The Mailer Review/Volume 5, 2011/Norman Mailer Today

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« The Mailer ReviewVolume 5 Number 1 • 2011 • Norris Mailer: A Life in Words »
Written by
James Toback
Note: This essay first appeared in Commentary magazine in 1967

In the late 50’s, Norman Mailer’s Reputation still stood on The Naked and the Dead (1948), neither of his subsequent efforts, Barbary Shore (1951) and The Deer Park (1955), having quite convinced Mailer or anyone else that he was the major novelist he insisted he could become. By his own later account, his head was leaden with seconal, benzedrene, and marijuana: a sense of what he himself has termed passivity, stupidity, and dissipation threatened to overcome him. Only gradually, after returning to New York from Paris and giving up drugs and cigarettes, did he begin to feel that he could write once again. Then, in 1957, Mailer produced “The White Negro,” an essay which restored his faith in his literary future and presaged the forms and directions that it would take.

Mailer has always professed an umbilical attachment to the Left, but since “The White Negro” the drift has been unmistakably from political radicalism toward spiritual radicalism, from an obsession with Marx to an obsession with Reich, from economic revolution to apocalyptic orgasm, from the proletariat to heroes, demons, boxers, tycoons, bitches, murderers, suicides, pimps, and lovers. And correspondingly, concern with extreme psychic states has become more important to his work than concern with extreme political states (the center having always been a bore for Mailer in all its manifestations).

It was not that eschatology replaced politics, but rather that it came to constitute a new means of diagnosis, both of personal and social plague, and that it promised answers to the crisis in which both the individual and the nation were entrapped. The criteria by which the health of a particular man (the organ) were to be assessed—his complexity, his bravery, his daring, his capacity for love—were essentially the same as those which measured the salubrity of America (the organism). Similarly, the disease which threatened both individual and state (expressed at once literally and metaphorically as cancer) evinced identical symptoms: mediocrity, uniformity, repression, and security.