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{{DISPLAYTITLE:''The Mailer Review''/Volume 10, 2016}} | {{DISPLAYTITLE:''The Mailer Review''/Volume 10, 2016}} | ||
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===[[Reflections | ===[[/Reflections/]]=== | ||
===[[Remembering Barry Leeds]]=== | ===[[/Remembering Barry Leeds/]]=== | ||
==Featured== | ==Featured== | ||
* '''[[J. Michael Lennon]]'''<br />[[The Collision#Note|A Note on “The Collision,” Norman Mailer’s First Short Story]] | * '''[[J. Michael Lennon]]'''<br />[[/The Collision#Note|A Note on “The Collision,” Norman Mailer’s First Short Story]] | ||
* '''[[Norman Mailer]]'''<br />[[The Collision]] | * '''[[Norman Mailer]]'''<br />[[/The Collision/]] | ||
==Articles and Miscellany== | ==Articles and Miscellany== | ||
* '''[[Kate Mailer]]'''<br />[[People Who Look Alike Are Alike]] | * '''[[Kate Mailer]]'''<br />[[/People Who Look Alike Are Alike/]] | ||
* '''[[William T. Ross]]'''<br />[[When Novelists Were Kings: Norman Mailer and Esquire in the 1960s|When Novelists Were Kings: Norman Mailer and ''Esquire'' in the 1960s]] | * '''[[William T. Ross]]'''<br />[[/When Novelists Were Kings: Norman Mailer and Esquire in the 1960s|When Novelists Were Kings: Norman Mailer and ''Esquire'' in the 1960s]] | ||
* '''[[Mark Edmundson]]'''<br />[[Mailer’s Greatness: A Note]] | * '''[[Mark Edmundson]]'''<br />[[/Mailer’s Greatness: A Note/]] | ||
* '''[[Morris Dickstein]]''' and '''[[J. Michael Lennon]]'''<br />[[Mailer’s Letters: A Colloquy at the Strand Bookstore]] | * '''[[Morris Dickstein]]''' and '''[[J. Michael Lennon]]'''<br />[[/Mailer’s Letters: A Colloquy at the Strand Bookstore/]] | ||
* '''[[Robert Begiebing]]'''<br />[[Sex Prison, 2016]] | * '''[[Robert Begiebing]]'''<br />[[/Sex Prison, 2016/]] | ||
* '''[[Lawrence R. Broer]]'''<br />[[Meta-Modernism in An American Dream|Meta-Modernism in ''An American Dream'']] | * '''[[Lawrence R. Broer]]'''<br />[[/Meta-Modernism in An American Dream|Meta-Modernism in ''An American Dream'']] | ||
* '''[[Bob Batchelor]]'''<br />[[No Pre-Fabricated Words: Norman Mailer and Inventive Biography]] | * '''[[Bob Batchelor]]'''<br />[[/No Pre-Fabricated Words: Norman Mailer and Inventive Biography/]] | ||
* '''[[Jerome Loving]]'''<br />[[From Solitary to the City: Norman Mailer’s Bet on Jack Henry Abbott]] | * '''[[Jerome Loving]]'''<br />[[/From Solitary to the City: Norman Mailer’s Bet on Jack Henry Abbott/]] | ||
* '''[[Jeffrey Michelson]]''', '''[[Elizabeth Mailer]]''', '''[[Peter Alson]]''', '''[[John Buffalo Mailer]]'''<br />[[Top Ten Things]] | * '''[[Jeffrey Michelson]]''', '''[[Elizabeth Mailer]]''', '''[[Peter Alson]]''', '''[[John Buffalo Mailer]]'''<br />[[/Top Ten Things/]] | ||
* '''[[Justin Bozung]]'''<br />[[Norman Mailer’s Dark Forces]] | * '''[[Justin Bozung]]'''<br />[[/Norman Mailer’s Dark Forces/]] | ||
* '''[[Robert Singer]]'''<br />[[Performing Norman / Norman Performing: Wild 90 as Disruptive Narrative]] | * '''[[Robert Singer]]'''<br />[[/Performing Norman / Norman Performing: Wild 90 as Disruptive Narrative/]] | ||
