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|- style="vertical-align: top;"
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| style="padding-right: 2em;" | 003b: || style="padding-bottom: 1em;" | BARBARY SHORE. Rinehart, New York/Toronto, no date. @5# 20,000 copies. First issue with the page numeral “48” printed in clear and unbroken type (Alphabet Bookshop 12/00). Black boards with white lettering. Two dustwrappers on first edition apparently issued simultaneously: red and black; green and black.|| style="padding-left: 2em;" | $50/350.
| style="padding-right: 2em;" | 003b: || style="padding-bottom: 1em;" | BARBARY SHORE. Rinehart, New York/Toronto, no date. [5] 20,000 copies. First issue with the page numeral “48” printed in clear and unbroken type (Alphabet Bookshop 12/00). Black boards with white lettering. Two dustwrappers on first edition apparently issued simultaneously: red and black; green and black.|| style="padding-left: 2em;" | $50/350.




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| style="padding-right: 2em;" | 007b: || style="padding-bottom: 1em;" |ADVERTISEMENTS FOR MYSELF. G. P. Putnam’s Sons, New York (1959). @0# 10,000 copies (a& b). Red and black cloth, red and gold lettering.|| style="padding-left: 2em;" | $15/100.
| style="padding-right: 2em;" | 007b: || style="padding-bottom: 1em;" |ADVERTISEMENTS FOR MYSELF. G. P. Putnam’s Sons, New York (1959). [0] 10,000 copies (a& b). Red and black cloth, red and gold lettering.|| style="padding-left: 2em;" | $15/100.




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|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 020a: || style="padding-bottom: 1em;" |NATIONAL BOOK AWARD IN ARTS & LETTERS 1969 ACCEPTANCE SPEECH. (National Book Awards, New York, 1969.) [0] Two sheets, stapled.|| style="padding-left: 2em;" | $250.




|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 021a: || style="padding-bottom: 1em;" |RUNNING AGAINST THE MACHINE. Doubleday, Garden City, New York, 1969. [ ] Edited by Peter Manso. Compilation of papers and articles from the Norman Mailer-Jimmy Breslin New York Democratic mayoral primary. Several speeches and articles by Mailer not published elsewhere. Also one paragraph dedication by Mailer to campaign staff. Simultaneously published in cloth and wrappers. Red cloth with black lettering, in black dustwrapper with red and white lettering.|| style="padding-left: 2em;" | $15/60.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 021b: || style="padding-bottom: 1em;" |RUNNING AGAINST THE MACHINE. Doubleday, Garden City, New York, 1969. [ ] Wraps.|| style="padding-left: 2em;" | $35.




|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 022a: || style="padding-bottom: 1em;" |A FIRE ON THE MOON. Weidenfeld & Nicolson, London (1970). [0] [But 1971] Published September 1971 (J. Michael Lennon).|| style="padding-left: 2em;" | $15/75.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 022b: || style="padding-bottom: 1em;" |OF A FIRE ON THE MOON. Little, Brown, Boston (1971). [1] 25,000 copies. Green cloth with gold lettering. Copyright 1970, published January 1971. Preceded the English edition.|| style="padding-left: 2em;" | $10/50.




|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 022c: || style="padding-bottom: 1em;" |OF A FIRE ON THE MOON. Little, Brown, Boston (1971). [1] 500 copies. (Gemini Fine Books 2/94.) With signed tipped-in leaf (Waiting For Godot 4/90).|| style="padding-left: 2em;" | $75/125.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 023a: || style="padding-bottom: 1em;" |KING OF THE HILL. New American Library (New York, 1971). [1] Wraps. “First Printing, April 1971.” Signet Special N 4787|| style="padding-left: 2em;" | $40.




|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 024a: || style="padding-bottom: 1em;" |MAIDSTONE ''A Mystery''. New American Library (New York, 1971). [1] Wraps. “FIRST PRINTING, OCTOBER 1971.” Signet Film Series W4782.|| style="padding-left: 2em;" | $50.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 025a: || style="padding-bottom: 1em;" |THE PRISONER OF SEX. Little, Brown, Boston/Toronto (1971). [ ] Uncorrected proof in orange printed wraps. Preceded publication (Waiting For Godot Books 9/93).|| style="padding-left: 2em;" | $300.




