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{{DISPLAYTITLE:''The Mailer Review''/Volume 10, 2016}} | {{DISPLAYTITLE:''The Mailer Review''/Volume 10, 2016}} | ||
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===[[Reflections | ===[[/Reflections/]]=== | ||
===[[Remembering Barry Leeds]]=== | ===[[/Remembering Barry Leeds/]]=== | ||
==Featured== | ==Featured== | ||
* '''[[J. Michael Lennon]]'''<br />[[The Collision#Note|A Note on “The Collision,” Norman Mailer’s First Short Story]] | * '''[[J. Michael Lennon]]'''<br />[[/The Collision#Note|A Note on “The Collision,” Norman Mailer’s First Short Story]] | ||
* '''[[Norman Mailer]]'''<br />[[The Collision]] | * '''[[Norman Mailer]]'''<br />[[/The Collision/]] | ||
==Articles and Miscellany== | ==Articles and Miscellany== | ||
* '''[[Kate Mailer]]'''<br />[[People Who Look Alike Are Alike]] | * '''[[Kate Mailer]]'''<br />[[/People Who Look Alike Are Alike/]] | ||
* '''[[William T. Ross]]'''<br />[[When Novelists Were Kings: Norman Mailer and Esquire in the 1960s|When Novelists Were Kings: Norman Mailer and ''Esquire'' in the 1960s]] | * '''[[William T. Ross]]'''<br />[[/When Novelists Were Kings: Norman Mailer and Esquire in the 1960s|When Novelists Were Kings: Norman Mailer and ''Esquire'' in the 1960s]] | ||
* '''[[Mark Edmundson]]'''<br />[[Mailer’s Greatness: A Note]] | * '''[[Mark Edmundson]]'''<br />[[/Mailer’s Greatness: A Note/]] | ||
* '''[[Morris Dickstein]]''' and '''[[J. Michael Lennon]]'''<br />[[Mailer’s Letters: A Colloquy at the Strand Bookstore]] | * '''[[Morris Dickstein]]''' and '''[[J. Michael Lennon]]'''<br />[[/Mailer’s Letters: A Colloquy at the Strand Bookstore/]] | ||
* '''[[Robert Begiebing]]'''<br />[[Sex Prison, 2016]] | * '''[[Robert Begiebing]]'''<br />[[/Sex Prison, 2016/]] | ||
* '''[[Lawrence R. Broer]]'''<br />[[Meta-Modernism in An American Dream|Meta-Modernism in ''An American Dream'']] | * '''[[Lawrence R. Broer]]'''<br />[[/Meta-Modernism in An American Dream|Meta-Modernism in ''An American Dream'']] | ||
* '''[[Bob Batchelor]]'''<br />[[No Pre-Fabricated Words: Norman Mailer and Inventive Biography]] | * '''[[Bob Batchelor]]'''<br />[[/No Pre-Fabricated Words: Norman Mailer and Inventive Biography/]] | ||
* '''[[Jerome Loving]]'''<br />[[From Solitary to the City: Norman Mailer’s Bet on Jack Henry Abbott]] | * '''[[Jerome Loving]]'''<br />[[/From Solitary to the City: Norman Mailer’s Bet on Jack Henry Abbott/]] | ||
* '''[[Jeffrey Michelson]]''', '''[[Elizabeth Mailer]]''', '''[[Peter Alson]]''', '''[[John Buffalo Mailer]]'''<br />[[Top Ten Things]] | * '''[[Jeffrey Michelson]]''', '''[[Elizabeth Mailer]]''', '''[[Peter Alson]]''', '''[[John Buffalo Mailer]]'''<br />[[/Top Ten Things/]] | ||
* '''[[Justin Bozung]]'''<br />[[Norman Mailer’s Dark Forces]] | * '''[[Justin Bozung]]'''<br />[[/Norman Mailer’s Dark Forces/]] | ||
* '''[[Robert Singer]]'''<br />[[Performing Norman / Norman Performing: Wild 90 as Disruptive Narrative]] | * '''[[Robert Singer]]'''<br />[[/Performing Norman / Norman Performing: Wild 90 as Disruptive Narrative/]] | ||
* '''[[Ashley M. Donnelly]]'''<br />[[Mailer’s New Man: Differing Masculinities in Tough Guys Don’t Dance|Mailer’s New Man: Differing Masculinities in ''Tough Guys Don’t Dance'']] | * '''[[Ashley M. Donnelly]]'''<br />[[/Mailer’s New Man: Differing Masculinities in Tough Guys Don’t Dance|Mailer’s New Man: Differing Masculinities in ''Tough Guys Don’t Dance'']] | ||