* '''[[Ashley M. Donnelly]]'''<br />[[Mailer’s New Man: Differing Masculinities in Tough Guys Don’t Dance|Mailer’s New Man: Differing Masculinities in ''Tough Guys Don’t Dance'']] | * '''[[Ashley M. Donnelly]]'''<br />[[/Mailer’s New Man: Differing Masculinities in Tough Guys Don’t Dance|Mailer’s New Man: Differing Masculinities in ''Tough Guys Don’t Dance'']] | ||
* '''[[Kathleen “Kat” Robinson]]'''<br />[[The Triteness of Trauma and Time: Non-Linear Narrative in Tough Guys Don’t Dance|The Triteness of Trauma and Time: Non-Linear Narrative in ''Tough Guys Don’t Dance'']] | * '''[[Kathleen “Kat” Robinson]]'''<br />[[/The Triteness of Trauma and Time: Non-Linear Narrative in Tough Guys Don’t Dance|The Triteness of Trauma and Time: Non-Linear Narrative in ''Tough Guys Don’t Dance'']] | ||
* '''[[Christopher Busa]]'''<br />[[Norman Mailer and ''Provincetown Arts'']] | * '''[[Christopher Busa]]'''<br />[[/Norman Mailer and Provincetown Arts|Norman Mailer and ''Provincetown Arts'']] | ||
* '''[[Raymond M. Vince]]'''<br />[[Writing of a Woman’s Soul: Gender Pilgrimage in Lawrence and Mailer]] | * '''[[Raymond M. Vince]]'''<br />[[/Writing of a Woman’s Soul: Gender Pilgrimage in Lawrence and Mailer/]] | ||
* '''[[Andrew M. Gordon ]]'''<br />[[Mailer’s Use of Wilhelm Reich]] | * '''[[Andrew M. Gordon ]]'''<br />[[/Mailer’s Use of Wilhelm Reich/]] | ||
* '''[[Robert Nason]]'''<br />[[In Search of the Jewish Norman Mailer]] | * '''[[Robert Nason]]'''<br />[[/In Search of the Jewish Norman Mailer/]] | ||
* '''[[Alexander Hicks]]'''<br />[[A Lot of Balzac: Norman Mailer and the Early French Realists]] | * '''[[Alexander Hicks]]'''<br />[[/A Lot of Balzac: Norman Mailer and the Early French Realists/]] | ||
* '''[[Erik Nakjavani]]'''<br />[[Norman Mailer’s Reception of Inherited Sociocultural Norms (1950–1960)]] | * '''[[Erik Nakjavani]]'''<br />[[/Norman Mailer’s Reception of Inherited Sociocultural Norms (1950–1960)/]] | ||
* '''[[Enid Stubin]]'''<br />[[“Don’t Go Away Feeling Unequal”: “The Time of Her Time” and Mailer’s Conciliatory Impulse]] | * '''[[Enid Stubin]]'''<br />[[/“Don’t Go Away Feeling Unequal”: “The Time of Her Time” and Mailer’s Conciliatory Impulse/]] | ||
* '''[[Victor Peppard]]'''<br />[[The Curious Story of Norman Mailer’s Engagement with Short Fiction]] | * '''[[Victor Peppard]]'''<br />[[/The Curious Story of Norman Mailer’s Engagement with Short Fiction/]] | ||
* '''[[Jeanne Fuchs]]'''<br />[[Mixed Signals in Mailer’s “La Petite Bourgeoise”]] | * '''[[Jeanne Fuchs]]'''<br />[[/Mixed Signals in Mailer’s “La Petite Bourgeoise”/]] | ||
* '''[[Bill Lowenburg]]'''<br />[[“One Foot and Three Toes in Prison”: Remembering Muhammad Ali]] | * '''[[Bill Lowenburg]]'''<br />[[/“One Foot and Three Toes in Prison”: Remembering Muhammad Ali/]] | ||
* '''[[Ronald K. Fried]]'''<br />[[Ali: He Paid the Price for His Brutal Profession]] | * '''[[Ronald K. Fried]]'''<br />[[/Ali: He Paid the Price for His Brutal Profession/]] | ||
* '''[[Raj Chandarlapaty]]'''<br />[[Drugs, Depression, and Social Change: How Magic Realism Morphed Into Social Change in the Writings of Norman Mailer]] | * '''[[Raj Chandarlapaty]]'''<br />[[/Drugs, Depression, and Social Change: How Magic Realism Morphed Into Social Change in the Writings of Norman Mailer/]] | ||
