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Norman Mailer Society/News/2021: Difference between revisions
Norman Mailer Society/News/2021 (view source)
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* '''2020-10-20''': Join [[Susan Mailer]] and [[J. Michael Lennon]] in a virtual conversation about Susan’s memoir ''In Another Place: With and Without My Father, Norman Mailer'' at the 92Y on November 15, 2020 at 7pm EST. For more information, check [https://www.92y.org/event/my-father-norman-mailer the 92Y web site]. Registration is $20, and must be done before the event. | |||
* '''2020-10-19''': Thomas Doherty [https://artsfuse.org/213913/film-review-town-bloody-hall-rip-roaring-feminist-cross-fire/ reviews ''Town Bloody Hall'']: “The 1979 documentary . . . is a time tunnel passageway into what stand-up comedians used to call ‘women’s lib.’ It is still liable to raise a gendered ruckus — and provide a rollicking good time.” And Sean Murphy also [https://www.pulitzer.org/article/most-important-single-intellectual-event-last-few-years-norman-mailer-and-town-bloody-hall reviews Criterion’s reissue of the 1979 documentary] for The Pulitzer Prizes. | * '''2020-10-19''': Thomas Doherty [https://artsfuse.org/213913/film-review-town-bloody-hall-rip-roaring-feminist-cross-fire/ reviews ''Town Bloody Hall'']: “The 1979 documentary . . . is a time tunnel passageway into what stand-up comedians used to call ‘women’s lib.’ It is still liable to raise a gendered ruckus — and provide a rollicking good time.” And Sean Murphy also [https://www.pulitzer.org/article/most-important-single-intellectual-event-last-few-years-norman-mailer-and-town-bloody-hall reviews Criterion’s reissue of the 1979 documentary] for The Pulitzer Prizes. | ||
* '''2020-08-23''': In “[https://www.theatlantic.com/ideas/archive/2020/08/the-cool-media-approach-to-conventions/615601/ The Cool-Media Approach to Conventions],” James Fallows writes about the resonance of Mailer’s “Superman” in today’s political landscape. | * '''2020-08-23''': In “[https://www.theatlantic.com/ideas/archive/2020/08/the-cool-media-approach-to-conventions/615601/ The Cool-Media Approach to Conventions],” James Fallows writes about the resonance of Mailer’s “Superman” in today’s political landscape. | ||