The Mailer Review/Volume 2, 2008/Mailer at the Théâtre Du Grand Guignol: Difference between revisions
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{{byline|last=Pantano|first=Daniele|note=“[[w:Grand Guignol|Le Théâtre du Grand Guignol]]” refers to the notorious Parisian shock theatre founded in 1897 by [[w:Oscar Méténier|Oscar Méténier]], the naturalistic playwright. It closed in 1962.|url= | {{byline|last=Pantano|first=Daniele|note=“[[w:Grand Guignol|Le Théâtre du Grand Guignol]]” refers to the notorious Parisian shock theatre founded in 1897 by [[w:Oscar Méténier|Oscar Méténier]], the naturalistic playwright. It closed in 1962.|url=https://prmlr.us/mr02pan}} | ||
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Latest revision as of 10:20, 8 July 2021
« | The Mailer Review • Volume 2 Number 1 • 2008 • In Memorium: Norman Mailer: 1923–2007 | » |
Written by
Daniele Pantano
Note: “Le Théâtre du Grand Guignol” refers to the notorious Parisian shock theatre founded in 1897 by Oscar Méténier, the naturalistic playwright. It closed in 1962.
URL: https://prmlr.us/mr02pan
Daniele Pantano
Note: “Le Théâtre du Grand Guignol” refers to the notorious Parisian shock theatre founded in 1897 by Oscar Méténier, the naturalistic playwright. It closed in 1962.
URL: https://prmlr.us/mr02pan
Fifty lifeless characters animated.
The audience, astonished, reflects upon the preeminent importance:
A curtain that never falls.
Performance and terror often contain an unconscious existence.
Vacuous eyes
Nonchalantly rising above any great and definite achievement,
While the Playbill attends a memorable ceremony:
A writer’s death flanked by language.
The stage conceives a stranger, a sage, matters of occultism,
In an attempt to stimulate man’s inner need
To move toward an addressable reality.
But the audience still believes in imitation, nothing more . . .
The applause raucous.