The Mailer Review/Volume 13, 2019/Interview with Susan Mailer, author of In Another Place: With and Without My Father, Norman Mailer: Difference between revisions

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{{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>Interview with Susan Mailer, author of ''In Another Place: With and Without My Father, Norman Mailer''}}
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{{Byline|last=Lennon |first=J. Michael |note=This interview appeared in the October, 2019 online issue of ''Hippocampus Magazine''.|url=http://prmlr.us/mr13len}}


'''1) As a practicing psychoanalyst, you have published professional papers, but this is your first creative work. Why did you decide to write a memoir?'''


'''SM''': In 2013 I was invited to be the keynote speaker at the [[Norman Mailer Society]] Conference. I decided to write a personal vignette that would shed light on an unknown aspect of my father’s life. Immediately, I remembered those months Dad had spent in Mexico when I was a small child and had taken me to the bullfights. I hadn’t thought about the ''corridas'' in more than 40 years, but the images were all there, waiting to be retrieved: the music, the atmosphere, the smell of beer and Mexican snacks, people cheering, and most of all the black bull running, panting, fighting for his life, and finally dying.


. . .


 
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Revision as of 14:55, 5 February 2021

« The Mailer ReviewVolume 13 Number 1 • 2019 »
Written by
J. Michael Lennon
Note: This interview appeared in the October, 2019 online issue of Hippocampus Magazine.
URL: http://prmlr.us/mr13len

1) As a practicing psychoanalyst, you have published professional papers, but this is your first creative work. Why did you decide to write a memoir?

SM: In 2013 I was invited to be the keynote speaker at the Norman Mailer Society Conference. I decided to write a personal vignette that would shed light on an unknown aspect of my father’s life. Immediately, I remembered those months Dad had spent in Mexico when I was a small child and had taken me to the bullfights. I hadn’t thought about the corridas in more than 40 years, but the images were all there, waiting to be retrieved: the music, the atmosphere, the smell of beer and Mexican snacks, people cheering, and most of all the black bull running, panting, fighting for his life, and finally dying.

. . .