|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 025b: || style="padding-bottom: 1em;" |THE PRISONER OF SEX. Little, Brown, Boston/Toronto (1971). [1] 10,000 copies. Green boards with gold lettering. In gold and white dustwrapper. Note: inside front flap of dustwrapper contains price ($5.95 on first edition only).|| style="padding-left: 2em;" | $5/35.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 025c: || style="padding-bottom: 1em;" |THE PRISONER OF SEX. Weidenfeld & Nicolson, London (1970). [ ] Actually published September 3, 1971 (J. Michael Lennon)|| style="padding-left: 2em;" | $10/40.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 026a: || style="padding-bottom: 1em;" |THE LONG PATROL, 25 YEARS OF WRITING ... World/Times Mirror, New York (1971). [1] Edited by Robert F. Lucid. Selections from 13 of Mailer’s works.|| style="padding-left: 2em;" | $25/75.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 027a: || style="padding-bottom: 1em;" |EXISTENTIAL ERRANDS. Little, Brown, Boston/Toronto, 1972. [ ] Uncorrected proof in yellow-orange wraps (Boston Book Co. & Book Annex 10/92).|| style="padding-left: 2em;" | $200.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 027b: || style="padding-bottom: 1em;" |EXISTENTIAL ERRANDS. Little, Brown, Boston/Toronto (1972). [1] 10,000 copies. Yellow and black boards with gold lettering. In white dustwrapper.|| style="padding-left: 2em;" | $5/35.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 028a: || style="padding-bottom: 1em;" |ST. GEORGE AND THE GODFATHER. New American Library (New York, 1972). [1] Wraps. “First printing, September, 1972.” Signet special W5122. Book did not appear until late October 1972 (J. Michael Lennon citing the author).|| style="padding-left: 2em;" | $40.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 028b: || style="padding-bottom: 1em;" |ST. GEORGE AND THE GODFATHER. Arbor House, New York (1983). [3] First hardback edition. Copyright 1972 but rear flap of dustwrapper has “9-83” so, assume 1983 publication.|| style="padding-left: 2em;" | $5/35.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 028c: || style="padding-bottom: 1em;" |ST. GEORGE AND THE GODFATHER. Arbor House, New York (1983). [3] Wraps. Copyright 1972 but rear cover has “9-83” so, assume 1983 publication. Issued simultaneously with the Arbor House hardcover issue (Quill and Brush 2/03).|| style="padding-left: 2em;" | $15.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 029a: || style="padding-bottom: 1em;" |MARILYN, A PREVIEW. Grosset & Dunlap, New York (1972). [ ] Twelve-page promotional pamphlet (Astoria Books 4/90).|| style="padding-left: 2em;" | $50.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 029b: || style="padding-bottom: 1em;" |MARILYN, A BIOGRAPHY. Grosset & Dunlap, New York, 1973. [2] Limited signed edition in white cloth and publisher’s black clam shell case. Signed by Lawrence Shiller (the book’s “producer”) as well as Mailer. No limitation quantity stated.|| style="padding-left: 2em;" | $600/750.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 029c: || style="padding-bottom: 1em;" | MARILYN, A BIOGRAPHY. (Grosset & Dunlap, New York, 1973.) [1] 100,000 copies. Tan cloth with gold lettering. (There were also 125,000 Book Club copies.)|| style="padding-left: 2em;" | $35/100.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 029d: || style="padding-bottom: 1em;" |MARILYN, A BIOGRAPHY. (Hodder & Stoughton, London,1973.) [ ]|| style="padding-left: 2em;" | $25/75.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 029e: || style="padding-bottom: 1em;" |MARILYN, A BIOGRAPHY. Grosset & Dunlap, New York, 1974. [1] “First printing paperback edition, 1974” stated. Bound in the embossed cloth of first edition and has the first edition dustwrapper loosely fitted (Tall Stories 6/95).|| style="padding-left: 2em;" | $25/50.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 029f: || style="padding-bottom: 1em;" | MARILYN, A BIOGRAPHY. Warner, New York, 1975. [1] Wraps. Includes new final chapter “The Murder File”|| style="padding-left: 2em;" | $40.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 030a: || style="padding-bottom: 1em;" |THE 1974 MARILYN MONROE DATEBOOK. Alskog (Los Angeles,1973). [0] Spiral bound wraps.|| style="padding-left: 2em;" | $60.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 031a: || style="padding-bottom: 1em;" |THE FAITH OF GRAFFITI. Alskog/Praeger, New York, 1974. [2] Limited to 350 copies. Signed by all three contributors (Mailer, Mervyn Kurlansky and Jon Naar, photographers). Fourteen-inch folio in cloth slipcase.|| style="padding-left: 2em;" | $150/250.