==Classic Interpretation== | ==Classic Interpretation== | ||
* '''[[Bernard Horn]]'''<br />[[Ahab and Ishmael at War: The Presence of Moby-Dick in The Naked and the Dead|Ahab and Ishmael at War: The Presence of ''Moby-Dick'' in ''The Naked and the Dead'']] | * '''[[Bernard Horn]]'''<br />[[/Ahab and Ishmael at War: The Presence of Moby-Dick in The Naked and the Dead|Ahab and Ishmael at War: The Presence of ''Moby-Dick'' in ''The Naked and the Dead'']] | ||
* '''[[Peter Balbert]]'''<br />[[Impotence, Recovery, and the Honorable Beast: The Aesthetics of the Fourth Dimension in The Virgin and the Gipsy|Impotence, Recovery, and the Honorable Beast: The Aesthetics of the Fourth Dimension in ''The Virgin and the Gipsy'']] | * '''[[Peter Balbert]]'''<br />[[/Impotence, Recovery, and the Honorable Beast: The Aesthetics of the Fourth Dimension in The Virgin and the Gipsy|Impotence, Recovery, and the Honorable Beast: The Aesthetics of the Fourth Dimension in ''The Virgin and the Gipsy'']] | ||
==Book Reviews== | ==Book Reviews== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* ''Norman Mailer and the Modernist Turn''<br />'''[[Maggie McKinley]]'''<br />[[Norman Mailer’s Janus-Faced Project]] | * ''Norman Mailer and the Modernist Turn''<br />'''[[Maggie McKinley]]'''<br />[[/Norman Mailer’s Janus-Faced Project/]] | ||
* ''Confessions of a Serial Biographer''<br />'''[[Mary Dearborn]]'''<br />[[A Biographer Going Rogue]] | * ''Confessions of a Serial Biographer''<br />'''[[Mary Dearborn]]'''<br />[[/A Biographer Going Rogue/]] | ||
* ''Young Lions: How Jewish Authors Reinvented the American War Novel''<br />'''[[Mashey Bernstein]]'''<br />[[They Ate Their Spam with Their Yarmulkes On: Young Lions/Old Tropes]] | * ''Young Lions: How Jewish Authors Reinvented the American War Novel''<br />'''[[Mashey Bernstein]]'''<br />[[/They Ate Their Spam with Their Yarmulkes On: Young Lions / Old Tropes/]] | ||
* ''The Territory around Us: Collected Literary and Political Journalism, 1982–2015''<br />'''[[Michael L. Shuman]]'''<br />[[Beating the Odds in Big Sur]] | * ''The Territory around Us: Collected Literary and Political Journalism, 1982–2015''<br />'''[[Michael L. Shuman]]'''<br />[[/Beating the Odds in Big Sur/]] | ||
* ''D. H. Lawrence and the Marriage Matrix: Intertextual Adventures in Conflict, Renewal, and Transcendence''<br />'''[[Raymond M. Vince]]'''<br />[[D. H. Lawrence and Marriage: Mapping the “Logic of the Soul”]] | * ''D. H. Lawrence and the Marriage Matrix: Intertextual Adventures in Conflict, Renewal, and Transcendence''<br />'''[[Raymond M. Vince]]'''<br />[[/D. H. Lawrence and Marriage: Mapping the “Logic of the Soul”/]] | ||
* ''Smuggler’s Blues: A True Story of the Hippie Mafia''<br />'''[[Michael L. Shuman]]'''<br />[[Wise-Guy Capers, Zig-Zag Minds]] | * ''Smuggler’s Blues: A True Story of the Hippie Mafia''<br />'''[[Michael L. Shuman]]'''<br />[[/Wise-Guy Capers, Zig-Zag Minds/]] | ||
* ''O Brave New Eve: A Genetic Fantasy''<br />'''[[Michael L. Shuman]]'''<br />[[Trans-human Genetics Comes to Tampa]] | * ''O Brave New Eve: A Genetic Fantasy''<br />'''[[Michael L. Shuman]]'''<br />[[/Trans-human Genetics Comes to Tampa/]] | ||
