04.4: Difference between revisions

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Preface to ''The Good, the Bad, and the Dolce Vita: The Adventures of an Actor in Hollywood, Paris, and Rome'', by Mickey Knox, 1–5. New York: Nation Books, 1 April. Knox, one of {{NM}}’s oldest friends, appeared in two of his experimental films in the 1960s, and the 1967 off-Broadway production of Mailer’s play, ''The Deer Park'' ([[67.13]]). Mailer discusses Knox’s brilliant performance in the play, his screen work, his reputation a lover, and his overseas work as a dialogue coach after being blacklisted during the Red scare of the late 1950s.
[[Preface to The Good, the Bad, and the Dolce Vita|Preface to ''The Good, the Bad, and the Dolce Vita: The Adventures of an Actor in Hollywood, Paris, and Rome]]'', by Mickey Knox, 1–5. New York: Nation Books, 1 April. Knox, one of {{NM}}’s oldest friends, appeared in two of his experimental films in the 1960s, and the 1967 off-Broadway production of Mailer’s play, ''The Deer Park'' ([[67.13]]). Mailer discusses Knox’s brilliant performance in the play, his screen work, his reputation a lover, and his overseas work as a dialogue coach after being blacklisted during the Red scare of the late 1950s.


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{{1990s|state=collapsed}}

Revision as of 15:09, 14 April 2019

Norman Mailer: Works and Days
Navigation
Frontmatter
PrefaceLennon IntroductionLucas IntroductionAcknowledgments and Appreciations
Bibliographies
First EditionsKey TextsBibliographiesBiographiesCriticismCultural Backgrounds
Works
Works IndexNM’s IntroductionsThe Big BiteMailer for MayorAbbott Affair
Days
Days IndexImportant Dates
Index
Index of NamesWorks CategoriesDays Categories
Wikipedia book BooksProject page Projects

Preface to The Good, the Bad, and the Dolce Vita: The Adventures of an Actor in Hollywood, Paris, and Rome, by Mickey Knox, 1–5. New York: Nation Books, 1 April. Knox, one of Mailer’s oldest friends, appeared in two of his experimental films in the 1960s, and the 1967 off-Broadway production of Mailer’s play, The Deer Park (67.13). Mailer discusses Knox’s brilliant performance in the play, his screen work, his reputation a lover, and his overseas work as a dialogue coach after being blacklisted during the Red scare of the late 1950s.