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 031b: || style="padding-bottom: 1em;" |THE FAITH OF GRAFFITI. Alskog/Praeger, New York (1974). [1] Brown cloth in green dustwrapper. The title and copyright page are the same and appear twice, on the verso of the front free endpaper and the recto of the rear free endpaper.|| style="padding-left: 2em;" | $25/75.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 031c: || style="padding-bottom: 1em;" |THE FAITH OF GRAFFITI. Alskog/Praeger, New York (1974). [1] Wraps.|| style="padding-left: 2em;" | $35.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 031d: || style="padding-bottom: 1em;" |WATCHING MY NAME GO BY.(Mathews Miller Dunbar, London,1974.) [1] New title|| style="padding-left: 2em;" | $25/125.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 031e: || style="padding-bottom: 1em;" |WATCHING MY NAME GO BY.(Mathews Miller Dunbar, London,1974.) [1] Wraps.|| style="padding-left: 2em;" | $30.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 032a: || style="padding-bottom: 1em;" |THE FIGHT. Little, Brown, Boston/Toronto (1975). [1] 20,000 copies. Black cloth, silver lettering.|| style="padding-left: 2em;" | $25/100.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 032b: || style="padding-bottom: 1em;" | THE FIGHT. Hart-Davis, MacGibbon, London (1976). [0]|| style="padding-left: 2em;" | $15/75.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 033a: || style="padding-bottom: 1em;" |GENIUS AND LUST ''A Journey Through the Major Writings of Henry Miller''. Grove, New York (1976). [ ] Uncorrected proof in ring-bound printed wraps. Text printed on rectos only. Two volumes. The original, discarded title, “Cosmic Demon,” is imprinted on every page of the preliminaries and text. (Ralph Sipper 10/03.)|| style="padding-left: 2em;" | $400.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 033b: || style="padding-bottom: 1em;" |GENIUS AND LUST ''A Journey Through the Major Writings of Henry Miller''. Grove, New York (1976). [1] Tan cloth, blue lettering. 80 pages of commentary by Mailer, 500 pages of Miller excerpts. Dustwrapper drawing of Miller by Norris Church Mailer (his sixth wife).|| style="padding-left: 2em;" | $20/60
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 034a: || style="padding-bottom: 1em;" |SOME HONORABLE MEN POLITICAL CONVENTIONS 1960–1972. Little, Brown Boston/Toronto (1976). [1] 10,000 copies. Original preface, rest of book reprinted for ''Presidential Papers, Cannibals, Miami'' and ''St. George''. Blue cloth with silver lettering. In black and white dustwrapper.|| style="padding-left: 2em;" | $10/50.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 035a: || style="padding-bottom: 1em;" |TRIAL OF THE WARLOCK. Playboy, Shueisha, Japan, 1977. [ ] Screenplay adaptation of J.K. Husyman’s 1891 novel ''La-Bas''. The Japanese volume was translated from the ''Playboy'' issue of December 1976. Gray-brown cloth, red and white dustwrapper. The only cloth bound edition.|| style="padding-left: 2em;" | $100/250.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 036a: || style="padding-bottom: 1em;" |A TRANSIT TO NARCISSUS. Howard Fertig, New York, 1978. [1] Uncorrected proof in cream colored wraps. A facsimile of the original typescript.|| style="padding-left: 2em;" | $200.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 036b: || style="padding-bottom: 1em;" | A TRANSIT TO NARCISSUS. Howard Fertig, New York, 1978. [1] 1,000 copies. Tan cloth with black lettering.|| style="padding-left: 2em;" | $50/150.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 037a: || style="padding-bottom: 1em;" |THE EXECUTIONER’S SONG. Little, Brown, Boston/Toronto (1979). [1] Uncorrected proof in blue wraps. Also seen in two volumes (Gemini Fine Books 2/94).|| style="padding-left: 2em;" | $300.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 037b: || style="padding-bottom: 1em;" |THE EXECUTIONER’S SONG. Little, Brown Boston/Toronto (1979). [1] 100,000 copies. Blue cloth, silver and gold lettering. In blue, black and gold dustwrapper. Pulitzer Prize in Fiction for 1980.|| style="padding-left: 2em;" | $12/60.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 037c: || style="padding-bottom: 1em;" |THE EXECUTIONER’S SONG. Hutchison (London, 1979). [ ] (Ref.b.)|| style="padding-left: 2em;" | $12/60.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 037d: || style="padding-bottom: 1em;" |THE EXECUTIONER’S SONG. The Execution’s Song Production Co., Los Angeles, 1981. [0] 197 pages (only rectos numbered). Green wraps, pin bound. Shooting draft of screenplay, September 25.|| style="padding-left: 2em;" | $300.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 037e: || style="padding-bottom: 1em;" |THE EXECUTIONER’S SONG. Lawrence Schiller Productions, Holly-wood, 1981. [ ] Punch-bound quarto sheets in printed covers (Antic Hay 5/91).
 
