The Mailer Review/Volume 7, 2013: Difference between revisions
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* '''[[Mark Noonan]]'''<br />[[/Brooklyn Accents and the Paradox of Ambition in Norman Mailer and Arthur Miller/]] | * '''[[Mark Noonan]]'''<br />[[/Brooklyn Accents and the Paradox of Ambition in Norman Mailer and Arthur Miller/]] | ||
* '''[[Phillip Sipiora]]'''<br />[[/Norman Mailer, Discursive Artist/]] | * '''[[Phillip Sipiora]]'''<br />[[/Norman Mailer, Discursive Artist/]] | ||
* '''[[Carolyn | * '''[[Carolyn Yalkut]]'''<br />[[/Prophesying the News: Norman Mailer’s Journalism/]] | ||
* '''[[Ronald K. Fried]]'''<br />[[/Mailer’s Boxing Journalism/]] | * '''[[Ronald K. Fried]]'''<br />[[/Mailer’s Boxing Journalism/]] | ||
* '''[[Joseph Comprone]]'''<br />[[/Genre and Dialogical Theory: Bakhtin and Norman Mailer's The Executioner's Song|Genre and Dialogical Theory: Bakhtin and Norman Mailer’s ''The Executioner’s Song'']] | * '''[[Joseph Comprone]]'''<br />[[/Genre and Dialogical Theory: Bakhtin and Norman Mailer's The Executioner's Song|Genre and Dialogical Theory: Bakhtin and Norman Mailer’s ''The Executioner’s Song'']] | ||