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{{DISPLAYTITLE:''The Mailer Review'' | {{DISPLAYTITLE:<span style="font-size:22px;">''The Mailer Review''/</span>Volume 9, 2015}} | ||
{{ | {{Mr-top}} | ||
[[File:MR09.jpg| | {{Infobox | ||
| name = The Mailer Review, Volume 9, 2015 | |||
| title = ''The Mailer Review'', Volume 9, 2015 | |||
| image = [[File:MR09.jpg|400px|ALT=The Mailer Review, Volume 9]] | |||
|headerstyle = font-family: Alegreya; font-size: 16pt; color: #fff; background: #555; | |||
|datastyle = text-align: left; | |||
|header1 = Editorial Staff | |||
| label2 = Editor | |||
| data2 = Phillip Sipiora | |||
| label3 = Deputy Editor | |||
| data3 = Michael L. Shuman | |||
| label5 = Digital Editor,<br />Webmaster | |||
| data5 = Gerald R. Lucas | |||
| label6 = Special Editor | |||
| data6 = John Lennon | |||
| label7 = Managing Editor | |||
| data7 = Scott Neumeister | |||
| label9 = Biographer,<br />Associate Editor | |||
| data9 = Shannon L. Zinck | |||
| label11 = Interns | |||
| data11 = Ashley Jean Baptiste<br />Roxanne Null<br />Breonna Martinez | |||
|header13 = Editorial Board | |||
| data15 = J. Michael Lennon, Chair of Editorial Board (Wilkes University), Robert J. Begiebing (Southern New Hampshire University), John Whalen-Bridge (National University of Singapore), Philip Bufithis (Shepherd University), Christopher Busa (Founder and Editor of Provincetown Arts Press), Morris Dickstein (Graduate Center, City University of New York), Laura Adams Dunham (Independent Scholar), Michael Glenday (The Open University, United Kingdom), Andrew Gordon (University of Florida), Hunt Hawkins (University of South Florida), Michael Millgate (University of Toronto), Christopher Ricks (Boston University), Phillip Sipiora (University of South Florida), Thomas F. Staley (Harry Ransom Center, University of Texas at Austin), Barbara Mailer Wasserman (Memoirist). | |||
}} | |||
* [[/Reflections/]] | |||
==Featured== | ==Featured== | ||
* '''[[Norman Mailer]]'''<br />[[The Thalian Adventure]] | * '''[[Norman Mailer]]'''<br />[[/The Thalian Adventure/]] | ||
==Articles and Miscellany== | ==Articles and Miscellany== | ||
* '''[[J. Michael Lennon]]'''<br />[[Introduction to | * '''[[J. Michael Lennon]]'''<br />[[/Introduction to Taschen Edition of Superman Comes to the Supermarket|Introduction to Taschen Edition of ''Superman Comes to the Supermarket'']] | ||
* '''[[Danielle Mailer]]'''<br />[[The Writer’s Daughter]] | * '''[[Danielle Mailer]]'''<br />[[/The Writer’s Daughter/]] | ||
* '''[[Gerald R. Lucas]]'''<br />[[Project Mailer 2015]] | * '''[[Gerald R. Lucas]]'''<br />[[/Project Mailer 2015/]] | ||
* '''[[Jerome Loving]]'''<br />[[The Day the Century Ended: Francis Irby Gwaltney’s “Sequel” to The Naked and the Dead|''The Day the Century Ended'': Francis Irby Gwaltney’s “Sequel” to ''The Naked and the Dead'']] | * '''[[Jerome Loving]]'''<br />[[/The Day the Century Ended: Francis Irby Gwaltney’s “Sequel” to The Naked and the Dead|''The Day the Century Ended'': Francis Irby Gwaltney’s “Sequel” to ''The Naked and the Dead'']] | ||
* '''[[Jason Mosser]]'''<br />[[The Beatster, the White Negro, and the Evolution of the Hipster in Fight Club|The Beatster, the White Negro, and the Evolution of the Hipster in ''Fight Club'']] | * '''[[Jason Mosser]]'''<br />[[/The Beatster, the White Negro, and the Evolution of the Hipster in Fight Club|The Beatster, the White Negro, and the Evolution of the Hipster in ''Fight Club'']] | ||
* '''[[Maggie McKinley]]'''<br />[[“Up to the Nostrils in Anguish”: Mailer and Bellow on Masculine Anxiety and Violent Catharsis]] | * '''[[Maggie McKinley]]'''<br />[[/“Up to the Nostrils in Anguish”: Mailer and Bellow on Masculine Anxiety and Violent Catharsis/]] | ||