 
|| style="padding-left: 2em;" | $XXXX.
 


|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| || i. 150 pages. Feature draft: || style="padding-left: 2em;" | $300.
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| || ii. 196 pages. Corrected second draft: || style="padding-left: 2em;" | $250.
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| || style="padding-bottom: 1em;" | iii. 197 pages. Shooting draft: || style="padding-left: 2em;" | $250.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 038a: || style="padding-bottom: 1em;" | CRIME AND PUNISHMENT: GARY GILMORE. Firing Line/Southern Educational Communications Association, Columbia (1979). [ ] Pictorial wraps. Contains the text of a television interview with Mailer by William F. Buckley, Jr., and Jeff Greenfield, broadcast on 4 November 1979. (Joseph The Provider Books 5/99.)|| style="padding-left: 2em;" | $50.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 039a: || style="padding-bottom: 1em;" |OF A SMALL AND MODEST MALIGNANCY WICKED AND BRISTLING WITH DOTS. Lord John Press, Northridge, 1980. [2] An unknown number of signed copies designated in type “This is a Presentation copy”. Gilt cloth and decorated boards in slipcase.|| style="padding-left: 2em;" | $200/250.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 039b: || style="padding-bottom: 1em;" | OF A SMALL AND MODEST MALIGNANCY WICKED AND BRISTLING WITH DOTS. Lord John Press, Northridge, 1980. [2] 26 signed and lettered copies. Full leather in slipcase.|| style="padding-left: 2em;" | $200/250.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 039c: || style="padding-bottom: 1em;" |OF A SMALL AND MODEST MALIGNANCY WICKED AND BRISTLING WITH DOTS. Lord John Press, Northridge, 1980. [2] 100 signed and numbered copies. Deluxe edition on Curtis Rag and bound in leather. Issued without dustwrapper in slipcase. First appeared in ''Esquire'' November 1977.|| style="padding-left: 2em;" | $150/200.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 039d: || style="padding-bottom: 1em;" |OF A SMALL AND MODEST MALIGNANCY WICKED AND BRISTLING WITH DOTS. Lord John Press, Northridge, 1980. [2] 300 signed and numbered copies on Mohawk Superfine and bound in cloth. Issued without dustwrapper. In slipcase.|| style="padding-left: 2em;" | $75/100.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 040a: || style="padding-bottom: 1em;" |OF WOMEN AND THEIR ELEGANCE. Simon & Schuster, New York (1980). [ ] Loose pages with sample photograph laid in publisher’s box with differences from published book (George Robert Minkoff 6/90).|| style="padding-left: 2em;" | $300.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 040b: || style="padding-bottom: 1em;" |OF WOMEN AND THEIR ELEGANCE. Simon & Schuster, New York (1980). [3] Photographs by Milton H. Greene.|| style="padding-left: 2em;" | $25/75.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 040c: || style="padding-bottom: 1em;" |OF WOMEN AND THEIR ELEGANCE. Hodder & Stoughton, London/Sydney/Auckland/Toronto (1980). [ ] Sheets of the American edition. (Ref.b.)|| style="padding-left: 2em;" | $25/75.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 041a: || style="padding-bottom: 1em;" |PIECES AND PONTIFICATIONS. Little, Brown, Boston/Toronto (1982). [1] Uncorrected proof in blue wraps with “Pontification” misspelled on title page.|| style="padding-left: 2em;" | $300.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 041b: || style="padding-bottom: 1em;" |PIECES AND PONTIFICATIONS. Little, Brown, Boston/Toronto (1982). [1] Bound uncorrected proof in tan wraps with price ($22.95) and 448 pages. Also noted in cream wraps (Lame Duck Books 9/91).|| style="padding-left: 2em;" | $150.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 041c: || style="padding-bottom: 1em;" |PIECES AND PONTIFICATIONS. Little, Brown, Boston/Toronto (1982). [1] Purple cloth with silver lettering in white, green and purple dustwrapper.|| style="padding-left: 2em;" | $5/45.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 041d: || style="padding-bottom: 1em;" |PIECES. Little, Brown, Boston/Toronto (1982). [1] Blue wraps. Republished in two volumes.