Andre Deutsch, October 15, 1963: Difference between revisions

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NORMAN MAILER’s Letters
This page is part of
An American Dream Expanded.


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142 Columbia Heights
Brooklyn 1, New York
October 15, 1963

Dear Andre,

First, a long belated thank you for the cook books, which Beverley [Bentley] received with glee and from which I expect to draw dividends over the years. They are, by the way, damn good books. I read parts of a few of them just for pleasure. They stack up very nicely against [Alain] Robbe-Grillet.

Much has happened since I saw you and doubtless you’ve had wind of it. I came to the grim conclusion over the summer that I was just not going to be able to do the big book well, considering my financial situation, because although the advance royalties were quite decent I still would have been able to work only two weeks a month on the novel and the other two weeks would have to be given over to getting my pen hired for the best going price, or else giving lectures for fees. These secondary activities are always chancy and they open the danger of using up more effort than is commensurate. So I decided the only way out of my impasse was to dare a bold stroke. I contracted to do a novel in eight installments for Esquire, talked Walter [Minton] into releasing me for one book, and managed to sell this absolutely unwritten work for an incredible sum to Dial and Dell. This is in the strictest confidence, but they are paying me $125,000 against the hard cover and paperback rights and so of course this solves my difficulties for a year or two, or ideally three or four. Now all I have to do is write a first-rate novel in eight months, and I can tell you this gives me pause. At any rate, I won’t be working on the big novel for about a year (I think I’ll need four months to recuperate from the next eight months) and that was why I told Cy [Rembar] to tell you that I didn’t wish to draw royalty payments yet.

Now as far as this new book goes, I’m quite ready to work up a contract with you right now if you so desire, but I think it might make more sense to wait and see how the book turns out. If it’s a good book I might ask you for a fairly good royalty for it. If it’s a bad one, I obviously could not. But if we wait there at least would be no feeling of A) holding you up or B) giving something away. And you can have my word and my hand across the sea on it that I will certainly give you first and complete crack at the book. In any case I don’t feel there’s a vast rush on this—at least I’m in no hurry. So if you’d like to wait and see what you’re buying, that will be fine with me. Incidentally, to the best of my understanding all this happened very quickly, the paperback rights have already been bought by a subsidiary of Dell who paid a vast price—twenty-five grand, my friend, again in the strictest confidence. What bothers me about this last is that I’ve been very pleased with Corgi for the job they have been doing, but the English paperback rights were tied into this deal and I had reluctantly to go along with it, since Dial and Dell were paying so much for the American rights. I’m going to write a letter to Corgi today so they won’t bounce too hard when they get the bad news.

And when I see you this January—I certainly hope you’ll be making a trip this year—I’ll tell you the story of how the ante got up so high. It’s a rare account of the mating habits of that most curious bird—the American publisher.

Say hello to Diana [Athill] and my best to you,

Norman