The Mailer Review/Volume 12, 2018: Difference between revisions
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===[[Reflections | ===[[/Reflections/]]=== | ||
==Featured== | ==Featured== | ||
* '''[[Norman Mailer]]'''<br />[[The Notebook]] | * '''[[Norman Mailer]]'''<br />[[/The Notebook/]] | ||
==Articles and Miscellany== | ==Articles and Miscellany== | ||
* '''[[Susan Mailer]]'''<br />[[In Brooklyn Heights]] | * '''[[Susan Mailer]]'''<br />[[/In Brooklyn Heights/]] | ||
* '''[[Danielle Mailer]]'''<br />[[The Red Chair]] | * '''[[Danielle Mailer]]'''<br />[[/The Red Chair/]] | ||
* '''[[Phillip Sipiora]]'''<br />[[On Writing and Living: A Conversation with Colum McCann]] | * '''[[Phillip Sipiora]]'''<br />[[/On Writing and Living: A Conversation with Colum McCann/]] | ||
* '''[[Robert J. Begiebing]]'''<br />[[Lipton’s Journal: Mailer’s Quest for Wholeness|''Lipton’s Journal'': Mailer’s Quest for Wholeness]] | * '''[[Robert J. Begiebing]]'''<br />[[/Lipton’s Journal: Mailer’s Quest for Wholeness and Renewal|''Lipton’s Journal'': Mailer’s Quest for Wholeness and Renewal]] | ||
* '''[[J. Michael Lennon]]'''<br />[[Norman Mailer’s Pieces and Pontifications: A Note on its Origins|Norman Mailer’s ''Pieces and Pontifications'': A Note on its Origins]] | * '''[[J. Michael Lennon]]'''<br />[[/Norman Mailer’s Pieces and Pontifications: A Note on its Origins|Norman Mailer’s ''Pieces and Pontifications'': A Note on its Origins]] | ||
* '''[[Raymond M. Vince]]'''<br />[[Mailer, Moonfire, and Quantum Theory|Mailer, ''Moonfire'', and Quantum Theory]] | * '''[[Raymond M. Vince]]'''<br />[[/Mailer, Moonfire, and Quantum Theory|Mailer, ''Moonfire'', and Quantum Theory]] | ||
* '''[[Victor Peppard]]'''<br />[[Mailer and Breslin: Politics, Literature, and Big Ideas]] | * '''[[Victor Peppard]]'''<br />[[/Mailer and Breslin: Politics, Literature, and Big Ideas/]] | ||
* '''[[Jeanne Fuchs]]'''<br />[[Existential Affinities: Mailer on Monroe]] | * '''[[Jeanne Fuchs]]'''<br />[[/Existential Affinities: Mailer on Monroe/]] | ||
* '''J. Michael Lennon'''<br />[[The Naked and the Read]] | * '''J. Michael Lennon'''<br />[[/The Naked and the Read/]] | ||
* '''[[Scott McClintock]]'''<br />[[Necropolitics in The Executioner’s Song|Necropolitics in ''The Executioner’s Song'']] | * '''[[Scott McClintock]]'''<br />[[/Necropolitics in The Executioner’s Song|Necropolitics in ''The Executioner’s Song'']] | ||
* '''[[Elizabeth Ricketts]]'''<br />[[The (Irish)-American Dream: Social Insecurity and Disadvantage in Irish Characters in Fitzgerald’s and Mailer]] | * '''[[Elizabeth Ricketts]]'''<br />[[/The (Irish)-American Dream: Social Insecurity and Disadvantage in Irish Characters in Fitzgerald’s and Mailer/]] | ||
* '''[[Ann L. von Mehren]]'''<br />[[Mailer’s Journey inside the CIA with Harlot’s Ghost|Mailer’s Journey inside the CIA with ''Harlot’s Ghost'']] | * '''[[Ann L. von Mehren]]'''<br />[[/Mailer’s Journey inside the CIA with Harlot’s Ghost|Mailer’s Journey inside the CIA with ''Harlot’s Ghost'']] | ||
* '''[[Christopher Busa]]'''<br />[[Norman Mailer: Of Vitality and Morality]] | * '''[[Christopher Busa]]'''<br />[[/Norman Mailer: Of Vitality and Morality/]] | ||
* '''[[Alexander Hicks]]'''<br />[[''Advertisements for Myself'': Mailer’s ''Künstlerroman''?]] | * '''[[Alexander Hicks]]'''<br />[[/''Advertisements for Myself'': Mailer’s ''Künstlerroman''?/]] | ||
* '''[[Erik Nakjavani]]'''<br />[[Theory and Practice of Fictionalized Autobiography: Hemingway’s Under Kilimanjaro]] | * '''[[Erik Nakjavani]]'''<br />[[/Theory and Practice of Fictionalized Autobiography: Hemingway’s Under Kilimanjaro/]] | ||
