Lipton’s Journal/December 31, 1954/143: Difference between revisions
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Marion Faye’s journal. Hell is the present. It is always here. It exists in order that man may find Heaven. But man-as-slob dreams of leaving Hell for no more than Purgatory which is Security—the false sense of the future as opposed to Heaven which is the vision of the future. | Marion Faye’s{{LJ:Faye}} journal. Hell is the present. It is always here. It exists in order that man may find Heaven. But man-as-slob dreams of leaving Hell for no more than Purgatory which is Security—the false sense of the future as opposed to Heaven which is the vision of the future. | ||
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[[Category:December 31, 1954]] | [[Category:December 31, 1954]] |
Latest revision as of 09:39, 8 March 2021
Marion Faye’s[1] journal. Hell is the present. It is always here. It exists in order that man may find Heaven. But man-as-slob dreams of leaving Hell for no more than Purgatory which is Security—the false sense of the future as opposed to Heaven which is the vision of the future.
Note
- ↑ Mailer’s anti-hero for a post-Hiroshima world in The Deer Park, Faye (son of Dorothea O’Faye, a former singer who presides over a drunken salon in Desert D’Or, Mailer’s name for Palm Springs, California), is the archetypal hipster. A bisexual pimp and drug dealer, he is the novel’s dark conscience, the polar opposite of Charles Eitel. Mailer planned to use Faye as a centripetal character in the seven novels that he planned and failed to write as sequels to The Deer Park.