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that we, collectively, have been involved in the last seventy years: WWII,
that we, collectively, have been involved in the last seventy years: WWII,
movies and plays (commentary and production), race relations, politics,
movies and plays (commentary and production), race relations, politics,
architecture, bullfighting, prize fighting, Kennedy and his assassination, Vietnam, the space program, protests, sex, feminism, cancer, government, literature ~including criticism!, killers, the Bushes, Iraq, God, reincarnation, etc.,
architecture, bullfighting, prize fighting, Kennedy and his assassination, Vietnam, the space program, protests, sex, feminism, cancer, government, literature (including criticism), killers, the Bushes, Iraq, God, reincarnation, etc.,
etc. His was an amazing output, spanning over seven decades.
etc. His was an amazing output, spanning over seven decades.


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|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 001a: || style="padding-bottom: 1em;" | THE FOUNDATION. Privately published, California, 1943–44. Mimeographed copies of the work which was then published as “A Calculus at Heaven” in ''Cross-Section: A Collection of American Writing'', edited by Edwin Seaver. New York: L. B. Fisher, 1944, and later reprinted in ''Advertisements for Myself''. || style="padding-left: 2em;" | NVA.
| style="padding-right: 2em;" | 001a: || style="padding-bottom: 1em;" | THE FOUNDATION. Privately published, California, 1943–44. Mimeographed copies of the work which was then published as “A Calculus at Heaven” in ''Cross-Section: A Collection of American Writing'', edited by Edwin Seaver. New York: L. B. Fisher, 1944, and later reprinted in ''Advertisements for Myself''. || style="padding-left: 2em;" | NVA.
|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 002a: || style="padding-bottom: 1em;" | THE NAKED AND THE DEAD. Rinehart, New York, 1948. [5] 500 copies. (Malcom Bell 10/98.) Advance reading copy bound in red and black paperwraps with flaps as in final dustwrapper, but glued to the spine. || style="padding-left: 2em;" | $3,000.
| style="padding-right: 2em;" | 002a: || style="padding-bottom: 1em;" | THE NAKED AND THE DEAD. Rinehart, New York, 1948. [5] 500 copies. (Malcom Bell 10/98.) Advance reading copy bound in red and black paperwraps with flaps as in final dustwrapper, but glued to the spine. || style="padding-left: 2em;" | $3,000.
|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 002b: || THE NAKED AND THE DEAD. Rinehart, New York/ Toronto (1948). [5] 25,000 copies (of which possibly 10,000 copies were in the first state dustwrapper). Black boards with white lettering. First state dustwrapper has introductory blurb by Stanley Rinehart comparing Mailer favorably with Hemingway, and others. The second state dustwrapper has review blurbs on front and rear flaps from ''The New York Herald Tribune'', ''the New Yorker'', ''the Philadelphia Inquirer'' and several other publications. (Malcom Bell 10/98) Both are priced $4.00. ||  
| style="padding-right: 2em;" | 002b: || THE NAKED AND THE DEAD. Rinehart, New York/ Toronto (1948). [5] 25,000 copies (of which possibly 10,000 copies were in the first state dustwrapper). Black boards with white lettering. First state dustwrapper has introductory blurb by Stanley Rinehart comparing Mailer favorably with Hemingway, and others. The second state dustwrapper has review blurbs on front and rear flaps from ''The New York Herald Tribune'', ''the New Yorker'', ''the Philadelphia Inquirer'' and several other publications. (Malcom Bell 10/98) Both are priced $4.00. ||  
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|- style="vertical-align: top;"
|- style="vertical-align: top;"
|  || style="padding-bottom: 1em;" | Second-issue dustwrapper: || style="padding-left: 2em;" | $300/750.