{{div col end}} | {{div col end}} | ||
==Creative Works== | ==Creative Works== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* '''[[Karen Brown]]'''<br />[[The House on Neptune]] | * '''[[Karen Brown]]'''<br />[[/The House on Neptune/]] | ||
* '''[[Robert Guffey]]'''<br />[[Destroy All Monsters]] | * '''[[Robert Guffey]]'''<br />[[/Destroy All Monsters/]] | ||
* '''[[Gerald R. Lucas]]'''<br />[[Every You, Every Me]] | * '''[[Gerald R. Lucas]]'''<br />[[/Every You, Every Me/]] | ||
* '''[[Betty Viamontes]]'''<br />[[Abandoned]] | * '''[[Betty Viamontes]]'''<br />[[/Abandoned/]] | ||
* '''[[Jay Hopler]]'''<br />[[THE PALLBEARER]] | * '''[[Jay Hopler]]'''<br />[[/THE PALLBEARER/]] | ||
* '''[[Gary D. Rhodes]]'''<br />[[Motography]] | * '''[[Gary D. Rhodes]]'''<br />[[/Motography/]] | ||
* '''[[Sal | * '''[[Sal Centrano]]'''<br />[[/Selected Poems/]] | ||
* '''[[Daniel Barshay]]'''<br />[[Selected Poems]] | * '''[[Daniel Barshay]]'''<br />[[/Selected Poems/]] | ||
{{div col end}} | {{div col end}} | ||
==Bibliography== | ==Bibliography== | ||
* '''[[Shannon L. Zinck]]'''<br />Norman Mailer Bibliography: 2015 | * '''[[Shannon L. Zinck]]'''<br />[[/Norman Mailer Bibliography: 2015/]] | ||
{{Mr-bottom}} | {{Mr-bottom}} | ||
{{DEFAULTSORT: Mailer Review, The}} | {{DEFAULTSORT: Mailer Review, The}} | ||
[[Category:2016 Vol. 10 (MR)]] | |||
[[Category:Contents]] | [[Category:Contents (MR)]] | ||
Latest revision as of 06:42, 23 May 2022
 | This page, “Volume 10, 2016,” is currently Under Construction. It was last revised by the editor Grlucas on 2022-05-23. We apologize for any inconvenience and hope to have the page completed soon. If you have a question or comment, please post a discussion thread. (Find out how to remove this banner.) |
| Volumes | Submissions | Subscriptions | Information | Volunteer |
 | |
| Editorial Staff | |
|---|---|
| Editor | Phillip Sipiora |
| Deputy Editor | Michael L. Shuman |
| Digital Editor, Webmaster | Gerald R. Lucas |
| Senior Managing Editor | Constance E. Holmes |
| Managing Editor | Shannon L. Zinck |
| Design Editor | James R. Miller |
| Associate Editors | Taylor Joy Mitchell Christine Auger |
| Editorial Board | |
| J. Michael Lennon, Chair of Editorial Board (Wilkes University), Robert J. Begiebing (Southern New Hampshire University), John Whalen-Bridge (National University of Singapore), Philip Bufithis (Shepherd University), Christopher Busa (Founder and Editor of Provincetown Arts Press), Morris Dickstein (Graduate Center, City University of New York), Laura Adams Dunham (Independent Scholar), Michael Glenday (The Open University, United Kingdom), Andrew Gordon (University of Florida), Hunt Hawkins (University of South Florida), Michael Millgate (University of Toronto), Christopher Ricks (Boston University), Phillip Sipiora (University of South Florida), Thomas F. Staley (Harry Ransom Center, University of Texas at Austin), Barbara Mailer Wasserman (Memoirist). | |
Reflections
Remembering Barry Leeds
Featured
- J. Michael Lennon
