The Mailer Review/Volume 7, 2013: Difference between revisions
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{{DISPLAYTITLE:''The Mailer Review'' | {{DISPLAYTITLE:<span style="font-size:22px;">''The Mailer Review''/</span>Volume 7, 2013}} | ||
{{ | {{Mr-top}} | ||
[[File:MR07.jpg| | {{Infobox | ||
| name = The Mailer Review, Volume 7, 2013 | |||
===[[Reflections | | title = ''The Mailer Review'', Volume 7, 2013 | ||
| image = [[File:MR07.jpg|400px|ALT=The Mailer Review, Volume 7]] | |||
|headerstyle = font-family: Alegreya; font-size: 16pt; color: #fff; background: #555; | |||
|datastyle = text-align: left; | |||
|header1 = Editorial Staff | |||
| label2 = Editor | |||
| data2 = Phillip Sipiora | |||
| label4 = Deputy Editor | |||
| data4 = Michael L. Shuman | |||
| label5 = Digital Editor,<br />Webmaster | |||
| data5 = Gerald R. Lucas | |||
| label7 = Managing Editor | |||
| data7 = M. Allison Wise | |||
| label9 = Associate Editors | |||
| data9 = Brianna Jerman<br />Shannon L. Zinck | |||
| label11 = Bibliographer | |||
| data11 = Shannon L. Zinck | |||
| label12 = Design Editor | |||
| data12 = James R. Miller | |||
| label13 = Intern | |||
| data13 = Sabrina Grasso | |||
|header14 = Editorial Board | |||
| data15 = J. Michael Lennon, Chair of Editorial Board (Wilkes University), Robert J. Begiebing (Southern New Hampshire University), John Whalen-Bridge (National University of Singapore), Philip Bufithis (Shepherd University), Christopher Busa (Founder and Editor of Provincetown Arts Press), Morris Dickstein (Graduate Center, City University of New York), Laura Adams Dunham (Independent Scholar), Michael Glenday (The Open University, United Kingdom), Hunt Hawkins (University of South Florida), Barry H. Leeds (Central Connecticut State University), Deborah Martinson (Occidental College), Michael Millgate (University of Toronto), Christopher Ricks (Boston University), Phillip Sipiora (University of South Florida), Thomas F. Staley (Harry Ransom Center, University of Texas at Austin), Barbara Mailer Wasserman (Memoirist). | |||
}} | |||
===[[/Reflections/]]=== | |||
==Featured== | ==Featured== | ||
* '''[[Norman Mailer]]'''<br />[[Love-Buds]] | * '''[[Norman Mailer]]'''<br />[[/Love-Buds/]] | ||
==Articles and Miscellany== | ==Articles and Miscellany== | ||
* '''[[Phillip Sipiora]]'''<br />[[The Complications of Norman Mailer: A Conversation with J. Michael Lennon]] | * '''[[Phillip Sipiora]]'''<br />[[/The Complications of Norman Mailer: A Conversation with J. Michael Lennon/]] | ||
* '''[[Jerome Loving]]'''<br />[[The Father and Son of American Realism: The Second Acts of Dreiser and Mailer]] | * '''[[Jerome Loving]]'''<br />[[/The Father and Son of American Realism: The Second Acts of Dreiser and Mailer/]] | ||
* '''[[Bob Batchelor]]'''<br />[[Visions of the American Dream: F. Scott Fitzgerald, Bob Dylan, and Norman Mailer Probe at the Heart of the National Idea]] | * '''[[Bob Batchelor]]'''<br />[[/Visions of the American Dream: F. Scott Fitzgerald, Bob Dylan, and Norman Mailer Probe at the Heart of the National Idea/]] | ||
* '''[[Erik Nakjavani]]'''<br />[[“Now the Greatest Living Romantic Was Dead”: Norman Mailer and Mary Hemingway’s Eulogies to Ernest Hemingway]] | * '''[[Erik Nakjavani]]'''<br />[[/“Now the Greatest Living Romantic Was Dead”: Norman Mailer and Mary Hemingway’s Eulogies to Ernest Hemingway/]] | ||
* '''[[Victor Peppard]]'''<br />[[The Russian Reception of Norman Mailer]] | * '''[[Victor Peppard]]'''<br />[[/The Russian Reception of Norman Mailer/]] | ||