* '''[[Kathleen “Kat” Robinson]]'''<br />[[The Triteness of Trauma and Time: Non-Linear Narrative in Tough Guys Don’t Dance|The Triteness of Trauma and Time: Non-Linear Narrative in ''Tough Guys Don’t Dance'']] | * '''[[Kathleen “Kat” Robinson]]'''<br />[[/The Triteness of Trauma and Time: Non-Linear Narrative in Tough Guys Don’t Dance|The Triteness of Trauma and Time: Non-Linear Narrative in ''Tough Guys Don’t Dance'']] | ||
* '''[[Christopher Busa]]'''<br />[[Norman Mailer and ''Provincetown Arts'']] | * '''[[Christopher Busa]]'''<br />[[/Norman Mailer and Provincetown Arts|Norman Mailer and ''Provincetown Arts'']] | ||
* '''[[Raymond M. Vince]]'''<br />[[Writing of a Woman’s Soul: Gender Pilgrimage in Lawrence and Mailer]] | * '''[[Raymond M. Vince]]'''<br />[[/Writing of a Woman’s Soul: Gender Pilgrimage in Lawrence and Mailer/]] | ||
* '''[[Andrew M. Gordon ]]'''<br />[[Mailer’s Use of Wilhelm Reich]] | * '''[[Andrew M. Gordon ]]'''<br />[[/Mailer’s Use of Wilhelm Reich/]] | ||
* '''[[Robert Nason]]'''<br />[[In Search of the Jewish Norman Mailer]] | * '''[[Robert Nason]]'''<br />[[/In Search of the Jewish Norman Mailer/]] | ||
* '''[[Alexander Hicks]]'''<br />[[A Lot of Balzac: Norman Mailer and the Early French Realists]] | * '''[[Alexander Hicks]]'''<br />[[/A Lot of Balzac: Norman Mailer and the Early French Realists/]] | ||
* '''[[Erik Nakjavani]]'''<br />[[Norman Mailer’s Reception of Inherited Sociocultural Norms (1950–1960)]] | * '''[[Erik Nakjavani]]'''<br />[[/Norman Mailer’s Reception of Inherited Sociocultural Norms (1950–1960)/]] | ||
* '''[[Enid Stubin]]'''<br />[[“Don’t Go Away Feeling Unequal”: “The Time of Her Time” and Mailer’s Conciliatory Impulse]] | * '''[[Enid Stubin]]'''<br />[[/“Don’t Go Away Feeling Unequal”: “The Time of Her Time” and Mailer’s Conciliatory Impulse/]] | ||
* '''[[Victor Peppard]]'''<br />[[The Curious Story of Norman Mailer’s Engagement with Short Fiction]] | * '''[[Victor Peppard]]'''<br />[[/The Curious Story of Norman Mailer’s Engagement with Short Fiction/]] | ||
* '''[[Jeanne Fuchs]]'''<br />[[Mixed Signals in Mailer’s “La Petite Bourgeoise”]] | * '''[[Jeanne Fuchs]]'''<br />[[/Mixed Signals in Mailer’s “La Petite Bourgeoise”/]] | ||
* '''[[Bill Lowenburg]]'''<br />[[“One Foot and Three Toes in Prison”: Remembering Muhammad Ali]] | * '''[[Bill Lowenburg]]'''<br />[[/“One Foot and Three Toes in Prison”: Remembering Muhammad Ali/]] | ||
* '''[[Ronald K. Fried]]'''<br />[[Ali: He Paid the Price for His Brutal Profession]] | * '''[[Ronald K. Fried]]'''<br />[[/Ali: He Paid the Price for His Brutal Profession/]] | ||
* '''[[Raj Chandarlapaty]]'''<br />[[Drugs, Depression, and Social Change: How Magic Realism Morphed Into Social Change in the Writings of Norman Mailer]] | * '''[[Raj Chandarlapaty]]'''<br />[[/Drugs, Depression, and Social Change: How Magic Realism Morphed Into Social Change in the Writings of Norman Mailer/]] | ||
==Classic Interpretation== | ==Classic Interpretation== | ||
* '''[[Bernard Horn]]'''<br />[[Ahab and Ishmael at War: The Presence of Moby-Dick in The Naked and the Dead|Ahab and Ishmael at War: The Presence of ''Moby-Dick'' in ''The Naked and the Dead'']] | * '''[[Bernard Horn]]'''<br />[[/Ahab and Ishmael at War: The Presence of Moby-Dick in The Naked and the Dead|Ahab and Ishmael at War: The Presence of ''Moby-Dick'' in ''The Naked and the Dead'']] | ||
* '''[[Peter Balbert]]'''<br />[[Impotence, Recovery, and the Honorable Beast: The Aesthetics of the Fourth Dimension in The Virgin and the Gipsy|Impotence, Recovery, and the Honorable Beast: The Aesthetics of the Fourth Dimension in ''The Virgin and the Gipsy'']] | * '''[[Peter Balbert]]'''<br />[[/Impotence, Recovery, and the Honorable Beast: The Aesthetics of the Fourth Dimension in The Virgin and the Gipsy|Impotence, Recovery, and the Honorable Beast: The Aesthetics of the Fourth Dimension in ''The Virgin and the Gipsy'']] | ||