A Note on “The Collision,” Norman Mailer’s First Short Story - Norman Mailer
The Collision
Articles and Miscellany
- Kate Mailer
People Who Look Alike Are Alike - William T. Ross
When Novelists Were Kings: Norman Mailer and Esquire in the 1960s - Mark Edmundson
Mailer’s Greatness: A Note - Morris Dickstein and J. Michael Lennon
Mailer’s Letters: A Colloquy at the Strand Bookstore - Robert Begiebing
Sex Prison, 2016 - Lawrence R. Broer
Meta-Modernism in An American Dream - Bob Batchelor
No Pre-Fabricated Words: Norman Mailer and Inventive Biography - Jerome Loving
From Solitary to the City: Norman Mailer’s Bet on Jack Henry Abbott - Jeffrey Michelson, Elizabeth Mailer, Peter Alson, John Buffalo Mailer
Top Ten Things - Justin Bozung
Norman Mailer’s Dark Forces - Robert Singer
Performing Norman / Norman Performing: Wild 90 as Disruptive Narrative - Ashley M. Donnelly
Mailer’s New Man: Differing Masculinities in Tough Guys Don’t Dance - Kathleen “Kat” Robinson
The Triteness of Trauma and Time: Non-Linear Narrative in Tough Guys Don’t Dance - Christopher Busa
Norman Mailer and Provincetown Arts - Raymond M. Vince
Writing of a Woman’s Soul: Gender Pilgrimage in Lawrence and Mailer - Andrew M. Gordon
Mailer’s Use of Wilhelm Reich - Robert Nason
In Search of the Jewish Norman Mailer - Alexander Hicks
A Lot of Balzac: Norman Mailer and the Early French Realists - Erik Nakjavani
Norman Mailer’s Reception of Inherited Sociocultural Norms (1950–1960) - Enid Stubin
“Don’t Go Away Feeling Unequal”: “The Time of Her Time” and Mailer’s Conciliatory Impulse - Victor Peppard
The Curious Story of Norman Mailer’s Engagement with Short Fiction - Jeanne Fuchs
Mixed Signals in Mailer’s “La Petite Bourgeoise” - Bill Lowenburg
“One Foot and Three Toes in Prison”: Remembering Muhammad Ali - Ronald K. Fried
Ali: He Paid the Price for His Brutal Profession - Raj Chandarlapaty
Drugs, Depression, and Social Change: How Magic Realism Morphed Into Social Change in the Writings of Norman Mailer
Classic Interpretation
- Bernard Horn
Ahab and Ishmael at War: The Presence of Moby-Dick in The Naked and the Dead - Peter Balbert
Impotence, Recovery, and the Honorable Beast: The Aesthetics of the Fourth Dimension in The Virgin and the Gipsy
Book Reviews
- Norman Mailer and the Modernist Turn
Maggie McKinley
Norman Mailer’s Janus-Faced Project - Confessions of a Serial Biographer
Mary Dearborn
A Biographer Going Rogue - Young Lions: How Jewish Authors Reinvented the American War Novel
Mashey Bernstein
They Ate Their Spam with Their Yarmulkes On: Young Lions / Old Tropes - The Territory around Us: Collected Literary and Political Journalism, 1982–2015
Michael L. Shuman
Beating the Odds in Big Sur - D. H. Lawrence and the Marriage Matrix: Intertextual Adventures in Conflict, Renewal, and Transcendence
Raymond M. Vince
D. H. Lawrence and Marriage: Mapping the “Logic of the Soul” - Smuggler’s Blues: A True Story of the Hippie Mafia
Michael L. Shuman
Wise-Guy Capers, Zig-Zag Minds - O Brave New Eve: A Genetic Fantasy
Michael L. Shuman
Trans-human Genetics Comes to Tampa
Creative Works
Bibliography
* * *
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