|  || style="padding-bottom: 1em;" | Second-issue dustwrapper: || style="padding-left: 2em;" | $300/750.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 002c: || style="padding-bottom: 1em;" | THE NAKED AND THE DEAD. Wingate, London, 1949. [2] 13 copies numbered I-XIII, out of 253 copies. Collector’s Book Club issue, using sheets of first English edition and issued simultaneously with it. In full wine leather, issued without dustwrapper.|| style="padding-left: 2em;" | $1750.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 002d: || style="padding-bottom: 1em;" | THE NAKED AND THE DEAD. Wingate, London, 1949.[2] 240 numbered copies. Collector’s Book Club issue, using sheets of first English edition and issued simultaneously with it. In full leather, issued without dustwrapper.|| style="padding-left: 2em;" | $1250.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 002e: || style="padding-bottom: 1em;" |THE NAKED AND THE DEAD. Wingate, London (1949). [1].|| style="padding-left: 2em;" | $40/250.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 002f: || style="padding-bottom: 1em;" | THE NAKED AND THE DEAD. Franklin Library, Franklin Center, Pennsylvania, 1979. [2] 10,000 copies. Signed by Mailer, Includes “A special message to subscriber from Norman Mailer”.|| style="padding-left: 2em;" | $175.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 003a: || style="padding-bottom: 1em;" | BARBARY SHORE. Rinehart, New York, 1951. [5] Advance copy. Perfect bound in wraps used for trade edition dustwrapper. Copies with both variants of dustwrapper also noted (see below).|| style="padding-left: 2em;" | $750.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 003b: || style="padding-bottom: 1em;" | BARBARY SHORE. Rinehart, New York/Toronto, no date. @5# 20,000 copies. First issue with the page numeral “48” printed in clear and unbroken type (Alphabet Bookshop 12/00). Black boards with white lettering. Two dustwrappers on first edition apparently issued simultaneously: red and black; green and black.|| style="padding-left: 2em;" | $50/350.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 003c: || style="padding-bottom: 1em;" |BARBARY SHORE. Jonathan Cape, London (1952). [ ].|| style="padding-left: 2em;" | $20/125.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 003d: || style="padding-bottom: 1em;" |BARBARY SHORE. Jonathan Cape, London (1971). [ ] Adds “Note from the Author” by Mailer reprinted from ''Advertisements for Myself.''|| style="padding-left: 2em;" | $10/40.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 004a: || style="padding-bottom: 1em;" |THE DEER PARK. G. P. Putnam’s Sons, New York (1955). [ ] Uncorrected galley proofs in narrow quarto wraps with printed label.|| style="padding-left: 2em;" | $1,000.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 004b: || style="padding-bottom: 1em;" |THE DEER PARK. G. P. Putnam’s Sons, New York, 1955.[ ] A presumed special presentation issue? Apparently a special advance copy, prepared for the author for presentation, with a tipped-in leaf in front. In the copy noted Mailer has written a full-page inscription to an individual who made critical suggestions on seeing an early draft version of the book. The inscription is dated September 1955, prior to the publication date. Issued in dustwrapper.(Cultured Oyster Books 6/99.).|| style="padding-left: 2em;" | NVA.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 004c: || style="padding-bottom: 1em;" |THE DEER PARK. G. P. Putnam’s Sons, New York (1955). [0] 25,000 copies. Black cloth with green lettering. Two dustwrappers noted on first editions: author’s name in orange, word “Park” in green, first issue per Lepper, page 285 (Intro to 75 Modern Authors, 1976); and reverse of this.|| style="padding-left: 2em;" | $25/125.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 004d: || style="padding-bottom: 1em;" |THE DEER PARK. Wingate, London (1957). [1].|| style="padding-left: 2em;" | $15/100.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 004e: || style="padding-bottom: 1em;" |THE DEER PARK. Shakespeare Head Press (Pty.) Ltd. (Sydney, 1957). [ ] First Australian edition from the English sheets. (Bertram Rota 5/98.).