67.17: Difference between revisions
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“The Crazy One.” ''Playboy'', October, 91–92, 112, 211–214. Portrait of the Mexican bullfighter, Amado Ramirez, a.k.a. El Loco. Rpt: As “Footnote to ‘Death in the Afternoon’” in [[67.20]]; “Homage to El Loco” in [[72.7]] and [[82.19]]. It is likely that [[67.20]], while published later than 67.17, was written earlier. These two versions are not significantly different from each other or from the final version in 72.7 and 82.19. This version also appeared in ''The Twentieth Anniversary Playboy Reader'', edited by Hugh M. Hefner. Chicago: Playboy Press, 1974; complete in [[98.7]] and [[13.1]]. | “The Crazy One.” ''Playboy'', October, 91–92, 112, 211–214. Portrait of the Mexican bullfighter, Amado Ramirez, a.k.a. El Loco. Rpt: As “Footnote to ‘Death in the Afternoon’” in [[67.20]]; “Homage to El Loco” in [[72.7]] and [[82.19]]. It is likely that [[67.20]], while published later than 67.17, was written earlier. These two versions are not significantly different from each other or from the final version in 72.7 and 82.19. This version also appeared in ''The Twentieth Anniversary Playboy Reader'', edited by Hugh M. Hefner. Chicago: Playboy Press, 1974; complete in [[98.7]] and [[13.1]]. | ||
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Latest revision as of 19:07, 25 December 2018
“The Crazy One.” Playboy, October, 91–92, 112, 211–214. Portrait of the Mexican bullfighter, Amado Ramirez, a.k.a. El Loco. Rpt: As “Footnote to ‘Death in the Afternoon’” in 67.20; “Homage to El Loco” in 72.7 and 82.19. It is likely that 67.20, while published later than 67.17, was written earlier. These two versions are not significantly different from each other or from the final version in 72.7 and 82.19. This version also appeared in The Twentieth Anniversary Playboy Reader, edited by Hugh M. Hefner. Chicago: Playboy Press, 1974; complete in 98.7 and 13.1.
