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an iconic role in American history. Starting with this axiomatic assumption, one finds that guns are virtually ubiquitous in the works of those two peculiarly American authors, Ernest Hemingway and Norman Mailer. Sometimes mere accoutrements or plot devices, they are more often significant thematically and symbolically.
an iconic role in American history. Starting with this axiomatic assumption, one finds that guns are virtually ubiquitous in the works of those two peculiarly American authors, Ernest Hemingway and Norman Mailer. Sometimes mere accoutrements or plot devices, they are more often significant thematically and symbolically.


Occasionally, serendipitous connections between the two authors present themselves. The best example of these may be the case of the 6.5 mm. Mannlicher-Carcano rifle. At the outset of ''A Farewell to Arms,''{{sfn|Hemingway|1929|}}Hemingway describes how
Occasionally, serendipitous connections between the two authors present themselves. The best example of these may be the case of the 6.5 mm. Mannlicher-Carcano rifle. At the outset of ''A Farewell to Arms,'' {{sfn|Hemingway|1929|}} Hemingway describes how


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===Works Cited===
===Works Cited===
{{Refbegin|indent=1|20em}}
*{{cite book |last=Baker |first=Carlos |date=1969 |title=Ernest Hemingway: A Life Story |location= New York |publisher=Scribner |pages= |ref=harv}}


{{Refbegin}}
*{{cite book |last=Hemingway |first=Ernest |date=1950 |title=Across the River and into the Trees |location= New York |publisher=Scribner |pages= |ref=harv}}


*{{cite book |last=Hemingway |first=Ernest |date=1936 |title=A Day's Wait |chapter=The Snows of Kilimanjaro and other Stories |location= New York |publisher=Scribner |pages=34-36 |ref=harv}}


*Baker, Carlos. ''Ernest Hemingway: A Life Story''. New York: Scribner, 1969. Print.
*{{cite book |last=Hemingway |first=Ernest |date=1929 |title=A Farewell to Arms |location=New York |publisher=Scribner |pages= |ref=harv}}


*Hemingway, Ernest. ''Across the River and into the Trees''. New York: Scribner, 1950. Print.
*{{cite book |last=Hemingway |first=Ernest |date=1940 |title=For Whom the Bell Tolls |location=New York |publisher=Scribner |pages= |ref=harv}}


*“A Day’s Wait.” ''The Snows of Kilimanjaro and other Stories''. New York: Scribner, 1936.34-36. Print.
*{{cite book |last=Hemingway |first=Ernest |date=1970 |title=Islands in the Stream |location=New York |publisher=Scribner |pages= |ref=harv}}


*''A Farewell to Arms''. New York: Scribner, 1929. Print.
*{{cite book |last=Hemingway |first=Ernest |date=1936 |title=The Snows of Kilimanjaro and other Stories |chapter=The Killers |location= New York |publisher=Scribner |pages=71-81 |ref=harv}}


*''For Whom the Bell Tolls''. New York: Scribner, 1940. Print.
*{{cite book |last=Hemingway |first=Ernest |date=1936 |title=The Snows of Kilimanjaro and other Stories |chapter=The Short Happy Life of Francis Macomber |location= New York |publisher=Scribner |pages=121-154 |ref=harv}}


*''Islands in the Stream''. New York: Scribner, 1970. Print.
*{{cite book |last=Hemingway |first=Ernest |date=1937 |title=To Have and Have Not |location=New York |publisher=Scribner |pages= |ref=harv}}


*“The Killers.” ''The Snows of Kilimanjaro and other Stories''. New York: Scribner, 1936. 71-81. Print.
*{{cite AV media | people= Siodmak, Robert (Dir.), Lancaster, Burt (Perf.) | title=The Killers | medium=Film | publisher=Universal Pictures | location= | date=1946 |ref=harv}}


*“The Short Happy Life of Francis Macomber.” ''The Snows of Kilimanjaro and Other Stories''. New York: Scribner, 1936. 121–154. Print.
*{{cite book |last=Mailer |first=Norman |date=1965 |title=An American Dream |location=New York |publisher=Dial Press |pages= |ref=harv}}


*''To Have and Have Not''. New York: Scribner, 1937. Print.
*{{cite book |last=Mailer |first=Norman |date=1979 |title=The Executioner’s Song |location=Boston |publisher=Litte, Brown and Co. |pages= |ref=harv}}


*''The Killers''. Dir. Robert Siodmak. Perf. Burt Lancaster and Ava Gardner. Universal Pictures, 1946. Film.
*{{cite book |last=Mailer |first=Norman |date=1948 |title=The Naked and the Dead |location=New York |publisher=Rinehart and Co. |pages= |ref=harv}}


*Mailer, Norman. ''An American Dream''. New York: Dial Press, 1965. Print.
*{{cite book |last=Mailer |first=Norman |date=1995 |title=Oswald’s Tale: An American Mystery |location=Boston |publisher=Little, Brown and Co. |pages= |ref=harv}}


*''The Executioner’s Song''. Boston: Little, Brown and Co., 1979. Print.
*{{cite book |last=Mailer |first=Norman |date=1984 |title=Tough Guys Don’t Dance |location=New York |publisher=Random House |pages= |ref=harv}}


*''The Naked and the Dead''. New York: Rinehart and Co., 1948. Print.
*{{cite book |last=Mailer |first=Norman |date=1967 |title=Why Are We in Vietnam? |location=New York |publisher=G.P. Putnam’s Sons |pages= |ref=harv}}
 
*''Oswald’s Tale: An American Mystery''. Boston: Little, Brown and Co., 1995. Print.
 
*''Tough Guys Don’t Dance''. New York: Random House, 1984. Print.
 
*''Why Are We in Vietnam?'' New York: G. P. Putnam’s Sons, 1967. Print.


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