The Mailer Review/Volume 12, 2018: Difference between revisions
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==Classic Interpretation== | ==Classic Interpretation== | ||
* '''An Interview with | * '''An Interview with Diana Sheets'''<br />[[/Norman Mailer and Tom Wolfe, Two Leaders of “New Journalism” or Writers Striving to Create the Great American Novel?/]] | ||
==Book Reviews== | ==Book Reviews== | ||
{{div col|colwidth=20em}} | {{div col|colwidth=20em}} | ||
* ''In Another Place With and Without my Father, Norman Mailer''<br />[[ | * ''In Another Place With and Without my Father, Norman Mailer''<br />'''[[Bonnie Culver]]'''<br />[[/Patrolling No-Man’s Land, Living on the Border/]] | ||
* ''Norman Mailer: Works and Days''<br />'''[[Robert J. Begiebing]]'''<br />[[/Our Wounded Giant: Works and Days/]] | * ''Norman Mailer: Works and Days''<br />'''[[Robert J. Begiebing]]'''<br />[[/Our Wounded Giant: Works and Days/]] | ||
* ''Bootlegger of the Soul: The Literary Legacy of William Kennedy''<br />'''Robert J. Begiebing'''<br />[[/Soul Bootlegger/]] | * ''Bootlegger of the Soul: The Literary Legacy of William Kennedy''<br />'''Robert J. Begiebing'''<br />[[/Soul Bootlegger/]] | ||
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==Creative Works== | ==Creative Works== | ||
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* [[ | * '''[[Philip Brady]]'''<br />[[/Nothing Attested, Everything Sung/]] | ||
* [[ | * '''[[Robert Guffey]]'''<br />[[/Fleshy Mounds/]] | ||
* [[ | * '''[[Gary D. Rhodes]]'''<br />[[/“Prisoner’s Cinema”/]] | ||
* [[ | * '''[[Raymond M. Vince]]'''<br />[[/You Shall Not Pass/]] | ||
* [[ | * '''[[Jason Mosser]]'''<br />[[/Pill/]] | ||
* [[ | * '''[[Stephen Eric Berry]]'''<br />[[/Aphrodite in Transition/]] | ||
* [[ | * '''[[Sal Cetrano]]'''<br />[[/To Linda, at Creedmore/]]<br />[[/Naming/]]<br />[[/Sleeping Weather/]]<br />[[/Visit to Berkeley, 1978/]]<br />[[/For Plato/]]<br />[[/Mission Statement/]] | ||
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Revision as of 08:52, 30 June 2020

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« | The Mailer Review • Volume 12 Number 1 • 2018 | » |
Reflections
Featured
Articles and Miscellany
- Susan Mailer
In Brooklyn Heights - Danielle Mailer
The Red Chair - Phillip Sipiora
On Writing and Living: A Conversation with Colum McCann - Robert J. Begiebing
Lipton’s Journal: Mailer’s Quest for Wholeness - J. Michael Lennon
Norman Mailer’s Pieces and Pontifications: A Note on its Origins - Raymond M. Vince
Mailer, Moonfire, and Quantum Theory - Victor Peppard
Mailer and Breslin: Politics, Literature, and Big Ideas - Jeanne Fuchs
Existential Affinities: Mailer on Monroe - J. Michael Lennon
The Naked and the Read - Scott McClintock
Necropolitics in The Executioner’s Song - Elizabeth Ricketts
The (Irish)-American Dream: Social Insecurity and Disadvantage in Irish Characters in Fitzgerald’s and Mailer - Ann L. von Mehren
Mailer’s Journey inside the CIA with Harlot’s Ghost - Christopher Busa
Norman Mailer: Of Vitality and Morality - Alexander Hicks
Advertisements for Myself: Mailer’s Künstlerroman? - Erik Nakjavani
Theory and Practice of Fictionalized Autobiography: Hemingway’s Under Kilimanjaro - Alexandros Mantzaris
A Political Paradox: “Totalitarianism,” Myth, and Norman Mailer’s Left Conservatism - Matthew S. Hinton
LORD’S EYE: An Epilogue in Search of Political Tattoos
Classic Interpretation
- An Interview with Diana Sheets
Norman Mailer and Tom Wolfe, Two Leaders of “New Journalism” or Writers Striving to Create the Great American Novel?
Book Reviews
- In Another Place With and Without my Father, Norman Mailer
Bonnie Culver
Patrolling No-Man’s Land, Living on the Border - Norman Mailer: Works and Days
Robert J. Begiebing
Our Wounded Giant: Works and Days - Bootlegger of the Soul: The Literary Legacy of William Kennedy
Robert J. Begiebing
Soul Bootlegger - Moonfire
Michael L. Shuman
Going to the Moon - Rosset
Justin Bozung
Mailer De Facto: How Norman Mailer Saved Barney Rosset - Seeing the Beat Generation: Entering the Literature through Film
Michael L. Shuman
Beat Films and the Persistence of Vision - Hunter S. Thompson: The Last Interview and Other Conversations
Jason Mosser
All Gonzo All the Time - Left Bank Art, Passion, and the Rebirth of Paris, 1940–1950
Jeanne Fuchs
We’ll Always Have Paris!
Creative Works
- Philip Brady
Nothing Attested, Everything Sung - Robert Guffey
Fleshy Mounds - Gary D. Rhodes
“Prisoner’s Cinema” - Raymond M. Vince
You Shall Not Pass - Jason Mosser
Pill - Stephen Eric Berry
Aphrodite in Transition - Sal Cetrano
To Linda, at Creedmore
Naming
Sleeping Weather
Visit to Berkeley, 1978
For Plato
Mission Statement
Bibliography
* * *