* '''[[Michael K. Glenday]]'''<br />[[Fly Boys and Angels: Mailer on the Moon]] | * '''[[Michael K. Glenday]]'''<br />[[/Fly Boys and Angels: Mailer on the Moon/]] | ||
* '''[[Victor Peppard]]'''<br />[[Mailer, Nabokov and the Amerussia / US-SU Phenomenon]] | * '''[[Victor Peppard]]'''<br />[[/Mailer, Nabokov and the Amerussia / US-SU Phenomenon/]] | ||
* '''[[Heather Braun]]'''<br />[[The Roving Psychopath in Love: “The White Negro” and Lolita|The Roving Psychopath in Love: “The White Negro” and ''Lolita'']] | * '''[[Heather Braun]]'''<br />[[/The Roving Psychopath in Love: “The White Negro” and Lolita|The Roving Psychopath in Love: “The White Negro” and ''Lolita'']] | ||
* '''[[Lee Spinks]]'''<br />[[Increasing the Real Life in Ourselves: Some Reflections on Norman Mailer’s “Politics of State”]] | * '''[[Lee Spinks]]'''<br />[[/Increasing the Real Life in Ourselves: Some Reflections on Norman Mailer’s “Politics of State”/]] | ||
* '''[[Justin Bozung]]'''<br />[[The American Antonioni]] | * '''[[Justin Bozung]]'''<br />[[/The American Antonioni/]] | ||
* '''[[Erik Nakjavani]]'''<br />[[Conceptualizing Lived Experience: Norman Mailer as an Intellectual]] | * '''[[Erik Nakjavani]]'''<br />[[/Conceptualizing Lived Experience: Norman Mailer as an Intellectual/]] | ||
* '''[[Kevin Power]]'''<br />[[Cures for Cancer: Norman Mailer’s Deaths for the Ladies (And Other Disasters)|Cures for Cancer: Norman Mailer’s ''Deaths for the Ladies (And Other Disasters)'']] | * '''[[Kevin Power]]'''<br />[[/Cures for Cancer: Norman Mailer’s Deaths for the Ladies (And Other Disasters)|Cures for Cancer: Norman Mailer’s ''Deaths for the Ladies (And Other Disasters)'']] | ||
* '''[[Raj Chandarlapaty]]'''<br />[[Through the Quintessential Divide: Mailer’s Response to Race Theory]] | * '''[[Raj Chandarlapaty]]'''<br />[[/Through the Quintessential Divide: Mailer’s Response to Race Theory/]] | ||
* '''[[Brad Stager]]'''<br />[[Considering Mailer in the Post-Aquarian Age]] | * '''[[Brad Stager]]'''<br />[[/Considering Mailer in the Post-Aquarian Age/]] | ||
==Classic Interpretation== | ==Classic Interpretation== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* '''[[Malcolm Cowley]]'''<br />[[Mr. Mailer Tells a Tale Of Love, Art, Corruption]] | * '''[[Malcolm Cowley]]'''<br />[[/Mr. Mailer Tells a Tale Of Love, Art, Corruption/]] | ||
* '''[[Robert Lindner]]'''<br />[[The Deer Park (Review 1955)|''The Deer Park'']] | * '''[[Robert Lindner]]'''<br />[[/The Deer Park (Review 1955)|''The Deer Park'']] | ||
* '''[[Peter Balbert]]'''<br />[[From Lady Chatterley’s Lover to The Deer Park: Marriage, Instinctual Primacy, and the Dialectic of Erotic Risk|From ''Lady Chatterley’s Lover'' to ''The Deer Park'': Marriage, Instinctual Primacy, and the Dialectic of Erotic Risk]] | * '''[[Peter Balbert]]'''<br />[[/From Lady Chatterley’s Lover to The Deer Park: Marriage, Instinctual Primacy, and the Dialectic of Erotic Risk|From ''Lady Chatterley’s Lover'' to ''The Deer Park'': Marriage, Instinctual Primacy, and the Dialectic of Erotic Risk]] | ||
* '''[[Mark Edmundson]]'''<br />[[Romantic Self-Creations: Mailer and Gilmore in The Executioner’s Song|Romantic Self-Creations: Mailer and Gilmore in ''The Executioner’s Song'']] | * '''[[Mark Edmundson]]'''<br />[[/Romantic Self-Creations: Mailer and Gilmore in The Executioner’s Song|Romantic Self-Creations: Mailer and Gilmore in ''The Executioner’s Song'']] | ||
{{div col end}} | {{div col end}} | ||