|| style="padding-left: 2em;" | $30.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 041e: || style="padding-bottom: 1em;" |PONTIFICATIONS. Little, Brown, Boston/Toronto (1982). [1] White wraps. Edited by Michael Lennon.|| style="padding-left: 2em;" | $30.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 041f: || style="padding-bottom: 1em;" |PIECES AND PONTIFICATIONS. New English Library (London,1983). [1] Black cloth with gold lettering. In red, tan, white and black dustwrapper. (Ref.b.)|| style="padding-left: 2em;" | $10/40.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 042a: || style="padding-bottom: 1em;" |THE ESSENTIAL MAILER. New English Library (Kent, 1982). [1] “This collection first published in Great Britain by ... in 1982.” First British edition of ''The Short Fiction of Norman Mailer'' and ''Existential Errands'', which are combined in this edition. Green-blue cloth with silver lettering. In red, white, blue and black dustwrapper.|| style="padding-left: 2em;" | $15/60.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 042b: || style="padding-bottom: 1em;" |THE ESSENTIAL MAILER. New English Library (Kent, 1982). [ ] Wraps. Assume simultaneous.|| style="padding-left: 2em;" | $30.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 043a: || style="padding-bottom: 1em;" |ANCIENT EVENINGS. Little, Brown, Boston/Toronto (1983). [ ] Uncorrected proof. Two volumes. Offset from typescript. 1,746 pages (Christopher Stephen’s 11/91) with many differences from final book|| style="padding-left: 2em;" | $250.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 043b: || style="padding-bottom: 1em;" |ANCIENT EVENINGS. Little, Brown, Boston/Toronto (1983). [ ] Uncorrected proof in yellow wraps with $19.95 price and 704 pages noted on cover.|| style="padding-left: 2em;" | $100.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 043c: || style="padding-bottom: 1em;" |ANCIENT EVENINGS. Little, Brown, Boston/Toronto (1983). [2] 350 signed and numbered copies. Issued without dustwrapper. In slipcase.|| style="padding-left: 2em;" | $125/250.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 043d: || style="padding-bottom: 1em;" |ANCIENT EVENINGS. Little, Brown, Boston/Toronto (1983). [1] 100,000 copies. Black cloth with gold and red lettering. In red, black and gold dustwrapper|| style="padding-left: 2em;" | $5/45.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 043e: || style="padding-bottom: 1em;" |ANCIENT EVENINGS. Macmillan, London, 1983. [ ] Uncorrected proof in yellow wraps (Dalian 5/90).|| style="padding-left: 2em;" | $75.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 043f: || style="padding-bottom: 1em;" |ANCIENT EVENINGS. Macmillan, London, 1983. [ ]|| style="padding-left: 2em;" | $10/50.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 044a: || style="padding-bottom: 1em;" |THE LAST NIGHT. Targ Editions, New York, 1984. [2] 250 signed and numbered copies. Black and white boards. In plain white dustwrapper.|| style="padding-left: 2em;" | $100/125.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 045a: || style="padding-bottom: 1em;" |TOUGH GUYS DON’T DANCE. Random House, New York (1984).[4] Uncorrected proof in yellow wraps.|| style="padding-left: 2em;" | $60.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 045b: || style="padding-bottom: 1em;" | TOUGH GUYS DON’T DANCE. Franklin Library, Franklin Center, 1984. [2] Signed “limited” first edition. In full brown leather with “Special Message from the Author” not in Random House edition.|| style="padding-left: 2em;" | $50.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 045c: || style="padding-bottom: 1em;" |TOUGH GUYS DON’T DANCE. Random House, New York (1984). [2] 350 signed and numbered copies. Issued without dustwrapper. In slipcase.|| style="padding-left: 2em;" | $50/75.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 045d: || style="padding-bottom: 1em;" |TOUGH GUYS DON’T DANCE. Random House, New York (1984). [4] 100,000 copies. Black cloth with gold lettering. In black, yellow and gold dustwrapper.|| style="padding-left: 2em;" | $5/15.