* '''[[Hujun Ren]]'''<br />[[Norman Mailer in China: Criticism and Translation]] | * '''[[Hujun Ren]]'''<br />[[/Norman Mailer in China: Criticism and Translation/]] | ||
* '''[[Dick Russell]]'''<br />[[Norman Mailer and the Dynamite Club]] | * '''[[Dick Russell]]'''<br />[[/Norman Mailer and the Dynamite Club/]] | ||
* '''[[Gerald R. Lucas]]'''<br />[[Teaching Norman Mailer in the Cloud]] | * '''[[Gerald R. Lucas]]'''<br />[[/Teaching Norman Mailer in the Cloud/]] | ||
* '''[[Mark Noonan]]'''<br />[[Brooklyn Accents and the Paradox of Ambition in Norman Mailer and Arthur Miller]] | * '''[[Mark Noonan]]'''<br />[[/Brooklyn Accents and the Paradox of Ambition in Norman Mailer and Arthur Miller/]] | ||
* '''[[Phillip Sipiora]]'''<br />[[Norman Mailer, Discursive Artist]] | * '''[[Phillip Sipiora]]'''<br />[[/Norman Mailer, Discursive Artist/]] | ||
* '''[[Carolyn Yalcut]]'''<br />[[Prophesying the News: Norman Mailer’s Journalism]] | * '''[[Carolyn Yalcut]]'''<br />[[/Prophesying the News: Norman Mailer’s Journalism/]] | ||
* '''[[Ronald K. Fried]]'''<br />[[Mailer’s Boxing Journalism]] | * '''[[Ronald K. Fried]]'''<br />[[/Mailer’s Boxing Journalism/]] | ||
* '''[[Joseph Comprone]]'''<br />[[Genre and Dialogical Theory: Bakhtin and Norman Mailer's The Executioner's Song|Genre and Dialogical Theory: Bakhtin and Norman Mailer’s ''The Executioner’s Song'']] | * '''[[Joseph Comprone]]'''<br />[[/Genre and Dialogical Theory: Bakhtin and Norman Mailer's The Executioner's Song|Genre and Dialogical Theory: Bakhtin and Norman Mailer’s ''The Executioner’s Song'']] | ||
* '''[[Christopher Busa]]'''<br />[[Mailer’s Tough Guys: Novelist Invites His Characters to Dance]] | * '''[[Christopher Busa]]'''<br />[[/Mailer’s Tough Guys: Novelist Invites His Characters to Dance/]] | ||
* '''[[Marina Rosenthal]]'''<br />[[Spiritual Wickedness in High Places: Trauma, Violence, and Betrayal in Harlot's Ghost|Spiritual Wickedness in High Places: Trauma, Violence, and Betrayal in ''Harlot’s Ghost'']] | * '''[[Marina Rosenthal]]'''<br />[[/Spiritual Wickedness in High Places: Trauma, Violence, and Betrayal in Harlot's Ghost|Spiritual Wickedness in High Places: Trauma, Violence, and Betrayal in ''Harlot’s Ghost'']] | ||
* '''[[Paul Regnier]]'''<br />[[Writing from the Center and from the Periphery of the | * '''[[Paul Regnier]]'''<br />[[/Writing from the Center and from the Periphery of the Culture—Norman Mailer and Don DeLillo/]] | ||
* '''[[Donald L. Kaufmann]]'''<br />[[Literary Legacy: F. Scott Fitzgerald, Sinclair Lewis, and Norman Mailer]] | * '''[[Donald L. Kaufmann]]'''<br />[[/Literary Legacy: F. Scott Fitzgerald, Sinclair Lewis, and Norman Mailer/]] | ||
* '''[[Raj Chandarlapaty]]'''<br />[[Dreams, Death, and Bottle-Break: Modernist Ethnopoetics and the Beatnik Quest for Ascesis]] | * '''[[Raj Chandarlapaty]]'''<br />[[/Dreams, Death, and Bottle-Break: Modernist Ethnopoetics and the Beatnik Quest for Ascesis/]] | ||
==Classic Interpretation== | ==Classic Interpretation== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* '''[[Robert Begiebing]]'''<br />[[Toward a New Synthesis]] | * '''[[Robert Begiebing]]'''<br />[[/Toward a New Synthesis/]] | ||
* '''[[William Crawford Woods]]'''<br />[[Mailer and Brossard at the Roots of Hip]] | * '''[[William Crawford Woods]]'''<br />[[/Mailer and Brossard at the Roots of Hip/]] | ||
{{div col end}} | {{div col end}} | ||
==Creative Works== | ==Creative Works== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* '''[[Rita Ciresi]]'''<br />[[Girl Gone Wild]] | * '''[[Rita Ciresi]]'''<br />[[/Girl Gone Wild/]] | ||