|| style="padding-left: 2em;" | $15/75.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 004f: || style="padding-bottom: 1em;" |THE DEER PARK. (Berkley, New York, 1976.)[ ] Wraps. “Berkley Windhover Edition, NOVEMBER, 1976.” A 3264. New preface and notes by Mailer. The “Notes” consist of “Fourth Advertisement for Myself: The Last Draft of ''The Deer Park''” and “Postscript to the Fourth ''Advertisement for Myself''”, both reprinted from Advertisements for Myself.|| style="padding-left: 2em;" | $35.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 005a: || style="padding-bottom: 1em;" |THE WHITE NEGRO. City Lights Books (San Francisco, 1957). [0] Black and white wraps, 8(5/8)*5(3/4) inches. Frontcover: 35¢.|| style="padding-left: 2em;" | $350.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 005b: || style="padding-bottom: 1em;" |THE WHITE NEGRO. City Lights Books (San Francisco, 1957). Later printing (front cover): 50¢.|| style="padding-left: 2em;" | $50.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 005c: || style="padding-bottom: 1em;" |THE WHITE NEGRO. City Lights Books (San Francisco, 1957). Later printings (front cover): 75¢, $1.00 and without a price.|| style="padding-left: 2em;" | $15.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 006a: || style="padding-bottom: 1em;" |[Promotional statement about Vance Bourjaily’s ''The Violated'']. Dial, New York (1958). [0] Single sheet.|| style="padding-left: 2em;" | $125.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 007a: || style="padding-bottom: 1em;" |ADVERTISEMENTS FOR MYSELF. G. P. Putnam’s Sons, New York (1959). [0] Advance uncorrected proof (galleys). Perfect bound in tall dark green wraps with label on front.|| style="padding-left: 2em;" | $750.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 007b: || style="padding-bottom: 1em;" |ADVERTISEMENTS FOR MYSELF. G. P. Putnam’s Sons, New York (1959). @0# 10,000 copies (a& b). Red and black cloth, red and gold lettering.|| style="padding-left: 2em;" | $15/100.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 007c: || style="padding-bottom: 1em;" |ADVERTISEMENTS FOR MYSELF. G. P. Putnam’s Sons, New York (1959). [0] 10,000 copies. Variant and presumed later binding of light green paper over boards (J. Michael Lennon).|| style="padding-left: 2em;" | $10/60.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 007d: || style="padding-bottom: 1em;" |ADVERTISEMENTS FOR MYSELF. Andre Deutsch (London, 1961). [ ] New edition. Abridged (by about 40 pages). Black cloth with gold lettering, in red, black and orange dustwrapper.|| style="padding-left: 2em;" | $15/100.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 007e: || style="padding-bottom: 1em;" |ADVERTISEMENTS FOR MYSELF. Berkley (New York, 1976). [ ] Wraps. Copyright page: “G. P. Putnam’s Sons/Berkley Windhover Edition, DECEMBER 1976”. B 3282. New edition with a new preface by Mailer.|| style="padding-left: 2em;" | $35.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 008a: || style="padding-bottom: 1em;" |DEATHS FOR THE LADIES AND OTHER DISASTERS. G. P. Putnam’s Sons, New York (1962). [0] 5,000 copies. Black and white cloth with white lettering in black and white dustwrapper.|| style="padding-left: 2em;" | $50/200.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 008b: || style="padding-bottom: 1em;" |DEATHS FOR THE LADIES AND OTHER DISASTERS. G. P. Putnam’s Sons, New York (1962). [0] Simultaneously published in wraps.|| style="padding-left: 2em;" | $75.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 008c: || style="padding-bottom: 1em;" |DEATHS FOR THE LADIES AND OTHER DISASTERS. Andre Deutsch (London, 1962). [ ] Wraps. No hardbound U.K. edition (David Rees 2/92).|| style="padding-left: 2em;" | $75.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 008d: || style="padding-bottom: 1em;" |DEATHS FOR THE LADIES AND OTHER DISASTERS. New American Library (New York, 1971). [1] Wraps. Signet Book W4853. Adds an introduction by Mailer.|| style="padding-left: 2em;" | $35.