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 045e: || style="padding-bottom: 1em;" |TOUGH GUYS DON’T DANCE. Michael Joseph, London (1984). [ ] (Ref.b.)|| style="padding-left: 2em;" | $5/25.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 045f: || style="padding-bottom: 1em;" |TOUGH GUYS DON’T DANCE A Screenplay. Cannon Films, no place, 1986. [ ] 116 pages (only recto numbered). Blue wraps, pin bound. Draft 4.2 by Mailer, October 11, 1986.|| style="padding-left: 2em;" | $250.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 046a: || style="padding-bottom: 1em;" | FRAGMENT FROM VIETNAM ''A Play in One Act''. Eurographica, Helsinki (1985). [2] 12 author’s copies. Edited by Rolando Pieraccini. Blue-gray wraps. Also contains Mailer’s self-interview from the ''New York Times Book Review'' (17 September 1967, pages 4–5, 40).|| style="padding-left: 2em;" | $400.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 046b: || style="padding-bottom: 1em;" |FRAGMENT FROM VIETNAM ''A Play in One Act''. Eurographica, Helsinki (1985). [2] 350 signed and numbered copies Card wraps. In dustwrapper (Richard Budd Books 2/95).|| style="padding-left: 2em;" | $275.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 047a: || style="padding-bottom: 1em;" |HUCKLEBERRY FINN, ALIVE AT 100. Caliban Press (Montclair), 1985. [2] 50 numbered copies. Casebound in boards.|| style="padding-left: 2em;" | $450.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 047b: || style="padding-bottom: 1em;" |HUCKLEBERRY FINN, ALIVE AT 100. Caliban Press (Montclair), 1985. [2] 200 numbered copies. Sewn in red crimson wraps.|| style="padding-left: 2em;" | $200.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 048a: || style="padding-bottom: 1em;" |48TH INTERNATIONAL PEN CONGRESS PRESS KIT. New York, 1986. January 12–18. [ ] Includes 11-page speech by Mailer. Loose sheets stapled in gray folder.|| style="padding-left: 2em;" | $100.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 049a: || style="padding-bottom: 1em;" |CONVERSATIONSWITH NORMAN MAILER. University Press of Mississippi, Jackson/London (1988). [3] 1,571 copies. (Publisher’s records.) Edited by J.Michael Lennon.|| style="padding-left: 2em;" | $20/60.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 049b: || style="padding-bottom: 1em;" |CONVERSATIONSWITH NORMAN MAILER. University Press of Mississippi Jackson/London (1988). [3] 3,578 copies. (Publisher’s records.) Wraps. Issued simultaneously.|| style="padding-left: 2em;" | $25.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 050a: || style="padding-bottom: 1em;" | HARLOT’S GHOST. Random House, New York 1991). [4] Advance uncorrected proof. In glossy wraps using publisher’s device as pattern. Gives tentative publication date of October 15, 1991.|| style="padding-left: 2em;" | $200.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 050b: || style="padding-bottom: 1em;" |HARLOT’S GHOST. Random House, New York (1991). [2] 300 signed and numbered copies. Issued without dustwrapper. In slipcase. Published at $200.|| style="padding-left: 2em;" | $150/200.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 050c: || style="padding-bottom: 1em;" |HARLOT’S GHOST. Random House, New York (1991). [4] 186,000 copies (PW). Issued in two dustwrappers (gray and red). Reportedly there were only 250 of the red dustwrapper (Bev Chaney 2/92). James Pepper Rare Books, 1/97 calls the “brilliant pinkish-red” dustwrapper a trial dustwrapper and indicates there were only approximately 30 copies. However, an article in PW states Mailer “had approved the original gray dustwrapper. It continued to outsell the strawberry four to one ...” (Lennon believes that Mailer meant in one or two stores. He was told by Mailer’s agent that there were 150 of the red.) Published August 1991 at $30. Also noted a copy inscribed by Mailer: “I never liked the dark gray jacket of this book, so I convinced the powers that be at Random House to give me a red jacket for the last few copies.” This inscription would seem to contradict previous reports that the jacket was done as a trial before deciding on the gray version. (Jeff Hirsh Books 9/98.)
 