* '''[[Robert Guffey]]'''<br />[[The Walk]] | * '''[[Robert Guffey]]'''<br />[[/The Walk/]] | ||
* '''[[Eileen Sutton]]'''<br />[[Into the Wind]] | * '''[[Eileen Sutton]]'''<br />[[/Into the Wind/]] | ||
* '''[[Jay Hopler]]'''<br />[[Das Rosen-Innere / The Center of the Rose]] | * '''[[Jay Hopler]]'''<br />[[/Das Rosen-Innere / The Center of the Rose/]]<br />[[/Lied vom Meer / Sea Song/]] | ||
{{div col end}} | {{div col end}} | ||
==Book Reviews== | ==Book Reviews== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* ''Norman Mailer: A Double Life''<br />'''[[Barry H. Leeds]]'''<br />[[Put Everything In]] | * ''Norman Mailer: A Double Life''<br />'''[[Barry H. Leeds]]'''<br />[[/Put Everything In/]] | ||
* ''Norman Mailer: A Double Life''<br />'''[[Michael K. Glenday]]'''<br />[[The Currents and Oceans of Fame]] | * ''Norman Mailer: A Double Life''<br />'''[[Michael K. Glenday]]'''<br />[[/The Currents and Oceans of Fame/]] | ||
* ''Norman Mailer: A Double Life and Mind of an Outlaw''<br />'''[[Mark Olshaker]]'''<br />[[Words with Friends]] | * ''Norman Mailer: A Double Life and Mind of an Outlaw''<br />'''[[Mark Olshaker]]'''<br />[[/Words with Friends/]] | ||
* ''Mind of an Outlaw''<br />'''[[Robert Begiebing]]'''<br />[[Provocateur-in-Chief]] | * ''Mind of an Outlaw''<br />'''[[Robert Begiebing]]'''<br />[[/Provocateur-in-Chief/]] | ||
* ''Marilyn Monroe''<br />'''[[Maggie McKinley]]'''<br />[[Exploring the Mystery of Marilyn]] | * ''Marilyn Monroe''<br />'''[[Maggie McKinley]]'''<br />[[/Exploring the Mystery of Marilyn/]] | ||
* ''The Participatory Journalism of Michael Herr, Norman Mailer, Hunter S. Thompson, and Joan Didion: Creating New Reporting Styles''<br />'''[[Michael L. Shuman]]'''<br />[[Rereading the New Journalism]] | * ''The Participatory Journalism of Michael Herr, Norman Mailer, Hunter S. Thompson, and Joan Didion: Creating New Reporting Styles''<br />'''[[Michael L. Shuman]]'''<br />[[/Rereading the New Journalism/]] | ||
* ''The Executioner’s Song''<br />'''[[Gerald R. Lucas]]'''<br />[[An Executioner for a New Age|An ''Executioner'' for a New Age]] | * ''The Executioner’s Song''<br />'''[[Gerald R. Lucas]]'''<br />[[/An Executioner for a New Age|An ''Executioner'' for a New Age]] | ||
* ''The Turner Erotica: A Biographical Novel''<br />'''[[Michael L. Shuman]]'''<br />[[The Voluptuous Horror of Fannie Cornforth]] | * ''The Turner Erotica: A Biographical Novel''<br />'''[[Michael L. Shuman]]'''<br />[[/The Voluptuous Horror of Fannie Cornforth/]] | ||
* ''From Here to Eternity''<br />'''[[Jason Mosser]]'''<br />[[An Eternity for the New | * ''From Here to Eternity''<br />'''[[Jason Mosser]]'''<br />[[/An Eternity for the New Millennium/]] | ||
* ''Maidstone and Other Films''<br />'''[[Gary D. Rhodes]]'''<br />[[Norman Mailer and the Criterion Collection]] | * ''Maidstone and Other Films''<br />'''[[Gary D. Rhodes]]'''<br />[[/Norman Mailer and the Criterion Collection/]] | ||
{{div col end}} | {{div col end}} | ||
==Bibliography== | ==Bibliography== | ||
* '''[[Shannon L. Zinck]]'''<br />Norman Mailer Bibliography: 2012{{ | * '''[[Shannon L. Zinck]]'''<br />[[/Norman Mailer Bibliography: 2012/]] | ||
==Errata== | |||
Figure 1 on page 177 should be labeled: | |||
{{quote|555 Crown Street, Crown Heights — “This is the apartment building in the middle-class neighborhood of Crown Heights where Mailer grew up. As Mailer writes, ‘I left what part of me belonged to Brooklyn and the Jews on the streets of Crown Heights.{{' "}}}} | |||
Figure 2 on page 183 should be labeled: | |||