==Book Reviews== | ==Book Reviews== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* ''Norman Mailer and the Modernist Turn''<br />'''[[Maggie McKinley]]'''<br />[[Norman Mailer’s Janus-Faced Project]] | * ''Norman Mailer and the Modernist Turn''<br />'''[[Maggie McKinley]]'''<br />[[/Norman Mailer’s Janus-Faced Project/]] | ||
* ''Confessions of a Serial Biographer''<br />'''[[Mary Dearborn]]'''<br />[[A Biographer Going Rogue]] | * ''Confessions of a Serial Biographer''<br />'''[[Mary Dearborn]]'''<br />[[/A Biographer Going Rogue/]] | ||
* ''Young Lions: How Jewish Authors Reinvented the American War Novel''<br />'''[[Mashey Bernstein]]'''<br />[[They Ate Their Spam with Their Yarmulkes On: Young Lions/Old Tropes]] | * ''Young Lions: How Jewish Authors Reinvented the American War Novel''<br />'''[[Mashey Bernstein]]'''<br />[[/They Ate Their Spam with Their Yarmulkes On: Young Lions / Old Tropes/]] | ||
* ''The Territory around Us: Collected Literary and Political Journalism, 1982–2015''<br />'''[[Michael L. Shuman]]'''<br />[[Beating the Odds in Big Sur]] | * ''The Territory around Us: Collected Literary and Political Journalism, 1982–2015''<br />'''[[Michael L. Shuman]]'''<br />[[/Beating the Odds in Big Sur/]] | ||
* ''D. H. Lawrence and the Marriage Matrix: Intertextual Adventures in Conflict, Renewal, and Transcendence''<br />'''[[Raymond M. Vince]]'''<br />[[D. H. Lawrence and Marriage: Mapping the “Logic of the Soul”]] | * ''D. H. Lawrence and the Marriage Matrix: Intertextual Adventures in Conflict, Renewal, and Transcendence''<br />'''[[Raymond M. Vince]]'''<br />[[/D. H. Lawrence and Marriage: Mapping the “Logic of the Soul”/]] | ||
* ''Smuggler’s Blues: A True Story of the Hippie Mafia''<br />'''[[Michael L. Shuman]]'''<br />[[Wise-Guy Capers, Zig-Zag Minds]] | * ''Smuggler’s Blues: A True Story of the Hippie Mafia''<br />'''[[Michael L. Shuman]]'''<br />[[/Wise-Guy Capers, Zig-Zag Minds/]] | ||
* ''O Brave New Eve: A Genetic Fantasy''<br />'''[[Michael L. Shuman]]'''<br />[[Trans-human Genetics Comes to Tampa]] | * ''O Brave New Eve: A Genetic Fantasy''<br />'''[[Michael L. Shuman]]'''<br />[[/Trans-human Genetics Comes to Tampa/]] | ||
{{div col end}} | {{div col end}} | ||
==Creative Works== | ==Creative Works== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* '''[[Karen Brown]]'''<br />[[The House on Neptune]] | * '''[[Karen Brown]]'''<br />[[/The House on Neptune/]] | ||
* '''[[Robert Guffey]]'''<br />[[Destroy All Monsters]] | * '''[[Robert Guffey]]'''<br />[[/Destroy All Monsters/]] | ||
* '''[[Gerald R. Lucas]]'''<br />[[Every You, Every Me]] | * '''[[Gerald R. Lucas]]'''<br />[[/Every You, Every Me/]] | ||
* '''[[Betty Viamontes]]'''<br />[[Abandoned]] | * '''[[Betty Viamontes]]'''<br />[[/Abandoned/]] | ||
* '''[[Jay Hopler]]'''<br />[[THE PALLBEARER]] | * '''[[Jay Hopler]]'''<br />[[/THE PALLBEARER/]] | ||
* '''[[Gary D. Rhodes]]'''<br />[[Motography]] | * '''[[Gary D. Rhodes]]'''<br />[[/Motography/]] | ||
* '''[[Sal | * '''[[Sal Centrano]]'''<br />[[/Selected Poems/]] | ||
* '''[[Daniel Barshay]]'''<br />[[Selected Poems]] | * '''[[Daniel Barshay]]'''<br />[[/Selected Poems/]] | ||
{{div col end}} | {{div col end}} | ||
==Bibliography== | ==Bibliography== | ||
* '''[[Shannon L. Zinck]]'''<br />Norman Mailer Bibliography: 2015 | * '''[[Shannon L. Zinck]]'''<br />[[/Norman Mailer Bibliography: 2015/]] | ||