==Book Reviews== | ==Book Reviews== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* ''The Selected Letters of Norman Mailer''<br />'''[[Robert Begiebing]]'''<br />[[Better than Happiness]] | * ''The Selected Letters of Norman Mailer''<br />'''[[Robert Begiebing]]'''<br />[[/Better than Happiness/]] | ||
* ''JFK, Superman Comes to the Supermarket''<br />'''[[Phillip Sipiora]]'''<br />[[Superman Redux]] | * ''JFK, Superman Comes to the Supermarket''<br />'''[[Phillip Sipiora]]'''<br />[[/Superman Redux/]] | ||
* ''Moral Agents: Eight Twentieth-Century American Writers''<br />'''[[William T. Ross]]'''<br />[[Mailer Among the Intellectuals]] | * ''Moral Agents: Eight Twentieth-Century American Writers''<br />'''[[William T. Ross]]'''<br />[[/Mailer Among the Intellectuals/]] | ||
* ''Buckley and Mailer: The Difficult Friendship That Shaped the Sixties''<br />'''[[Gerald R. Lucas]]'''<br />[[Parallel Lives]] | * ''Buckley and Mailer: The Difficult Friendship That Shaped the Sixties''<br />'''[[Gerald R. Lucas]]'''<br />[[/Parallel Lives/]] | ||
* ''Masculinity and the Paradox of Violence in American Fiction, 1950–75''<br />'''[[Jason Mosser]]'''<br />[[A History of Violences]] | * ''Masculinity and the Paradox of Violence in American Fiction, 1950–75''<br />'''[[Jason Mosser]]'''<br />[[/A History of Violences/]] | ||
* ''Bramble, Infant Martian''<br />'''[[Mark Olshaker]]'''<br />[[Kaufmann in Orbit]] | * ''Bramble, Infant Martian''<br />'''[[Mark Olshaker]]'''<br />[[/Kaufmann in Orbit/]] | ||
* ''Re-creating Paul Bowles, the Other, and the Imagination: Music, Film, and Photography''<br />'''[[Michael L. Shuman]]'''<br />[[Days of Future Passed: Paul Bowles and the Heyday of Hipness]] | * ''Re-creating Paul Bowles, the Other, and the Imagination: Music, Film, and Photography''<br />'''[[Michael L. Shuman]]'''<br />[[/Days of Future Passed: Paul Bowles and the Heyday of Hipness/]] | ||
* ''Bramble, Infant Martian''<br />'''[[Michael L. Shuman]]'''<br />[[Mars Needs Women]] | * ''Bramble, Infant Martian''<br />'''[[Michael L. Shuman]]'''<br />[[/Mars Needs Women/]] | ||
* ''Chameleo''<br />'''[[Victor Peppard]]'''<br />[[How the New Order of Surveillance Really Works]] | * ''Chameleo''<br />'''[[Victor Peppard]]'''<br />[[/How the New Order of Surveillance Really Works/]] | ||
{{div col end}} | {{div col end}} | ||
==Creative Works== | ==Creative Works== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* '''[[Ira Sukrungruang]]'''<br />[[Fence]] | * '''[[Ira Sukrungruang]]'''<br />[[/Fence/]] | ||
* '''[[Marty Correia]]'''<br />[[A Thief’s Wages]] | * '''[[Marty Correia]]'''<br />[[/A Thief’s Wages/]] | ||
* '''[[Gary D. Rhodes]]'''<br />[[Regurgitations]] | * '''[[Gary D. Rhodes]]'''<br />[[/Regurgitations/]] | ||
* '''[[Robert Alderman]]'''<br />[[MEPS]] | * '''[[Robert Alderman]]'''<br />[[/MEPS/]] | ||
* '''[[Daniele Pantano]]'''<br />[[MAILER FOLEY 4:10]] | * '''[[Daniele Pantano]]'''<br />[[/MAILER FOLEY 4:10/]] | ||
* '''[[Nicholas Samaras]]'''<br />[[Reading for Life]]<br />[[Drinking Alone]]<br />[[The City that Was Left to Me]]<br />[[Dusk]]<br />[[Old Men]]<br />[[Nostalgia as Intangible Sustenance]] | * '''[[Nicholas Samaras]]'''<br />[[/Reading for Life/]]<br />[[/Drinking Alone/]]<br />[[/The City that Was Left to Me/]]<br />[[/Dusk/]]<br />[[/Old Men/]]<br />[[/Nostalgia as Intangible Sustenance/]] | ||
* '''[[Patrick O’Hayer]]'''<br />[[Broken Link]] | * '''[[Patrick O’Hayer]]'''<br />[[/Broken Link/]] | ||
{{div col end}} | {{div col end}} | ||
==Bibliography== | ==Bibliography== | ||
* '''[[Shannon L. Zinck]]'''<br />Norman Mailer Bibliography: 2014 | * '''[[Shannon L. Zinck]]'''<br />[[/Norman Mailer Bibliography: 2014/]] | ||
