Lipton’s Journal/December 29, 1954/120: Difference between revisions

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Toward the end of Marion Fay’s{{LJ:Faye}} journal, the notes become more mystical, vaguer, things like the discussion of cigarette-smoking. At one point in disgust he writes: I say this so badly I might just as well be trying to tell people: I see God in the yellow.
Toward the end of Marion Faye’s{{LJ:Faye}} journal, the notes become more mystical, vaguer, things like the discussion of cigarette-smoking. At one point in disgust he writes: I say this so badly I might just as well be trying to tell people: I see God in the yellow.


{{Notes|title=Note|width=60em}}
{{Notes|title=Note|width=60em}}

Latest revision as of 16:04, 3 April 2021

Toward the end of Marion Faye’s[1] journal, the notes become more mystical, vaguer, things like the discussion of cigarette-smoking. At one point in disgust he writes: I say this so badly I might just as well be trying to tell people: I see God in the yellow.



Note

  1. Mailer’s anti-hero for a post-Hiroshima world in The Deer Park, Faye (son of Dorothea O’Faye, a former singer who presides over a drunken salon in Desert D’Or, Mailer’s name for Palm Springs, California), is the archetypal hipster. A bisexual pimp and drug dealer, he is the novel’s dark conscience, the polar opposite of Charles Eitel. Mailer planned to use Faye as a centripetal character in the seven novels that he planned and failed to write as sequels to The Deer Park.