 
|| style="padding-left: 2em;" | $XXXX.
 


|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| || In red dustwrapper: || style="padding-left: 2em;" | $5/60.
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| || style="padding-bottom: 1em;" | In grey dustwrapper: || style="padding-left: 2em;" | $5/15.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 050d: || style="padding-bottom: 1em;" |HARLOT’S GHOST. Michael Joseph, London (1991). [ ] Advance partial proof in glossy wraps, 345 pages. (Nicholas Burrows Books 2/93.)|| style="padding-left: 2em;" | $75.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 050e: || style="padding-bottom: 1em;" |HARLOT’S GHOST. Michael Joseph, London, 1991. [1]|| style="padding-left: 2em;" | $8/40.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 051a: || style="padding-bottom: 1em;" |HOW THE WIMP WON THE WAR. Lord John Press, Northridge, 1992. [2] 26 signed and lettered copies. Issued without dustwrapper.|| style="padding-left: 2em;" | $350.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 051b: || style="padding-bottom: 1em;" |HOW THE WIMP WON THE WAR. Lord John Press, Northridge, 1992. [2] 275 signed and numbered copies. Issued without dustwrapper.|| style="padding-left: 2em;" | $200.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 052a: || style="padding-bottom: 1em;" |OSWALD’S TALE. Franklin Library, Franklin Center, 1996. [2] Signed limited edition in full leather. Contains a special message (Waverley Books 10/96).|| style="padding-left: 2em;" | $125.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 052b: || style="padding-bottom: 1em;" |OSWALD’S TALE. Random House, New York, 1995. [ ] Uncorrected proof. In blue and white patterned wraps (Waverley Books 6/95).|| style="padding-left: 2em;" | $100.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 052c: || style="padding-bottom: 1em;" |OSWALD’S TALE. Random House, New York (1995). [4] Published May 1995 at $30.00. Note: the Book-of-the-Month Club in unpriced dustwrapper does not have ISBN number above bar code on back of dustwrapper and the book itself is in a Little Brown binding, although the sheets and title page are Random House and also state first.|| style="padding-left: 2em;" | $5/20.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 052d: || style="padding-bottom: 1em;" | OSWALD’S TALE. Little, Brown, London, 1995. [4] (Nicholas Pounder 11/95.)|| style="padding-left: 2em;" | $6/30.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 053a || style="padding-bottom: 1em;" |PICASSO Portrait of Picasso as a Young Man. Atlantic, New York, 1996. [ ] Uncorrected proof in yellow, brown and red wraps. Noted with six glossy reproductions of paintings laid in. Proof withdrawn by Mailer who was dissatisfied with the quality of most reproductions (J. Michael Lennon).|| style="padding-left: 2em;" | $400.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 053b: || style="padding-bottom: 1em;" | PICASSO ''Portrait of Picasso as a Young Man''. Little Brown/Atlantic, New York, 1996. [ ]|| style="padding-left: 2em;" | $5/20.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 054a: || style="padding-bottom: 1em;" |THE GOSPEL ACCORDING TO THE SON. Random House, New York (1997). [1] Published at $22.00.|| style="padding-left: 2em;" | $5/20.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 054b: || style="padding-bottom: 1em;" |THE GOSPEL ACCORDING TO THE SON. Little, Brown and Company (London, 1997). [ ] Uncorrected proof in pictorial wraps. (Bev Chaney, Jr. 10/98)|| style="padding-left: 2em;" | $60.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 054c: || style="padding-bottom: 1em;" | THE GOSPEL ACCORDING TO THE SON. Abacus/Little, Brown, London, 1997. [ ]|| style="padding-left: 2em;" | $5/30.