{{Mr-bottom}} | |||
{{ | |||
{{DEFAULTSORT: Mailer Review, The}} | {{DEFAULTSORT: Mailer Review, The}} | ||
[[Category:2015 Vol. 9 (MR)]] | |||
[[Category: | [[Category:Contents (MR)]] | ||
[[Category:Contents]] | |||
Latest revision as of 09:16, 10 January 2023
| Volumes | Submissions | Subscriptions | Information | Volunteer |
 | |
| Editorial Staff | |
|---|---|
| Editor | Phillip Sipiora |
| Deputy Editor | Michael L. Shuman |
| Digital Editor, Webmaster | Gerald R. Lucas |
| Special Editor | John Lennon |
| Managing Editor | Scott Neumeister |
| Biographer, Associate Editor | Shannon L. Zinck |
| Interns | Ashley Jean Baptiste Roxanne Null Breonna Martinez |
| Editorial Board | |
| J. Michael Lennon, Chair of Editorial Board (Wilkes University), Robert J. Begiebing (Southern New Hampshire University), John Whalen-Bridge (National University of Singapore), Philip Bufithis (Shepherd University), Christopher Busa (Founder and Editor of Provincetown Arts Press), Morris Dickstein (Graduate Center, City University of New York), Laura Adams Dunham (Independent Scholar), Michael Glenday (The Open University, United Kingdom), Andrew Gordon (University of Florida), Hunt Hawkins (University of South Florida), Michael Millgate (University of Toronto), Christopher Ricks (Boston University), Phillip Sipiora (University of South Florida), Thomas F. Staley (Harry Ransom Center, University of Texas at Austin), Barbara Mailer Wasserman (Memoirist). | |
Featured
Articles and Miscellany
- J. Michael Lennon
Introduction to Taschen Edition of Superman Comes to the Supermarket - Danielle Mailer
The Writer’s Daughter - Gerald R. Lucas
Project Mailer 2015 - Jerome Loving
The Day the Century Ended: Francis Irby Gwaltney’s “Sequel” to The Naked and the Dead - Jason Mosser
The Beatster, the White Negro, and the Evolution of the Hipster in Fight Club - Maggie McKinley
“Up to the Nostrils in Anguish”: Mailer and Bellow on Masculine Anxiety and Violent Catharsis - Michael K. Glenday
Fly Boys and Angels: Mailer on the Moon - Victor Peppard
Mailer, Nabokov and the Amerussia / US-SU Phenomenon - Heather Braun
The Roving Psychopath in Love: “The White Negro” and Lolita - Lee Spinks
Increasing the Real Life in Ourselves: Some Reflections on Norman Mailer’s “Politics of State” - Justin Bozung
The American Antonioni - Erik Nakjavani
Conceptualizing Lived Experience: Norman Mailer as an Intellectual - Kevin Power
Cures for Cancer: Norman Mailer’s Deaths for the Ladies (And Other Disasters) - Raj Chandarlapaty
Through the Quintessential Divide: Mailer’s Response to Race Theory - Brad Stager
Considering Mailer in the Post-Aquarian Age
Classic Interpretation
Book Reviews
- The Selected Letters of Norman Mailer
Robert Begiebing
Better than Happiness - JFK, Superman Comes to the Supermarket
Phillip Sipiora
Superman Redux - Moral Agents: Eight Twentieth-Century American Writers
William T. Ross
Mailer Among the Intellectuals - Buckley and Mailer: The Difficult Friendship That Shaped the Sixties
Gerald R. Lucas
Parallel Lives - Masculinity and the Paradox of Violence in American Fiction, 1950–75
Jason Mosser
A History of Violences - Bramble, Infant Martian
Mark Olshaker
Kaufmann in Orbit - Re-creating Paul Bowles, the Other, and the Imagination: Music, Film, and Photography
Michael L. Shuman
Days of Future Passed: Paul Bowles and the Heyday of Hipness - Bramble, Infant Martian
Michael L. Shuman
Mars Needs Women - Chameleo
Victor Peppard
How the New Order of Surveillance Really Works
Creative Works
Bibliography
* * *
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