User:Chelsey.brantley/sandbox: Difference between revisions
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{{Byline|last=Westaway|first=Katharine|url=https://prmlr.us/mr07dick|abstract=Mailer has been . . . uniform edition.|note=This paper served . . . me to participate.}} | {{Byline|last=Westaway|first=Katharine|url=https://prmlr.us/mr07dick|abstract=Mailer has been . . . uniform edition.|note=This paper served . . . me to participate.}} | ||
{{dc|dc=O|n a in weekend in October of 1967,}} tens of thousands of demonstrators | |||
amassed in Washington DC to protest the war in Vietnam. Intending ''The Armies of the Night: History as a Novel, The Novel as History'' (1968) to record and commemorate this eventful weekend, Norman Mailer enlarged the march on the Pentagon’s meaning, working as a novelist to make it more | |||
than a four-day set of tremors in the nation’s capital. Some consider the | |||
march a watershed moment, “the first in a chain of events that led to Lyndon | |||
Johnson’s decision . . . to deescalate in Vietnam” (Small ). Mailer’s | |||
nonfiction novel carefully examines this defining event of American history. | |||
Through Mailer’s dual role as a demonstrator and narrator, readers are provided | |||
a rich witness to the many obstacles that were set before marchers in | |||
the form of a biased media and government officials opposed to the peace | |||
movement, including the military and police whose physical abuse is featured | |||
in the novel. | |||
===Citations=== | ===Citations=== | ||