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 055a: || style="padding-bottom: 1em;" |THE TIME OF OUR TIME. Random House, New York (1998). [ ] Uncorrected proof blue and white wraps. (Ken Lopez 5/98)|| style="padding-left: 2em;" | $150.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 055b: || style="padding-bottom: 1em;" |THE TIME OF OUR TIME. Random House, New York (1998). [4] 25,000 copies signed by the author on a tipped-in leaf and issued as “A Signed First Edition” (so printed on the dustwrapper). After Mailer signed 25,000 sheets, sales of the book picked up to such an extent that Random House printed and bound another 5,000–10,000 copies, as below. (J. Michael Lennon 4/99)|| style="padding-left: 2em;" | $40/50.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 055c: || style="padding-bottom: 1em;" |THE TIME OF OUR TIME. Random House, New York, 1998. [4] Approximately 5,000–10,000 copies. Lacks the tipped-in leaf signed by Mailer. The dustwrapper lacks statement “A Signed First Edition”. In all other respects identical to the above. (J. Michael Lennon 4/99.) Published at $39.50.|| style="padding-left: 2em;" | $5/25.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 055d: || style="padding-bottom: 1em;" |THE TIME OF OUR TIME. Little, Brown and Co. London,1998. [ ]|| style="padding-left: 2em;" | $5/30.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 056a: || style="padding-bottom: 1em;" |SELF-PORTRAIT. Parchment Gallery Graphics, Charleston, West Virginia, 1998. [2] 20 signed, unnumbered copies. Printer’s proof, 8*11 inches on 80 lb. laid text, partially cotton paper with image in red ink with a dark brown border and light tan inner (simulated mat) border; with colophon page in white envelope (Quill & Brush 5/07).|| style="padding-left: 2em;" | $75.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 056b: || style="padding-bottom: 1em;" |SELF-PORTRAIT. Parchment Gallery Graphics, Charleston, West Virginia, 1998. [2] 100 signed and numbered copies. Single sheet, printed on recto only, on 8*11 inch sheet, reproducing, photolithographically, a pen drawing on Arches paper in red ink. A fine copy, with separate colophon leaf which states [in part]: “This is a reproduction of a pen drawing [by Norman Mailer] on Arches paper in red ink. The image is produced actual size, in honor of Mr. Mailer’s visit to the University of Charleston February 4,1998.” Issued in protective folder and mailing envelope (Waiting For Godot Books 5/07).|| style="padding-left: 2em;" | $50.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 057a: || style="padding-bottom: 1em;" |INTO THE MIRROR: THE LIFE OF MASTER SPY ROBERT P. HANSSEN. HarperCollins, New York 2001. [ ] Novelistic adaptation of the screenplay by Mailer and Lawrence Schiller|| style="padding-left: 2em;" | $5/25.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 058a: || style="padding-bottom: 1em;" |THE SPOOKY ART: SOME THOUGHTS ON WRITING. Random House, New York (2003). [ ] Uncorrected proof in glossy blue and white patterned wraps (Revere Books 1/03).|| style="padding-left: 2em;" | $60.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 058b: || style="padding-bottom: 1em;" |THE SPOOKY ART: SOME THOUGHTS ON WRITING. Random House, New York (2003). [4] Also states “''First Edition''”. Published January 21, 2003 at $24.95.|| style="padding-left: 2em;" | $3/15.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 058c: || style="padding-bottom: 1em;" |THE SPOOKY ART: SOME THOUGHTS ON WRITING. Little, Brown/Time Warner, London, 2003. [ ]|| style="padding-left: 2em;" | $4/20.
 
 
|| style="padding-left: 2em;" | $XXXX.




|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
| style="padding-right: 2em;" | 059a: || style="padding-bottom: 1em;" |WHY AREWE ATWAR? Random House, New York, 2003. [ ] Wraps. Published at $7.99.
 
 
|| style="padding-left: 2em;" | $XXXX.




RAshford
9

edits

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