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The Mailer Review/Volume 3, 2009/Tales of the “Great Bitch”: Murder and the Release of Virile Desire in An American Dream: Difference between revisions
The Mailer Review/Volume 3, 2009/Tales of the “Great Bitch”: Murder and the Release of Virile Desire in An American Dream (view source)
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{{DISPLAYTITLE:Tales of the “Great Bitch”: Murder and the Release of Virile Desire in ''An American Dream''}} | {{DISPLAYTITLE:Tales of the “Great Bitch”: Murder and the Release of Virile Desire in ''An American Dream''}} | ||
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{{Byline|last=Meloy|first=Michael}} | {{Byline|last=Meloy|first=Michael}} | ||
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{{Abstract|As early as the mid-1950s, [[Norman Mailer]] was already linking creative expression and sexual performance, using both to construct a vision of masculinity centered in virility and sexual release. ''[[An American Dream]]'' serves as a reflection of these beliefs—the culmination of a paradigm whose inception can be traced to World War II. Mailer’s perception of his relationship to women parallels his relationship to the novel.}} | {{Abstract|As early as the mid-1950s, [[Norman Mailer]] was already linking creative expression and sexual performance, using both to construct a vision of masculinity centered in virility and sexual release. ''[[An American Dream]]'' serves as a reflection of these beliefs—the culmination of a paradigm whose inception can be traced to World War II. Mailer’s perception of his relationship to women parallels his relationship to the novel.}} | ||