* '''[[Alexandros Mantzaris]]'''<br />[[A Political Paradox: “Totalitarianism,” Myth, and Norman Mailer’s Left Conservatism]] | * '''[[Alexandros Mantzaris]]'''<br />[[/A Political Paradox: “Totalitarianism,” Myth, and Norman Mailer’s Left Conservatism/]] | ||
* '''[[Matthew S. Hinton]]'''<br />[[LORD’S EYE: An Epilogue in Search of Political Tattoos]] | * '''[[Matthew S. Hinton]]'''<br />[[/LORD’S EYE: An Epilogue in Search of Political Tattoos/]] | ||
==Classic Interpretation== | ==Classic Interpretation== | ||
* '''An Interview with | * '''An Interview with Diana Sheets'''<br />[[/Norman Mailer and Tom Wolfe, Two Leaders of “New Journalism” or Writers Striving to Create the Great American Novel?/]] | ||
==Book Reviews== | ==Book Reviews== | ||
{{div col|colwidth=20em}} | {{div col|colwidth=20em}} | ||
* ''In Another Place With and Without my Father, Norman Mailer''<br />[[Bonnie Culver]]<br />[[Patrolling No-Man’s Land, Living on the Border]] | * ''In Another Place With and Without my Father, Norman Mailer''<br />'''[[Bonnie Culver]]'''<br />[[/Patrolling No-Man’s Land, Living on the Border/]] | ||
* ''Norman Mailer: Works and Days''<br />'''[[Robert J. Begiebing]]'''<br />[[Our Wounded Giant: Works and Days]] | * ''Norman Mailer: Works and Days''<br />'''[[Robert J. Begiebing]]'''<br />[[/Our Wounded Giant: Works and Days/]] | ||
* ''Bootlegger of the Soul: The Literary Legacy of William Kennedy''<br />'''Robert J. Begiebing'''<br />[[Soul Bootlegger]] | * ''Bootlegger of the Soul: The Literary Legacy of William Kennedy''<br />'''Robert J. Begiebing'''<br />[[/Soul Bootlegger/]] | ||
* ''Moonfire''<br />'''[[Michael L. Shuman]]'''<br />[[Going to the Moon]] | * ''Moonfire''<br />'''[[Michael L. Shuman]]'''<br />[[/Going to the Moon/]] | ||
* ''Rosset''<br />'''[[Justin Bozung]]'''<br />[[Mailer De Facto: How Norman Mailer Saved Barney Rosset]] | * ''Rosset''<br />'''[[Justin Bozung]]'''<br />[[/Mailer De Facto: How Norman Mailer Saved Barney Rosset/]] | ||
* ''Seeing the Beat Generation: Entering the Literature through Film''<br />'''Michael L. Shuman'''<br />[[Beat Films and the Persistence of Vision]] | * ''Seeing the Beat Generation: Entering the Literature through Film''<br />'''Michael L. Shuman'''<br />[[/Beat Films and the Persistence of Vision/]] | ||
* ''Hunter S. Thompson: The Last Interview and Other Conversations''<br />'''[[Jason Mosser]]'''<br />[[All Gonzo All the Time]] | * ''Hunter S. Thompson: The Last Interview and Other Conversations''<br />'''[[Jason Mosser]]'''<br />[[/All Gonzo All the Time/]] | ||
* ''Left Bank Art, Passion, and the Rebirth of Paris, 1940–1950''<br />'''[[Jeanne Fuchs]]'''<br />[[We’ll Always Have Paris!]] | * ''Left Bank Art, Passion, and the Rebirth of Paris, 1940–1950''<br />'''[[Jeanne Fuchs]]'''<br />[[/We’ll Always Have Paris!/]] | ||
{{div col end}} | {{div col end}} | ||
==Creative Works== | ==Creative Works== | ||
{{div col|colwidth=20em}} | {{div col|colwidth=20em}} | ||
* [[Philip Brady]]<br />[[Nothing Attested, Everything Sung]] | * '''[[Philip Brady]]'''<br />[[/Nothing Attested, Everything Sung/]] | ||
* [[Robert Guffey]]<br />[[Fleshy Mounds]] | * '''[[Robert Guffey]]'''<br />[[/Fleshy Mounds/]] | ||
* [[Gary D. Rhodes]]<br />[[“Prisoner’s Cinema”]] | * '''[[Gary D. Rhodes]]'''<br />[[/“Prisoner’s Cinema”/]] | ||
* [[Raymond M. Vince]]<br />[[You Shall Not Pass]] | * '''[[Raymond M. Vince]]'''<br />[[/You Shall Not Pass/]] | ||
* [[Jason Mosser]]<br />[[Pill]] | * '''[[Jason Mosser]]'''<br />[[/Pill/]] | ||
* [[Stephen Eric Berry]]<br />[[Aphrodite in Transition]] | * '''[[Stephen Eric Berry]]'''<br />[[/Aphrodite in Transition/]] | ||