{{Mr-bottom}} | {{Mr-bottom}} | ||
{{DEFAULTSORT: Mailer Review, The}} | {{DEFAULTSORT: Mailer Review, The}} | ||
[[Category:2016 Vol. 10 (MR)]] | |||
[[Category:Contents]] | [[Category:Contents (MR)]] |
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Volumes | Submissions | Subscriptions | Information | Volunteer |
Reflections
Remembering Barry Leeds
Featured
- J. Michael Lennon
A Note on “The Collision,” Norman Mailer’s First Short Story - Norman Mailer
The Collision
Articles and Miscellany
- Kate Mailer
People Who Look Alike Are Alike - William T. Ross
When Novelists Were Kings: Norman Mailer and Esquire in the 1960s - Mark Edmundson
Mailer’s Greatness: A Note - Morris Dickstein and J. Michael Lennon
Mailer’s Letters: A Colloquy at the Strand Bookstore - Robert Begiebing
Sex Prison, 2016 - Lawrence R. Broer
Meta-Modernism in An American Dream - Bob Batchelor
No Pre-Fabricated Words: Norman Mailer and Inventive Biography - Jerome Loving
From Solitary to the City: Norman Mailer’s Bet on Jack Henry Abbott - Jeffrey Michelson, Elizabeth Mailer, Peter Alson, John Buffalo Mailer
Top Ten Things - Justin Bozung
Norman Mailer’s Dark Forces - Robert Singer
Performing Norman / Norman Performing: Wild 90 as Disruptive Narrative - Ashley M. Donnelly
Mailer’s New Man: Differing Masculinities in Tough Guys Don’t Dance - Kathleen “Kat” Robinson
The Triteness of Trauma and Time: Non-Linear Narrative in Tough Guys Don’t Dance - Christopher Busa
Norman Mailer and Provincetown Arts - Raymond M. Vince
Writing of a Woman’s Soul: Gender Pilgrimage in Lawrence and Mailer - Andrew M. Gordon
Mailer’s Use of Wilhelm Reich - Robert Nason
In Search of the Jewish Norman Mailer - Alexander Hicks
A Lot of Balzac: Norman Mailer and the Early French Realists - Erik Nakjavani
Norman Mailer’s Reception of Inherited Sociocultural Norms (1950–1960) - Enid Stubin
“Don’t Go Away Feeling Unequal”: “The Time of Her Time” and Mailer’s Conciliatory Impulse - Victor Peppard
The Curious Story of Norman Mailer’s Engagement with Short Fiction - Jeanne Fuchs
Mixed Signals in Mailer’s “La Petite Bourgeoise” - Bill Lowenburg
“One Foot and Three Toes in Prison”: Remembering Muhammad Ali - Ronald K. Fried
Ali: He Paid the Price for His Brutal Profession - Raj Chandarlapaty
Drugs, Depression, and Social Change: How Magic Realism Morphed Into Social Change in the Writings of Norman Mailer
Classic Interpretation
- Bernard Horn
Ahab and Ishmael at War: The Presence of Moby-Dick in The Naked and the Dead - Peter Balbert
Impotence, Recovery, and the Honorable Beast: The Aesthetics of the Fourth Dimension in The Virgin and the Gipsy
Book Reviews
- Norman Mailer and the Modernist Turn
Maggie McKinley
Norman Mailer’s Janus-Faced Project - Confessions of a Serial Biographer
Mary Dearborn
A Biographer Going Rogue - Young Lions: How Jewish Authors Reinvented the American War Novel
Mashey Bernstein
They Ate Their Spam with Their Yarmulkes On: Young Lions / Old Tropes - The Territory around Us: Collected Literary and Political Journalism, 1982–2015
Michael L. Shuman
Beating the Odds in Big Sur - D. H. Lawrence and the Marriage Matrix: Intertextual Adventures in Conflict, Renewal, and Transcendence
Raymond M. Vince
D. H. Lawrence and Marriage: Mapping the “Logic of the Soul” - Smuggler’s Blues: A True Story of the Hippie Mafia
Michael L. Shuman
Wise-Guy Capers, Zig-Zag Minds - O Brave New Eve: A Genetic Fantasy
Michael L. Shuman
Trans-human Genetics Comes to Tampa
Creative Works
Bibliography
* * *