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===[[Reflections | ===[[/Reflections/]]=== | ||
==Articles and Miscellany== | ==Articles and Miscellany== | ||
* '''Ernest Hemingway'''<br />[Letter to Norman Mailer, August 12, 1959] | * '''Ernest Hemingway'''<br />[Letter to Norman Mailer, August 12, 1959] | ||
* '''[[Norman Mailer]]'''<br />[[Postscript to the Fourth Advertisement for Myself]] | * '''[[Norman Mailer]]'''<br />[[/Postscript to the Fourth Advertisement for Myself/]] | ||
* '''Norman Mailer'''<br />[[Hemingway Revisited]] | * '''Norman Mailer'''<br />[[/Hemingway Revisited/]] | ||
* '''[[J. Michael Lennon]]'''<br />[[Hemingway to Mailer — A Delayed Response to The Deer Park|Hemingway to Mailer — A Delayed Response to ''The Deer Park'']] | * '''[[J. Michael Lennon]]'''<br />[[/Hemingway to Mailer — A Delayed Response to The Deer Park|Hemingway to Mailer — A Delayed Response to ''The Deer Park'']] | ||
* '''[[John Hemingway]]'''<br />[[Norman, Ernest, and Greg]] | * '''[[John Hemingway]]'''<br />[[/Norman, Ernest, and Greg/]] | ||
* '''[[Robert J. Begiebing]]'''<br />[[Ernest and Norman: A Dialogue in Two Acts]] | * '''[[Robert J. Begiebing]]'''<br />[[/Ernest and Norman: A Dialogue in Two Acts/]] | ||
* '''[[Philip Bufithis]]''' and '''[[Kirk Curnutt]]'''<br />[[A Dialogue Essay on Mailer and Hemingway]] | * '''[[Philip Bufithis]]''' and '''[[Kirk Curnutt]]'''<br />[[/A Dialogue Essay on Mailer and Hemingway/]] | ||
* '''[[James H. Meredith]]'''<br />[[The American Civil War in The Naked and the Dead and Across the River and Into the Trees|The American Civil War in ''The Naked and the Dead'' and ''Across the River and Into the Trees'']] | * '''[[James H. Meredith]]'''<br />[[/The American Civil War in The Naked and the Dead and Across the River and Into the Trees|The American Civil War in ''The Naked and the Dead'' and ''Across the River and Into the Trees'']] | ||
* '''[[Michael L. Shuman]]'''<br />[[Norman vs. Ernest: Influence and Identity]] | * '''[[Michael L. Shuman]]'''<br />[[/Norman vs. Ernest: Influence and Identity/]] | ||
* '''[[Bill Lowenburg]]'''<br />[[Hooking Off the Jab: Norman Mailer, Ernest Hemingway and Boxing]] | * '''[[Bill Lowenburg]]'''<br />[[/Hooking Off the Jab: Norman Mailer, Ernest Hemingway and Boxing/]] | ||
* '''[[Mark Cirino]]'''<br />[[Norman Mailer's The Fight: Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing|Norman Mailer’s ''The Fight'': Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing]] | * '''[[Mark Cirino]]'''<br />[[/Norman Mailer's The Fight: Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing|Norman Mailer’s ''The Fight'': Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing]] | ||
* '''[[Kasia Boddy]]'''<br />[[Mailer, Hemingway, and Boxing]] | * '''[[Kasia Boddy]]'''<br />[[/Mailer, Hemingway, and Boxing/]] | ||
* '''[[Barry H. Leeds]]'''<br />[[Firearms in the Works of Hemingway and Mailer]] | * '''[[Barry H. Leeds]]'''<br />[[/Firearms in the Works of Hemingway and Mailer/]] | ||
* '''[[Erik Nakjavani]]'''<br />[[A Visionary Hermeneutic Appropriation: Meditations on Hemingway’s Influence on Mailer]] | * '''[[Erik Nakjavani]]'''<br />[[/A Visionary Hermeneutic Appropriation: Meditations on Hemingway’s Influence on Mailer/]] | ||
* '''[[James Plath]]'''<br />[[Jive-Ass Aficionado: Why Are We in Vietnam? and Hemingway's Moral Code|Jive-Ass Aficionado: ''Why Are We in Vietnam?'' and Hemingway’s Moral Code]] | * '''[[James Plath]]'''<br />[[/Jive-Ass Aficionado: Why Are We in Vietnam? and Hemingway's Moral Code|Jive-Ass Aficionado: ''Why Are We in Vietnam?'' and Hemingway’s Moral Code]] | ||
* '''[[Ezra Cappell]]'''<br />[[Hemingway's Jewish Progeny: Roth and Goldstein in ''The Naked and the Dead''|Hemingway’s Jewish Progeny: Roth and Goldstein in The Naked and the Dead]] | * '''[[Ezra Cappell]]'''<br />[[/Hemingway's Jewish Progeny: Roth and Goldstein in ''The Naked and the Dead''|Hemingway’s Jewish Progeny: Roth and Goldstein in The Naked and the Dead]] | ||
