 71.13 71.14 71.14a 71.15 71.15a 71.16 71.17 71.18 71.19 71.20 71.21 71.22 71.23 71.24 71.25 71.26 71.27 71.27a 71.28 71.29 71.30 71.30a 71.30b 71.30c 71.31 71.32 71.33
1972	72.0 72.0a 72.1 72.2 72.3 72.3a 72.3b 72.3c 72.4 72.5 72.6 72.7 72.8 72.9 72.10 72.11 72.12 72.13 72.14 72.15 72.16 72.17 72.18 72.19 72.20 72.21 72.21a 72.22 72.23 72.24
1973	73.1 73.2 73.3 73.4 73.5 73.6 73.7 73.8 73.8a 73.9 73.10 73.11 73.12 73.13 73.14 73.15 73.16 73.17 73.18 73.19 73.20 73.21 73.22 73.23 73.24 73.25 73.26 73.27 73.28 73.29 73.30 73.31 73.32 73.33 73.34 73.35 73.36 73.37 73.38 73.39 73.40 73.41 73.42 73.42a 73.43 73.43a 73.44 73.45 73.46 73.47
1974	74.1 74.2 74.3 74.4 74.5 74.6 74.7 74.8 74.9 74.10 74.11 74.12 74.13 74.14 74.15 74.16 74.17 74.18 74.19 74.20
1975	75.1 75.2 75.3 75.4 75.5 75.6 75.7 75.8 75.9 75.10 75.11 75.12 75.13 75.14 75.15 75.16
1976	76.1 76.2 76.3 76.4 76.5 76.5a 76.6 76.7 76.8 76.8a 76.9 76.10 76.11 76.12 76.13 76.14 76.15 76.16 76.17 76.18 76.19 76.20 76.21 76.21a 76.21b 76.22 76.23
1977	77.1 77.2 77.3 77.3a 77.4 77.5 77.6 77.7 77.8 77.9 77.10 77.11 77.12 77.13 77.14
1978	78.1 78.2 78.2a 78.3 78.3a 78.4 78.5 78.6 78.7
1979	79.1 79.2 79.3 79.3a 79.4 79.4a 79.5 79.5a 79.5b 79.6 79.7 79.8 79.9 79.10 79.11 79.12 79.13 79.13a 79.13b 79.14 79.14a 79.15 79.16 79.17 79.18 79.19 79.20 79.20a 79.21 79.22 79.23 79.24 79.25 79.26 79.27 79.28 79.29 79.30 79.31 79.32 79.33 79.33a 79.33b 79.34 79.35 79.35a 79.36

@@ Line 13: / Line 13: @@
 He separates from [[Beverly Bentley]] in late summer, and begins living with jazz singer [[Carol Stevens]].
-The first book-length critical studies of Mailer's work are published: Donald L. Kaufmann's ''Norman Mailer: The Countdown''; and Barry H. Leeds's ''The Structured Vision of Norman Mailer''.
+The first book-length critical studies of Mailer's work are published: Donald L. Kaufmann's ''Norman Mailer: The Countdown''; and Barry H. Leeds's ''[[The Structured Vision of Norman Mailer]]''.
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Revision as of 17:44, 27 January 2019