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 009a: || style="padding-bottom: 1em;" |THE PRESIDENTIAL PAPERS. G. P. Putnam’s Sons, New York (1963). [0] Advance edition dustwrapper is purple and white with orange and white lettering. No blurbs, text (except title, author) or photos. Book the same.|| style="padding-left: 2em;" | $35/300.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 009b: || style="padding-bottom: 1em;" |THE PRESIDENTIAL PAPERS. G. P. Putnam’s Sons, New York (1963). [0] 10,000 copies. First and second impression dustwrappers have photo of Mailer in J.F.K. style rocker.|| style="padding-left: 2em;" | $35/175.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 009c: || style="padding-bottom: 1em;" |THE PRESIDENTIAL PAPERS. Andre Deutsch (London, 1964). [ ] New preface by Mailer from the special preface to Bantam edition.|| style="padding-left: 2em;" | $15/75.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 010a: || style="padding-bottom: 1em;" |GARGOYLE, GUIGNOL, FALSE CLOSET. (Dolmen Press, Dublin, 1964.) [2] 100 copies. Single sheet, folded, containing two pages. Scarce. Reprinted from ''Architectural Forum, 120'' (April 1964), pages 96–97.|| style="padding-left: 2em;" | $450.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 011a: || style="padding-bottom: 1em;" |AN AMERICAN DREAM. Dial Press, New York,1965.[ ] Uncorrected proof in ring-bound wraps (Ralph Sipper 10/03).|| style="padding-left: 2em;" | $1,500.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 011b: || style="padding-bottom: 1em;" |AN AMERICAN DREAM. Dial Press, New York,1965. [0] 50,000 copies. Red, white and blue dustwrapper containing head shot of Mailer’s fourth wife, Beverly Bentley. Blue cloth spine and gray boards, silver lettering; or full blue cloth. (Thomas Fiske believes that blue cloth is second. Charles Michaud has seen a blue cloth first that was inscribed in month of publication {3/65}.) Published March 15, 1965.|| style="padding-left: 2em;" | $15/100.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 011c: || style="padding-bottom: 1em;" |AN AMERICAN DREAM. Andre Deutsch (London, 1965). [ ] Uncorrected proof in blue printed wraps (Dalian Books 5/90).|| style="padding-left: 2em;" | $250.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 011d: || style="padding-bottom: 1em;" |AN AMERICAN DREAM. Andre Deutsch (London, 1965). [ ].|| style="padding-left: 2em;" | $12/75.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 011e: || style="padding-bottom: 1em;" |AN AMERICAN DREAM. Warner Brothers (Los Angeles, 1966). [ ] Screenplay by Mann Rubin based on the novel by Mailer. Pinned self-wraps with printed label dated 3/1/66 (Serendipity Books).|| style="padding-left: 2em;" | $400.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 012a: || style="padding-bottom: 1em;" | CANNIBALS AND CHRISTIANS. Dial Press, New York, 1966. [0] Review copies in pictorial wraps. Lepper’s Bibliographical Introduction to Seventy-Five Modern American Authors states: “Review copies, consisting of gathered signatures laid into the trade dustwrapper and held together by rivets, preceded publication (Waiting For Godot Books 5/07). Also described as review copy consisting of gathered signatures, ring-bound. Also spiral-bound quarto printed galleys with changes on slips pasted over original (Joseph The Provider 9/90. The same?).Also noted as clasp-bound folded and gathered sheets sent out for review prior to publication. (Ken Lopez 9/99.).|| style="padding-left: 2em;" | $600.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 012b: || style="padding-bottom: 1em;" |CANNIBALS AND CHRISTIANS. Dial Press, New York, 1966. [0] 10,000 copies (b and c). First issue has color photograph of Vertical City (Lego Block architectural model built by Mailer), same as on dustwrapper, photo tipped-in on page opposite title page (frontis).|| style="padding-left: 2em;" | $25/100.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 012c: || style="padding-bottom: 1em;" |CANNIBALS AND CHRISTIANS. Dial Press, New York, 1966. [0] With printed photograph as frontis.|| style="padding-left: 2em;" | $5/35.