The Mailer Review/Volume 4, 2010: Difference between revisions
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* '''[[Donald L. Kaufmann]]'''<br />{{Big|[[/Ernest and Norman (Exit Music)/]]}} | * '''[[Donald L. Kaufmann]]'''<br />{{Big|[[/Ernest and Norman (Exit Music)/]]}} | ||
* '''[[Hilary K. Justice]]'''<br />{{Big|[[/Authorship and Alienation in Death in the Afternoon and Advertisements for Myself|Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'']]}} | * '''[[Hilary K. Justice]]'''<br />{{Big|[[/Authorship and Alienation in Death in the Afternoon and Advertisements for Myself|Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'']]}} | ||
* '''[[Allen Josephs]]'''<br />{{Big|[[/Mailer's "Footnote to Death in the Afternoon"|Mailer’s “Footnote to ''Death in the Afternoon''”]] | * '''[[Allen Josephs]]'''<br />{{Big|[[/Mailer's "Footnote to Death in the Afternoon"|Mailer’s “Footnote to ''Death in the Afternoon''”]]}} | ||
* '''[[Peter Hays]]'''<br />{{Big|[[/Battles for Regard, Writerly and Otherwise/]]}} | * '''[[Peter Hays]]'''<br />{{Big|[[/Battles for Regard, Writerly and Otherwise/]]}} | ||
* '''[[Mimi R. Gladstein]]'''<br />{{Big|[[/Norman, Papa, and the Autoerotic Construction of Woman/]]}} | * '''[[Mimi R. Gladstein]]'''<br />{{Big|[[/Norman, Papa, and the Autoerotic Construction of Woman/]]}} | ||
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* '''[[Alexander Hicks]]'''<br />{{Big|[[/Harlot's Ghost, Bildungsroman, Masculinity and Hemingway|''Harlot’s Ghost'', ''Bildungsroman'', Masculinity and Hemingway]]}} | * '''[[Alexander Hicks]]'''<br />{{Big|[[/Harlot's Ghost, Bildungsroman, Masculinity and Hemingway|''Harlot’s Ghost'', ''Bildungsroman'', Masculinity and Hemingway]]}} | ||
* '''[[Erin Mercer]]'''<br />{{Big|[[/Automatons and the Atomic Abyss: The Naked and the Dead|Automatons and the Atomic Abyss: ''The Naked and the Dead'']]}} | * '''[[Erin Mercer]]'''<br />{{Big|[[/Automatons and the Atomic Abyss: The Naked and the Dead|Automatons and the Atomic Abyss: ''The Naked and the Dead'']]}} | ||
* '''[[Katharine Westaway]]'''<br />{{Big|[[/ | * '''[[Katharine Westaway]]'''<br />{{Big|[[/“A Noble Pursuit”: The Armies of the Night as Outside Agitator|“A Noble Pursuit”: ''The Armies of the Night'' as Outside Agitator]]}} | ||
* '''[[Sue Fox]]'''<br />{{Big|[[/Norris Church Mailer/]]}} | * '''[[Sue Fox]]'''<br />{{Big|[[/Norris Church Mailer/]]}} | ||
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Volumes | Submissions | Subscriptions | Information | Volunteer |
Articles and Miscellany
- Ernest Hemingway
[Letter to Norman Mailer, August 12, 1959] - Norman Mailer
Postscript to the Fourth Advertisement for Myself - Norman Mailer
Hemingway Revisited - J. Michael Lennon
Hemingway to Mailer — A Delayed Response to The Deer Park - John Hemingway
Norman, Ernest, and Greg - Robert J. Begiebing
Ernest and Norman: A Dialogue in Two Acts - Philip Bufithis and Kirk Curnutt
A Dialogue Essay on Mailer and Hemingway - James H. Meredith
The American Civil War in The Naked and the Dead and Across the River and Into the Trees - Michael L. Shuman
Norman vs. Ernest: Influence and Identity - Bill Lowenburg
Hooking Off the Jab: Norman Mailer, Ernest Hemingway and Boxing - Mark Cirino
Norman Mailer’s The Fight: Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing - Kasia Boddy
Mailer, Hemingway, and Boxing - Barry H. Leeds
Firearms in the Works of Hemingway and Mailer - Erik Nakjavani
A Visionary Hermeneutic Appropriation: Meditations on Hemingway’s Influence on Mailer - James Plath
Jive-Ass Aficionado: Why Are We in Vietnam? and Hemingway’s Moral Code - Ezra Cappell
Hemingway’s Jewish Progeny: Roth and Goldstein in The Naked and the Dead - Victor Peppard
Mailer, Hemingway, and the “Reds” - Donald L. Kaufmann
Ernest and Norman (Exit Music) - Hilary K. Justice
Authorship and Alienation in Death in the Afternoon and Advertisements for Myself - Allen Josephs
Mailer’s “Footnote to Death in the Afternoon” - Peter Hays
Battles for Regard, Writerly and Otherwise - Mimi R. Gladstein
Norman, Papa, and the Autoerotic Construction of Woman - Bob Batchelor
Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls - Kathleen Robinson
Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead - Raymond M. Vince
Rumors of Grace: God-Language in Hemingway and Mailer - J’aimé L. Sanders
Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing - H. R. Stoneback
“Oohh Normie — You’re Sooo Hemingway”: Mailer Memories and Encounters - Thomas Jacomo
Sparring with Norman - Andrew Gordon
Encounters with Mailer - Gail D. Sinclair
Norman Mailer: An Expected Encounter in an Unexpected Place - Ross Klavan
On Reading Mailer Too Young - Erin Miele
What Norman Mailer Taught Me about Combat - Alex Vernon
Style, Politics, and Hemingway’s Spanish Civil War Dispatches - Maureen O’Neill Hooker
Norman Mailer: From Orgone Accumulator to Cancer Protection for Schizophrenics - Matthew S. Hinton
Advertisements for Others: The Blurbs of Norman Mailer - Alexander Hicks
Harlot’s Ghost, Bildungsroman, Masculinity and Hemingway - Erin Mercer
Automatons and the Atomic Abyss: The Naked and the Dead - Katharine Westaway
“A Noble Pursuit”: The Armies of the Night as Outside Agitator - Sue Fox
Norris Church Mailer
Classic Interpretation
Book Reviews
- A Ticket to the Circus
John Bowers
Norris Church Mailer: An Artist from Arkansas - Fighters and Writers
Sal Cetrano
All You Need is Glove - 1959: The Year that Changed Everything
William T. Ross
1959: One of Mailer’s Years
Creative Works
Bibliography
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