* '''[[Victor Peppard]]'''<br />[[Mailer, Hemingway, and the “Reds”]] | * '''[[Victor Peppard]]'''<br />[[/Mailer, Hemingway, and the “Reds”/]] | ||
* '''[[Donald L. Kaufmann]]'''<br />[[Ernest and Norman (Exit Music)]] | * '''[[Donald L. Kaufmann]]'''<br />[[/Ernest and Norman (Exit Music)/]] | ||
* '''[[Hilary K. Justice]]'''<br />[[Authorship and Alienation in Death in the Afternoon and Advertisements for Myself|Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'']] | * '''[[Hilary K. Justice]]'''<br />[[/Authorship and Alienation in Death in the Afternoon and Advertisements for Myself|Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'']] | ||
* '''[[Allen Josephs]]'''<br />[[Mailer's "Footnote to Death in the Afternoon"|Mailer’s “Footnote to ''Death in the Afternoon''”]] | * '''[[Allen Josephs]]'''<br />[[/Mailer's "Footnote to Death in the Afternoon"|Mailer’s “Footnote to ''Death in the Afternoon''”]] | ||
* '''[[Peter Hays]]'''<br />[[Battles for Regard, Writerly and Otherwise]] | * '''[[Peter Hays]]'''<br />[[/Battles for Regard, Writerly and Otherwise/]] | ||
* '''[[Mimi R. Gladstein]]'''<br />[[Norman, Papa, and the Autoerotic Construction of Woman]] | * '''[[Mimi R. Gladstein]]'''<br />[[/Norman, Papa, and the Autoerotic Construction of Woman/]] | ||
* '''[[Bob Batchelor]]'''<br />[[Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']] | * '''[[Bob Batchelor]]'''<br />[[/Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']] | ||
* '''[[Kathleen Robinson]]'''<br />[[Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River and Into the Trees'' and ''The Naked and the Dead'']] | * '''[[Kathleen Robinson]]'''<br />[[/Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River and Into the Trees'' and ''The Naked and the Dead'']] | ||
* '''[[Raymond M. Vince]]'''<br />[[Rumors of Grace: God-Language in Hemingway and Mailer]] | * '''[[Raymond M. Vince]]'''<br />[[/Rumors of Grace: God-Language in Hemingway and Mailer/]] | ||
* '''[[J’aimé L. Sanders]]'''<br />[[Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing]] | * '''[[J’aimé L. Sanders]]'''<br />[[/Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing/]] | ||
* '''[[H. R. Stoneback]]'''<br />[["Oohh Normie — You're Sooo Hemingway": Mailer Memories and Encounters|“Oohh Normie — You’re Sooo Hemingway”: Mailer Memories and Encounters]] | * '''[[H. R. Stoneback]]'''<br />[[/"Oohh Normie — You're Sooo Hemingway": Mailer Memories and Encounters|“Oohh Normie — You’re Sooo Hemingway”: Mailer Memories and Encounters]] | ||
* '''[[Thomas Jacomo]]'''<br />[[Sparring with Norman]] | * '''[[Thomas Jacomo]]'''<br />[[/Sparring with Norman/]] | ||
* '''[[Andrew Gordon]]'''<br />[[Encounters with Mailer]] | * '''[[Andrew Gordon]]'''<br />[[/Encounters with Mailer/]] | ||
* '''[[Gail D. Sinclair]]'''<br />[[Norman Mailer: An Expected Encounter in an Unexpected Place]] | * '''[[Gail D. Sinclair]]'''<br />[[/Norman Mailer: An Expected Encounter in an Unexpected Place/]] | ||
* '''[[Ross Klavan]]'''<br />[[On Reading Mailer Too Young]] | * '''[[Ross Klavan]]'''<br />[[/On Reading Mailer Too Young/]] | ||
* '''[[Erin Miele]]'''<br />[[What Norman Mailer Taught Me about Combat]] | * '''[[Erin Miele]]'''<br />[[/What Norman Mailer Taught Me about Combat/]] | ||
* '''[[Alex Vernon]]'''<br />[[Style, Politics, and Hemingway's Spanish Civil War Dispatches|Style, Politics, and Hemingway’s Spanish Civil War Dispatches]] | * '''[[Alex Vernon]]'''<br />[[/Style, Politics, and Hemingway's Spanish Civil War Dispatches|Style, Politics, and Hemingway’s Spanish Civil War Dispatches]] | ||
* '''[[Maureen O’Neill Hooker]]'''<br />[[Norman Mailer: From Orgone Accumulator to Cancer Protection for Schizophrenics]] | * '''[[Maureen O’Neill Hooker]]'''<br />[[/Norman Mailer: From Orgone Accumulator to Cancer Protection for Schizophrenics/]] | ||
