57.1: Difference between revisions

From Project Mailer
m (Tweaked title.)
m (Added tabs.)
Line 1: Line 1:
{{WDside}}
{{Wn-tabs}}{{WDside}}
====“The White Negro (Superficial Reflections on the Hipster).” ''Dissent'' 4 (summer), 276-93. Essay.====
===“The White Negro (Superficial Reflections on the Hipster).” ''Dissent'' 4 (summer), 276-93. Essay.===


{{NM}}’s most celebrated and castigated essay is also one of the most anthologized since World War II. It is usually reprinted with “Reflections on Hipsterism” ([[58.1]]), a follow-up discussion of the original essay.
{{NM}}’s most celebrated and castigated essay is also one of the most anthologized since World War II. It is usually reprinted with “Reflections on Hipsterism” ([[58.1]]), a follow-up discussion of the original essay.

Revision as of 17:03, 24 June 2019

57.1 59.8a The White Negro 1 2 3 4 5 6 Bibliography  
Wn-eyes.jpeg
Norman Mailer: Works and Days
Navigation
Frontmatter
PrefaceLennon IntroductionLucas IntroductionAcknowledgments and Appreciations
Bibliographies
First EditionsKey TextsBibliographiesBiographiesCriticismCultural Backgrounds
Works
Works IndexNM’s IntroductionsThe Big BiteMailer for MayorAbbott Affair
Days
Days IndexImportant Dates
Index
Index of NamesWorks CategoriesDays Categories
Wikipedia book BooksProject page Projects

“The White Negro (Superficial Reflections on the Hipster).” Dissent 4 (summer), 276-93. Essay.

Mailer’s most celebrated and castigated essay is also one of the most anthologized since World War II. It is usually reprinted with “Reflections on Hipsterism” (58.1), a follow-up discussion of the original essay.

Rpt: The Beat Generation and the Angry Young Men, edited by Gene Feldman and Max Gartenberg. New York: Citadel Press, 29 May 1958; Voices of Dissent: A Collection of Articles from “Dissent” Magazine. New York: Grove Press, after 15 October, 1958; 59.8a, 59.13, 98.7 (partial), 13.1. See 56.16, 58.4a, 83.12, and James Baldwin’s response, “The Black Boy Looks at the White Boy,” Nobody Knows My Name: More Notes of a Native Son (New York: Dial, 1961); 13.2, 219-224.