{{quote|102 Pierrepont Street, Brooklyn Heights — “Arthur Miller and his wife lived below the Mailer family at this address from 1944–1947.”}} | |||
{{ | |||
{{ | ''The Review'' regrets the error. | ||
{{Mr-bottom}} | |||
{{DEFAULTSORT: Mailer Review, The}} | {{DEFAULTSORT: Mailer Review, The}} | ||
[[Category:2013 Vol. 7 (MR)]] | |||
[[Category: | [[Category:Contents (MR)]] | ||
[[Category:Contents]] |
Latest revision as of 15:42, 22 May 2022
Volumes | Submissions | Subscriptions | Information | Volunteer |
Reflections
Featured
Articles and Miscellany
- Phillip Sipiora
The Complications of Norman Mailer: A Conversation with J. Michael Lennon - Jerome Loving
The Father and Son of American Realism: The Second Acts of Dreiser and Mailer - Bob Batchelor
Visions of the American Dream: F. Scott Fitzgerald, Bob Dylan, and Norman Mailer Probe at the Heart of the National Idea - Erik Nakjavani
“Now the Greatest Living Romantic Was Dead”: Norman Mailer and Mary Hemingway’s Eulogies to Ernest Hemingway - Victor Peppard
The Russian Reception of Norman Mailer - Hujun Ren
Norman Mailer in China: Criticism and Translation - Dick Russell
Norman Mailer and the Dynamite Club - Gerald R. Lucas
Teaching Norman Mailer in the Cloud - Mark Noonan
Brooklyn Accents and the Paradox of Ambition in Norman Mailer and Arthur Miller - Phillip Sipiora
Norman Mailer, Discursive Artist - Carolyn Yalcut
Prophesying the News: Norman Mailer’s Journalism - Ronald K. Fried
Mailer’s Boxing Journalism - Joseph Comprone
Genre and Dialogical Theory: Bakhtin and Norman Mailer’s The Executioner’s Song - Christopher Busa
Mailer’s Tough Guys: Novelist Invites His Characters to Dance - Marina Rosenthal
Spiritual Wickedness in High Places: Trauma, Violence, and Betrayal in Harlot’s Ghost - Paul Regnier
Writing from the Center and from the Periphery of the Culture—Norman Mailer and Don DeLillo - Donald L. Kaufmann
Literary Legacy: F. Scott Fitzgerald, Sinclair Lewis, and Norman Mailer - Raj Chandarlapaty
Dreams, Death, and Bottle-Break: Modernist Ethnopoetics and the Beatnik Quest for Ascesis
Classic Interpretation
Creative Works
Book Reviews
- Norman Mailer: A Double Life
Barry H. Leeds
Put Everything In - Norman Mailer: A Double Life
Michael K. Glenday
The Currents and Oceans of Fame - Norman Mailer: A Double Life and Mind of an Outlaw
Mark Olshaker
Words with Friends - Mind of an Outlaw
Robert Begiebing
Provocateur-in-Chief - Marilyn Monroe
Maggie McKinley
Exploring the Mystery of Marilyn - The Participatory Journalism of Michael Herr, Norman Mailer, Hunter S. Thompson, and Joan Didion: Creating New Reporting Styles
Michael L. Shuman
Rereading the New Journalism - The Executioner’s Song
Gerald R. Lucas
An Executioner for a New Age - The Turner Erotica: A Biographical Novel
Michael L. Shuman
The Voluptuous Horror of Fannie Cornforth - From Here to Eternity
Jason Mosser
An Eternity for the New Millennium - Maidstone and Other Films
Gary D. Rhodes
Norman Mailer and the Criterion Collection
Bibliography
Errata
Figure 1 on page 177 should be labeled:
555 Crown Street, Crown Heights — “This is the apartment building in the middle-class neighborhood of Crown Heights where Mailer grew up. As Mailer writes, ‘I left what part of me belonged to Brooklyn and the Jews on the streets of Crown Heights.’”
Figure 2 on page 183 should be labeled:
102 Pierrepont Street, Brooklyn Heights — “Arthur Miller and his wife lived below the Mailer family at this address from 1944–1947.”
The Review regrets the error.
* * *
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