* '''[[Matthew S. Hinton]]'''<br />[[Advertisements for Others: The Blurbs of Norman Mailer]] | * '''[[Matthew S. Hinton]]'''<br />[[/Advertisements for Others: The Blurbs of Norman Mailer/]] | ||
* '''[[Alexander Hicks]]'''<br />[[Harlot's Ghost, Bildungsroman, Masculinity and Hemingway|''Harlot’s Ghost'', ''Bildungsroman'', Masculinity and Hemingway]] | * '''[[Alexander Hicks]]'''<br />[[/Harlot's Ghost, Bildungsroman, Masculinity and Hemingway|''Harlot’s Ghost'', ''Bildungsroman'', Masculinity and Hemingway]] | ||
* '''[[Erin Mercer]]'''<br />[[Automatons and the Atomic Abyss: The Naked and the Dead|Automatons and the Atomic Abyss: ''The Naked and the Dead'']] | * '''[[Erin Mercer]]'''<br />[[/Automatons and the Atomic Abyss: The Naked and the Dead|Automatons and the Atomic Abyss: ''The Naked and the Dead'']] | ||
* '''[[Katharine Westaway]]'''<br />[["A Noble Pursuit": The Armies of the Night as Outside Agitator|“A Noble Pursuit”: ''The Armies of the Night'' as Outside Agitator]] | * '''[[Katharine Westaway]]'''<br />[[/"A Noble Pursuit": The Armies of the Night as Outside Agitator|“A Noble Pursuit”: ''The Armies of the Night'' as Outside Agitator]] | ||
* '''[[Sue Fox]]'''<br />[[ | * '''[[Sue Fox]]'''<br />[[/Norris Church Mailer/]] | ||
==Classic Interpretation== | ==Classic Interpretation== | ||
* '''[[Max Apple]]'''<br />[[Inside Norman Mailer]] | * '''[[Max Apple]]'''<br />[[/Inside Norman Mailer/]] | ||
==Book Reviews== | ==Book Reviews== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* ''A Ticket to the Circus''<br />'''[[John Bowers]]'''<br />[[Norris Church Mailer: An Artist from Arkansas]] | * ''A Ticket to the Circus''<br />'''[[John Bowers]]'''<br />[[/Norris Church Mailer: An Artist from Arkansas/]] | ||
* ''Fighters and Writers''<br />'''[[Sal Cetrano]]'''<br />[[All You Need is Glove]] | * ''Fighters and Writers''<br />'''[[Sal Cetrano]]'''<br />[[/All You Need is Glove/]] | ||
* ''1959: The Year that Changed Everything''<br />'''[[William T. Ross]]'''<br />[[1959: One of Mailer’s Years]] | * ''1959: The Year that Changed Everything''<br />'''[[William T. Ross]]'''<br />[[/1959: One of Mailer’s Years/]] | ||
{{div col end}} | {{div col end}} | ||
==Creative Works== | ==Creative Works== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* '''[[Daniele Pantano]]'''<br />[[Mailer & Hemingway: Low-Voiced Confessions]] | * '''[[Daniele Pantano]]'''<br />[[/Mailer & Hemingway: Low-Voiced Confessions/]] | ||
* '''[[Robbin Martinelli]]'''<br />[[From Where The Rivers Come]] | * '''[[Robbin Martinelli]]'''<br />[[/From Where The Rivers Come/]] | ||
* '''[[Nicholas Samaras]]'''<br />[[Norman Mailer and Ernest Hemingway Do Not Box in Heaven]] | * '''[[Nicholas Samaras]]'''<br />[[/Norman Mailer and Ernest Hemingway Do Not Box in Heaven/]] | ||
* '''[[Francis Blessington]]'''<br />[[The Boxer in the Park]] | * '''[[Francis Blessington]]'''<br />[[/The Boxer in the Park/]] | ||
{{div col end}} | {{div col end}} | ||
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{{DEFAULTSORT: Mailer Review, The}} | {{DEFAULTSORT: Mailer Review, The}} | ||
[[Category: | [[Category:2010 Vol. 4 (MR)]] | ||
[[Category:Contents]] | [[Category:Contents (MR)]] | ||
Latest revision as of 15:45, 22 May 2022
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| Volumes | Submissions | Subscriptions | Information | Volunteer |
 | |
| Editorial Staff | |
|---|---|
| Editor | Phillip Sipiora |
| Deputy Editor | Michael L. Shuman |
| Digital Editor, Webmaster | Gerald R. Lucas |
| Managing Editors | Constance E. Holmes Shannon L. Zinck |
| Design Editor | James R. Miller |
| Associate Editors | Taylor Joy Mitchell Christine Auger Jennifer Yirinec Raymond M. Vince Dianne Donnelly |
| Editorial Board | |
