1993: Difference between revisions
m Updated gallery and links. |
Added invitation. |
||
| Line 16: | Line 16: | ||
|align=left | |align=left | ||
|File:1995.jpg| | |File:1995.jpg| | ||
|File:Don Juan in Hell.jpg| | |||
}} | }} | ||
<div style="clear:both;"></div> | <div style="clear:both;"></div> | ||
Latest revision as of 15:20, 22 September 2020
| Norman Mailer: Works and Days |
| Navigation |
|---|
|
A new edition of Norman Mailer: Works and Days is at worksdays.normanmailer.us. This page in the new edition → |
| Frontmatter |
| Preface • Lennon Introduction • Lucas Introduction • Acknowledgments and Appreciations |
| Bibliographies |
| First Editions • Key Texts • Bibliographies • Biographies • Criticism • Cultural Backgrounds |
| Works |
| Works Index • NM’s Introductions • The Big Bite • Mailer for Mayor • Abbott Affair |
| Days |
| Days Index • Important Dates |
| Index |
| Index of Names • Works Categories • Days Categories |
 Books •  Projects |
Along with Susan Sontag, Gay Talese and Gore Vidal, Mailer takes part in a 15 February reading (which he also directs) of George Bernard Shaw’s Don Juan in Hell (Act 3, Scene 2, the dream sequence of Man and Superman) at Carnegie Hall.
In June, he and Schiller interview Marina Oswald for five days in a Dallas Hotel.
In late July, his line drawings (later published in Modest Gifts: Poems and Drawings (03.17)), are shown at the Berta Walker Gallery in Provincetown.
In late November, gives the keynote address at the Third Assassination Symposium on John F. Kennedy in Dallas.
Continues work on Oswald's Tale: An American Mystery (95.16).