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 012d: || style="padding-bottom: 1em;" |CANNIBALS AND CHRISTIANS.Andre Deutsch (London,1967). [ ] Maroon cloth, gold lettering.|| style="padding-left: 2em;" | $12/60.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 012e: || style="padding-bottom: 1em;" |CANNIBALS AND CHRISTIANS. Granada, London/Toronto/New York (1979). [ ] Wraps. Panther book. Abridged edition.|| style="padding-left: 2em;" | $25.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 013a: || style="padding-bottom: 1em;" |THE DEER PARK A PLAY. Dell, New York (1967). [1] Wraps. Preceded Dial edition per Lepper page 286.|| style="padding-left: 2em;" | $40.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 013b: || style="padding-bottom: 1em;" |THE DEER PARK A PLAY. Dial, New York, 1967. [1] Black cloth with gold lettering. In red, white and black dustwrapper.|| style="padding-left: 2em;" | $25/150.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 013c: || style="padding-bottom: 1em;" |THE DEER PARK A PLAY. Weidenfeld & Nicolson, London (1970). [1].|| style="padding-left: 2em;" | $12/75.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 014a: || style="padding-bottom: 1em;" |THE BULLFIGHT. CBS Legacy Collection/MacMillan (New York,1967). [0] 5,000 copies. Maroon boards with gold lettering. In white dustwrapper. Housed in a clear plastic box. Accompanied by 33 1/3rpm record of Mailer reading from the text and a poem by Garcia Lorca. Text contains bull-fight photos. Very scarce with record. (Full leather (burgundy) binding in dustwrapper (Fine Books 1/92). Price with record but without box/and with box:|| style="padding-left: 2em;" | $150/300.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 014b: || style="padding-bottom: 1em;" |THE BULLFIGHT. CBS Legacy Collection/MacMillan (New York, 1967). [0] Issued without record or box.|| style="padding-left: 2em;" | $25/100.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 015a: || style="padding-bottom: 1em;" |THE SHORT FICTION OF NORMAN MAILER. Dell (New York, 1967). [1] Wraps. 10,000 copies. “First Dell Printing—May 1967.” #7850. (Also see 042a.).|| style="padding-left: 2em;" | $45.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 015b: || style="padding-bottom: 1em;" |THE SHORT FICTION OF NORMAN MAILER. Dell (New York, 1967). [ ] Wraps. First edition, Canadian issue with “Printed in Canada” on verso of title (David Mason 10/04).|| style="padding-left: 2em;" | $30.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 015c: || style="padding-bottom: 1em;" |A SELECTION FROM THE SHORT FICTION OF NORMAN MAILER. Shohakusha, Tokyo, 1968. [ ] English language edition containing three stories set in Japan and the Philippines: The Paper House, The Language of Men and The Dead Gook. Edited by Iwao Iwamoto (J. Michael Lennon).|| style="padding-left: 2em;" | $250.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 016a: || style="padding-bottom: 1em;" |WHY ARE WE IN VIETNAM? G. P. Putnam’s Sons, New York (1967). [ ] Uncorrected proof in ring-bound cardstock covers, 8 * 10(1/2) inches. Label on front cover. Printed on rectos only; no dedication page. (Ken Lopez 11/98.).|| style="padding-left: 2em;" | $500.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 016b: || style="padding-bottom: 1em;" |WHY ARE WE IN VIETNAM? G. P. Putnam’s Sons, New York (1967). [1] 50,000 copies. Blue cloth, gold lettering, red, white and black dustwrapper. Includes a dedication to six of Mailer’s friends. The name of one of these friends, Buzz Farbar, was misspelled as Buzz Farber. This edition was apparently recalled and the dedication page excised. The dedication was restored in three American paperback printings but does not appear in the hardback “first” editions. However, corrected tipped-in dedications do show up in some copies (see below). With error.|| style="padding-left: 2em;" | $750/800.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 016c: || style="padding-bottom: 1em;" |WHY AREWE IN VIETNAM? G. P. Putnam’s Sons, New York (1967). [1] With tipped-in corrected dedication page (Thomas Fiske and Charles Michaud).|| style="padding-left: 2em;" | $75/100.