* [[Sal Cetrano]]<br />[[To Linda, at Creedmore]]<br />[[Naming]]<br />[[Sleeping Weather]]<br />[[Visit to Berkeley, 1978]]<br />[[For Plato]]<br />[[Mission Statement]] | * '''[[Sal Cetrano]]'''<br />[[/To Linda, at Creedmore/]]<br />[[/Naming/]]<br />[[/Sleeping Weather/]]<br />[[/Visit to Berkeley, 1978/]]<br />[[/For Plato/]]<br />[[/Mission Statement/]] | ||
{{div col end}} | {{div col end}} | ||
==Bibliography== | ==Bibliography== | ||
* '''[[Shannon L. Zinck]]'''<br />Norman Mailer Bibliography: 2017 | * '''[[Shannon L. Zinck]]'''<br />[[/Norman Mailer Bibliography: 2017/]] | ||
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{{DEFAULTSORT: Mailer Review, The}} | {{DEFAULTSORT: Mailer Review, The}} | ||
[[Category:Contents]] | [[Category:Contents (MR)]] | ||
[[Category:2018 Vol. 12 (MR)]] |
Latest revision as of 06:43, 23 May 2022
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Volumes | Submissions | Subscriptions | Information | Volunteer |
Reflections
Featured
Articles and Miscellany
- Susan Mailer
In Brooklyn Heights - Danielle Mailer
The Red Chair - Phillip Sipiora
On Writing and Living: A Conversation with Colum McCann - Robert J. Begiebing
Lipton’s Journal: Mailer’s Quest for Wholeness and Renewal - J. Michael Lennon
Norman Mailer’s Pieces and Pontifications: A Note on its Origins - Raymond M. Vince
Mailer, Moonfire, and Quantum Theory - Victor Peppard
Mailer and Breslin: Politics, Literature, and Big Ideas - Jeanne Fuchs
Existential Affinities: Mailer on Monroe - J. Michael Lennon
The Naked and the Read - Scott McClintock
Necropolitics in The Executioner’s Song - Elizabeth Ricketts
The (Irish)-American Dream: Social Insecurity and Disadvantage in Irish Characters in Fitzgerald’s and Mailer - Ann L. von Mehren
Mailer’s Journey inside the CIA with Harlot’s Ghost - Christopher Busa
Norman Mailer: Of Vitality and Morality - Alexander Hicks
Advertisements for Myself: Mailer’s Künstlerroman? - Erik Nakjavani
Theory and Practice of Fictionalized Autobiography: Hemingway’s Under Kilimanjaro - Alexandros Mantzaris
A Political Paradox: “Totalitarianism,” Myth, and Norman Mailer’s Left Conservatism - Matthew S. Hinton
LORD’S EYE: An Epilogue in Search of Political Tattoos
Classic Interpretation
- An Interview with Diana Sheets
Norman Mailer and Tom Wolfe, Two Leaders of “New Journalism” or Writers Striving to Create the Great American Novel?
Book Reviews
- In Another Place With and Without my Father, Norman Mailer
Bonnie Culver
Patrolling No-Man’s Land, Living on the Border - Norman Mailer: Works and Days
Robert J. Begiebing
Our Wounded Giant: Works and Days - Bootlegger of the Soul: The Literary Legacy of William Kennedy
Robert J. Begiebing
Soul Bootlegger - Moonfire
Michael L. Shuman
Going to the Moon - Rosset
Justin Bozung
Mailer De Facto: How Norman Mailer Saved Barney Rosset - Seeing the Beat Generation: Entering the Literature through Film
Michael L. Shuman
Beat Films and the Persistence of Vision - Hunter S. Thompson: The Last Interview and Other Conversations
Jason Mosser
All Gonzo All the Time - Left Bank Art, Passion, and the Rebirth of Paris, 1940–1950
Jeanne Fuchs
We’ll Always Have Paris!
Creative Works
- Philip Brady
Nothing Attested, Everything Sung - Robert Guffey
Fleshy Mounds - Gary D. Rhodes
“Prisoner’s Cinema” - Raymond M. Vince
You Shall Not Pass - Jason Mosser
Pill - Stephen Eric Berry
Aphrodite in Transition - Sal Cetrano
To Linda, at Creedmore
Naming
Sleeping Weather
Visit to Berkeley, 1978
For Plato
Mission Statement
Bibliography
* * *
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