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{{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>{{SUBPAGENAME}}}} | {{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>{{SUBPAGENAME}}}} | ||
{{MR02}} | {{MR02}} | ||
{{byline|last=Stratton|first=Richard|abstract=A writer recounts his relationship with Norman | {{byline|last=Stratton|first=Richard|abstract=A writer recounts his relationship with Norman {{NM}}, beginning in the 1970s. | ||
|url=https://prmlr.us/mr08stra}} | |url=https://prmlr.us/mr08stra}} | ||
{{dc|dc= | {{dc|dc=“I|t was the early 1970's.”}} I was living in [[w:Provincetown, Massachusetts|Provincetown, Massachusetts]], on a writing fellowship at the [[w:Fine Arts Work Center|Fine Arts Work Center]]. Across Commercial Street, the narrow lane meandering through town, cater-cornered to the garret apartment where I lived, was a big red brick house on Cape Cod Bay. A young woman, Bobbi, worked in that house as a cook and housekeeper for Norman Mailer. Bobbi lived in the ground floor apartment of the building I lived in and over the fall and winter months we became friends. | ||
writing fellowship at the Fine Arts Work Center. Across Commercial Street, | |||
the narrow lane meandering through town, cater-cornered to the garret | |||
apartment where I lived, was a big red brick house on Cape Cod Bay. A | |||
young woman, Bobbi, worked in that house as a cook and housekeeper for | |||
Norman Mailer. Bobbi lived in the ground floor apartment of the building | |||
I lived in and over the fall and winter months we became friends. | |||
“You should meet Norman,” Bobbi said to me one evening as we sat | “You should meet Norman,” Bobbi said to me one evening as we sat drinking wine and talking. “You guys would hit it off.” | ||
drinking wine and talking. “You guys would hit it off.” | |||
By then I was already a Mailer aficionado. I had come to his writing | By then I was already a Mailer aficionado. I had come to his writing through his movies. On a whim one night I went to a screening at [[w:Brandeis|Brandeis]] of ''[[w:Beyond the Law (film)|Beyond the Law]]''—it was the title that attracted me. Ninety minutes later I walked out of the auditorium determined to read Mailer, for anyone who could make a film that bold and outrageous about cops and criminals, I knew, had to have much to teach me about writing. | ||
through his movies. On a whim one night I went to a screening at Brandeis | |||
of Beyond the | |||
I walked out of the auditorium determined to read Mailer, for anyone who | |||
could make a film that bold and outrageous about cops and criminals, I | |||
knew, had to have much to teach me about writing. | |||
I read Mailer over the next several months, and, during the summer while | I read Mailer over the next several months, and, during the summer while I attended a writing course at Harvard, his alma mater, I got up the nerve to write him a letter. First I read the early novels, ''[[The Naked and the Dead]]'', ''[[Barbary Shore]]'', ''[[The Deer Park]]'', then, ''[[The Armies of the Night]]'', and I was hooked. | ||
I attended a writing course at Harvard, his alma mater, I got up the nerve to | This was, after all, a time when the death of the novel had already been announced and readers and writers of fiction were in mourning. Given what we were living through at the time—the [[w:Assassination of John F. Kennedy|Kennedy]] and [[w:Assassination of Martin Luther King Jr.|Martin Luther King]] assassinations, the [[w:Vietnam War|war in Vietnam]] and rioting in the streets of American cities, as seen on the evening news—reading fiction was a bit like reading obituaries. The potential for fiction to ignite the public consciousness had been usurped by reporting current events and what was to become known as [[w:New Journalism|the new journalism]]. With ''The Armies of the Night'', Mailer became its stellar performer, there in the event, balls to the wall, and back at his desk, writing with a hard-on. | ||
write him a letter. First I read the early novels, ''The Naked and the Dead, Barbary Shore, The Deer Park, then, The Armies of the Night'', and I was hooked. | |||
This was, after all, a time when the death of the novel had already been | . . . | ||
announced and readers and writers of fiction were in mourning. Given what | |||
we were living through at the time—the Kennedy and Martin Luther King | {{Review}} | ||
assassinations, the war in Vietnam and rioting in the streets of American cities, as seen on the evening news—reading fiction was a bit like reading obituaries. The potential for fiction to ignite the public consciousness had been | {{DEFAULTSORT:Meeting Mailer}} | ||
usurped by reporting current events and what was to become known as the | [[Category:Articles (MR)]] | ||
new journalism | |||
performer, there in the event, balls to the wall, and back at his desk, writing | |||
with a hard-on. |