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 016d: || style="padding-bottom: 1em;" |WHY AREWE IN VIETNAM? G. P. Putnam’s Sons, New York (1967). [1] Without dedication page.|| style="padding-left: 2em;" | $5/35.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 016e: || style="padding-bottom: 1em;" |WHY ARE WE IN VIETNAM? Weidenfeld & Nicolson, London (1969). [ ]|| style="padding-left: 2em;" | $10/60.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 016f: || style="padding-bottom: 1em;" |WHY ARE WE IN VIETNAM? Putnam/Berkely (New York, 1977). [ ] Wraps. “G.P. Putnam’s Sons 6 Berkley Windhover Edition, January, 1977.” Adds a new preface by Mailer.|| style="padding-left: 2em;" | $25.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 017a: || style="padding-bottom: 1em;" |THE ARMIES OF THE DEAD. New American Library, New York (1968). [ ] Narrow galleys, ring-bound, with original title.|| style="padding-left: 2em;" | $750.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 017b: || style="padding-bottom: 1em;" |THE ARMIES OF THE NIGHT History as a Novel, the Novel as History. New American Library (New York, 1968). [1] 35,000 copies. Published May 6, 20 years to the day after The Naked and The Dead. Black cloth, white lettering, in white, red and black dustwrapper. Pulitzer Prize and National Book Award for non-fiction in 1969. First published in a somewhat different form in Harper’s, March 1968 (Part I), and Commentary, April 1968 (Part II).|| style="padding-left: 2em;" | $25/125.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 017c: || style="padding-bottom: 1em;" |THE ARMIES OF THE NIGHT.Weidenfeld & Nicolson, London (1968). [1] Light green cloth with black lettering, in white and black dustwrapper.|| style="padding-left: 2em;" | $15/100.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 018a: || style="padding-bottom: 1em;" |THE IDOL AND THE OCTOPUS POLITICAL WRITINGS ... ON THE KENNEDY AND JOHNSON ADMINISTRATIONS. Dell (New York, 1968). [1] Wraps. 10,000 copies. “First Printing—June, 1968.” #3952. Most these selections appeared previously in The Presidential Papers (item 009) and Cannibals and Christians (item 012).|| style="padding-left: 2em;" | $40.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 019a: || style="padding-bottom: 1em;" |MIAMI AND THE SIEGE OF CHICAGO AN INFORMAL HISTORY OF THE REPUBLICAN AND DEMOCRATIC CONVENTIONS OF 1968. New American Library (New York, 1968). [1] Wraps. “First Printing, October 1968.” Signet Special Q3785.|| style="padding-left: 2em;" | $40.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 019b: || style="padding-bottom: 1em;" | MIAMI AND THE SIEGE OF CHICAGO An Informal History of the Republican and Democratic Conventions of 1968. World, New York/Cleveland (1968). [1] 15,000 copies. “First printing, October 1968.”Black cloth with red lettering, in red, white and blue dustwrapper. Assume issued simultaneously.|| style="padding-left: 2em;" | $10/75.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 019c: || style="padding-bottom: 1em;" |MIAMI AND THE SIEGE OF CHICAGO An Informal History of the American Political Conventions of 1968. Weidenfeld & Nicolson, London (1968). [ ] New title.|| style="padding-left: 2em;" | $15/75.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
|| style="padding-left: 2em;" | $XXXX.
|- style="vertical-align: top;"
|- style="vertical-align: top;"
| style="padding-right: 2em;" | 002c: || style="padding-bottom: 1em;" | THE NAKED AND THE DEAD. Wingate, London, 1949. [2] 13 copies numbered I-XIII, out of 253 copies. Collector’s Book Club issue, using sheets of first English edition and issued simultaneously with it. In full wine leather, issued without dustwrapper. || style="padding-left: 2em;" | $1750.
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
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| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
|- style="vertical-align: top;"
| style="padding-right: 2em;" | XXXX: || style="padding-bottom: 1em;" |
 
 
|| style="padding-left: 2em;" | $XXXX.
 
 
 
 
|}
|}
. . .
. . .


RAshford
9

edits

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