The Mailer Review/Volume 4, 2010/Hemingway Revisited: Difference between revisions
First additions. Poems next. |
Finished remediation. |
||
| Line 1: | Line 1: | ||
{{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>{{SUBPAGENAME}}}} | {{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>{{SUBPAGENAME}}}} | ||
{{MR04}} <!-- EDIT BELOW THIS LINE --> | {{MR04}} <!-- EDIT BELOW THIS LINE --> | ||
{{Byline|last=Mailer|first=Norman | {{Byline|last=Mailer|first=Norman}} | ||
<blockquote> | <blockquote> | ||
| Line 11: | Line 10: | ||
—J. Michael Lennon | —J. Michael Lennon | ||
</blockquote> | </blockquote> | ||
<div style="display: flex; justify-content: center; padding-top: 25px;"> | |||
{| style="width: 300px;" | |||
| | |||
<poem> | |||
Jake pissed | |||
with | |||
stern | |||
loneliness | |||
leaving | |||
a fierce | |||
smell | |||
of the past. | |||
His future | |||
was not | |||
so empty | |||
as he declared, | |||
a girl with | |||
music and grace | |||
tender of face | |||
was waiting | |||
for him. | |||
</poem> | |||
|} | |||
</div> | |||
{{pg|23|24}} | |||
<div style="display: flex; justify-content: center; padding-top: 25px;"> | |||
{| style="width: 300px;" | |||
| <poem> | |||
Hey— | |||
you | |||
sleep | |||
deep— | |||
but what a sight | |||
see | |||
you | |||
soon | |||
beautiful | |||
I hope | |||
Catherine | |||
found this note | |||
by her telephone | |||
on awakening | |||
in an empty bed | |||
after a one night | |||
stand and she called | |||
her best friend | |||
to say; | |||
Guess what? | |||
I feel like | |||
Earth | |||
Mother. | |||
</poem> | |||
|}</div> | |||
{{pg|24|25}} | |||
<div style="display: flex; justify-content: center; padding-top: 25px;"> | |||
{| style="width: 300px;" | |||
| <poem> | |||
Catherine never blushed | |||
until | |||
she smelled | |||
the fine cheat | |||
in | |||
the line | |||
of the succession | |||
and then | |||
she flushed | |||
furiously | |||
for she thought | |||
the smell | |||
adorable, | |||
it was | |||
so | |||
rich | |||
to rise | |||
from | |||
the poor. | |||
</poem> | |||
|- | |||
|}</div> | |||
{{pg|25|26}} | |||
<div style="display: flex; justify-content: center; padding-top: 25px;"> | |||
{| style="width: 300px;" | |||
| <poem> | |||
We really ought, Catherine said | |||
to be able to stay together | |||
without making love | |||
all the time. | |||
Yes, said Jake, | |||
I’m sure it’s my fault. | |||
Yes, she said smugly | |||
you smell so greedy | |||
and good | |||
Swarms and swarms | |||
of love | |||
smug, smug, smug | |||
</poem> | |||
|} | |||
</div> | |||
{{pg|26|27}} | |||
<div style="display: flex; justify-content: center; padding-top: 25px;"> | |||
{| style="width: 300px;" | |||
| <poem> | |||
You may not love me | |||
Jake said | |||
but I love you. | |||
Well, I love you, | |||
said Catherine | |||
so | |||
bad luck. | |||
They loved each other | |||
very much. | |||
They had not taken | |||
a good wash | |||
in three weeks. | |||
It would have been | |||
the next wrong | |||
to murdering | |||
a child. | |||
What the hell | |||
they were both | |||
thirty | |||
forty | |||
tired, tried, | |||
sad, foul | |||
They thought they | |||
had betrayed | |||
something | |||
forever, | |||
And She forgave them. | |||
Or thus they hoped. | |||
So, bad luck | |||
muttered the | |||
horror | |||
of old | |||
habit, | |||
We will die | |||
if we lose | |||
our love. | |||
</poem> | |||
|} | |||
</div> | |||
{{pg|27|28}} | |||
<div style="display: flex; justify-content: center; padding-top: 25px;"> | |||
{| style="width: 500px;" | |||
| <poem> | |||
Mangled, morgued | |||
birched and bruted | |||
they were | |||
hawks | |||
upon the mood | |||
of their | |||
own blessing. | |||
So they scattered, | |||
waiting | |||
for the | |||
curse. | |||
Slack the yaws | |||
tight the jaws | |||
hurricane | |||
the air | |||
of waiting | |||
</poem> | |||
|} | |||
</div> | |||
{{Review}} | {{Review}} | ||
[[Category:Poetry (MR)]] | [[Category:Poetry (MR)]] | ||
Revision as of 14:41, 17 March 2025
| « | The Mailer Review • Volume 4 Number 1 • 2010 • Literary Warriors | » |
Ernest Hemingway’s later work did not impress Mailer. For example, he thought The Old Man and the Sea (1952) was ruinously sentimental. But the early work marked him. At Harvard, Mailer wrote parodies of For Whom the Bell Tolls (1940) for two initiations into college organizations. He quoted from Death in the Afternoon (1932) in Of a Fire on the Moon (1971), and discussed The Sun Also Rises (1926) and A Farewell to Arms (1929) in The Spooky Art (2003). Innumerable comments on Hemingway’s style and persona appear in Mailer’s in-terviews. In a March 14, 2002 letter to the Boston Globe, he lambasted George F. Will for comparing the prose of President Bush to that of Hemingway, saying that “to put George W. Bush’s prose next to Hemingway is equal to saying that Jackie Susann is right up there with Jane Austen.” To drive his point home, he went on to quote the famous passage from chapter 28 of A Farewell to Arms: “Abstract words such as glory, honor, courage or hallow were obscene beside the concrete [...] numbers of regiments and the dates.”
The following suite of poems shows that Catherine Barkley and Jake Barnes were on Mailer’s mind toward the end of his life. It appeared first in the Paris Review 50 (Fall 2003) under the title, “A Riff on Hemingway.” They were numbered 1-7. When he reprinted them the same year in Modest Gifts: Poems and Drawings, he changed the title to “Hemingway Revisited,” and dropped the numbers. He also reversed the order of poems three and four and made a number of changes in the way the stanzas were divided and placed out on the page. And he added this stanza: “Slack the yaws/tight the jaws/hurricane/the air/of waiting.” He never commented on why he made the changes, but he took the placement of his poems seriously, and they were not happenstance. “Hemingway Revisited” is Mailer’s last word on the writer who, arguably, influenced him more than any other. Our thanks to the Mailer Estate for permission to reprint these poems.
—J. Michael Lennon
|
Jake pissed |
page 23
Hey— |
page 24
Catherine never blushed |
page 25
We really ought, Catherine said |
page 26
You may not love me |
page 27
Mangled, morgued |