| J. Michael Lennon, Chair of Editorial Board (Wilkes University), Robert J. Begiebing (Southern New Hampshire University), John Whalen-Bridge (National University of Singapore), Philip Bufithis (Shepherd University), Christopher Busa (Founder and Editor of Provincetown Arts Press), Morris Dickstein (Graduate Center, City University of New York), Laura Adams Dunham (Independent Scholar), Michael Glenday (The Open University, United Kingdom), Hunt Hawkins (University of South Florida), Barry H. Leeds (Central Connecticut State University), Deborah Martinson (Occidental College), Michael Millgate (University of Toronto), Christopher Ricks (Boston University), Phillip Sipiora (University of South Florida), Thomas F. Staley (Harry Ransom Center, University of Texas at Austin), Barbara Mailer Wasserman (Memoirist). | |
Reflections
Articles and Miscellany
- Ernest Hemingway
[Letter to Norman Mailer, August 12, 1959] - Norman Mailer
Postscript to the Fourth Advertisement for Myself - Norman Mailer
Hemingway Revisited - J. Michael Lennon
Hemingway to Mailer — A Delayed Response to The Deer Park - John Hemingway
Norman, Ernest, and Greg - Robert J. Begiebing
Ernest and Norman: A Dialogue in Two Acts - Philip Bufithis and Kirk Curnutt
A Dialogue Essay on Mailer and Hemingway - James H. Meredith
The American Civil War in The Naked and the Dead and Across the River and Into the Trees - Michael L. Shuman
Norman vs. Ernest: Influence and Identity - Bill Lowenburg
Hooking Off the Jab: Norman Mailer, Ernest Hemingway and Boxing - Mark Cirino
Norman Mailer’s The Fight: Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing - Kasia Boddy
Mailer, Hemingway, and Boxing - Barry H. Leeds
Firearms in the Works of Hemingway and Mailer - Erik Nakjavani
A Visionary Hermeneutic Appropriation: Meditations on Hemingway’s Influence on Mailer - James Plath
Jive-Ass Aficionado: Why Are We in Vietnam? and Hemingway’s Moral Code - Ezra Cappell
Hemingway’s Jewish Progeny: Roth and Goldstein in The Naked and the Dead - Victor Peppard
Mailer, Hemingway, and the “Reds” - Donald L. Kaufmann
Ernest and Norman (Exit Music) - Hilary K. Justice
Authorship and Alienation in Death in the Afternoon and Advertisements for Myself - Allen Josephs
Mailer’s “Footnote to Death in the Afternoon” - Peter Hays
Battles for Regard, Writerly and Otherwise - Mimi R. Gladstein
Norman, Papa, and the Autoerotic Construction of Woman - Bob Batchelor
Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls - Kathleen Robinson
Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead - Raymond M. Vince
Rumors of Grace: God-Language in Hemingway and Mailer - J’aimé L. Sanders
Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing - H. R. Stoneback
“Oohh Normie — You’re Sooo Hemingway”: Mailer Memories and Encounters - Thomas Jacomo
Sparring with Norman - Andrew Gordon
Encounters with Mailer - Gail D. Sinclair
Norman Mailer: An Expected Encounter in an Unexpected Place - Ross Klavan
On Reading Mailer Too Young - Erin Miele
What Norman Mailer Taught Me about Combat - Alex Vernon
Style, Politics, and Hemingway’s Spanish Civil War Dispatches - Maureen O’Neill Hooker
Norman Mailer: From Orgone Accumulator to Cancer Protection for Schizophrenics - Matthew S. Hinton
Advertisements for Others: The Blurbs of Norman Mailer - Alexander Hicks
Harlot’s Ghost, Bildungsroman, Masculinity and Hemingway - Erin Mercer
Automatons and the Atomic Abyss: The Naked and the Dead - Katharine Westaway
“A Noble Pursuit”: The Armies of the Night as Outside Agitator - Sue Fox
Norris Church Mailer
Classic Interpretation
Book Reviews
- A Ticket to the Circus
John Bowers
Norris Church Mailer: An Artist from Arkansas - Fighters and Writers
Sal Cetrano
All You Need is Glove - 1959: The Year that Changed Everything
William T. Ross
1959: One of Mailer’s Years
Creative Works
Bibliography
* * *
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