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...9.7]], and Jimmy Breslin does in [[69.24]]. Rpt: In a greatly revised form in ''Managing Mailer'' ([[70.7]]). {{1960s|state=expanded}}

...d tragedy.” The version of this statement prefacing the working scripts of the play reads: “a play about fucking.” {{1960s|state=expanded}}

...man Mailer|Mailer]] said that “it is the right wing that wishes to blow up the earth.” {{1960s|state=expanded}}

...The journalist described him as being “witty, vicious, crass and profound in various degrees all evening.” {{1960s|state=expanded}}

...len Ginsberg, Alger Hiss, Alexander King and Norman Thomas. Mailer derided the “boring, cancerous state of American life.” {{1960s|state=expanded}}

...es Muhammad Ali and comments on the “vitality” of Puerto Rican culture and the Spanish “tragic view of life” during a visit to San Juan to attend a Jo {{1960s|state=expanded}}

...merican Dream'' ([[65.7]]). [[Norman Mailer|Mailer]]: “There were times in the first two or three installments when I felt scared I’d dry up—but then {{1960s|state=expanded}}

...hael Walzer and moderator Elizabeth Hardwick. [[Norman Mailer|Mailer]], in the audience, comments on communism’s self-destructive tendencies on 78. See {{1960s|state=expanded}}

...s at John Jay College of Criminal Justice in New York. Mailer says he had “the reputation of being a cop-hater,” but said he had changed: “A cop-hater {{1960s|state=expanded}}

...decided to use the word fug before the book was even begun. In those days the big brother of fug was simply not ready for public hire.” Rpt: [[14.3]]. {{1960s|state=expanded}}

...d degree holders. Mailer agreed to run, but said, “I don’t think one voice in 30 would do a great deal.” See [[69.9]]. {{1960s|state=expanded}}

...Mailer|Mailer]], who says, “We are a property-loving nation, obsessed with the desire to destroy other people’s property.” See [[65.14]], [[65.18]]. {{1960s|state=expanded}}

...of [[Norman Mailer|Mailer]]. Mailer complained about Fallaci’s inaccuracy in [[70.5]]. {{1960s|state=expanded}}

...d be handled like that because it was my first film. But film critics have the attitude that you’ve got to know what you’re doing.” {{1960s|state=expanded}}

...ion. I’m free to move.” Rpt: A slightly truncated version appeared earlier in Nova (London), March, 106-7, 109. {{1960s|state=expanded}}

...e Deer Park: A Play'' ([[67.13]]), and his novel-in-progress, ''Why Are We in Vietnam?'' ([[67.15]]). [[Norman Mailer|Mailer]] also tells his friend Lehm {{1960s|state=expanded}}

...d as “Wagner (12-year-old gelding by Meade Esposito—Out of Machine): Knows the track, 8-5.” Of himself he said, “First time starter, good barn, 20-1. {{1960s|state=expanded}}

...’s poems from [[62.3]] are reprinted in this issue under the title “Art of the Short Hair: Poetry by Norman Mailer.” {{1960s|state=expanded}}

...s of how the Mailer-Breslin ticket was created, with brief quotes from all the principals. Rpt: [[69.80]]. See [[69.7]], [[69.10]]. See [[13.2]], 410–42 {{1960s|state=expanded}}

...ntribution to a ''Partisan Review'' Symposium” in [[72.7]], [[82.19]], and in [[13.1]]. See [[68.13]], [[68.19]]. {{1960s|state=expanded}}