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...or-last=Bloom |editor-first=Harold |date=2003 |title=Norman Mailer |series=Bloom's Modern Critical Views |url= |location=Philadelphia, PA |publisher=Chelsea

...Hayes. Rpt: In ''Norman Mailer: Modern Critical Views'', edited by Harold Bloom. New York: Chelsea House, 1986; and in Greer’s collection, ''The Madwoman

...|location=Philadelphia, PA |publisher=Chelsea House |editor-link=w:Harold Bloom |ref=harv }} ...l= |location=Philadelphia, PA |publisher=Chelsea House |author-link=Harold Bloom |ref=harv }}

...ork Review of Books |pages=3–4, 6 |publisher= |access-date= }} Mixed. Rpt: Bloom (1986). ...ion= |pages=591–592 |access-date= }} Positive. Rpt: [[WD:Crit#Bloom (1986)|Bloom (1986)]], [[WD:Crit#Lennon (1986)|Lennon (1986)]].

* {{cite news |last=Bloom |first=Harold |date=May 24, 1998 |title=Norman Mailer's Testament |url=https://www.washin

| Banks, Harold || [[78.4]] • [[79.2]] • [[79.3]] • [[80.7]] || | Bloom, Harold || [[71.27]] ||

...|location=Philadelphia, PA |publisher=Chelsea House |editor-link=w:Harold Bloom |ref=harv }}

* {{cite book |last=Bloom |first=Alexander |date=1986 |title=Prodigal Sons: The New York Intellectual * {{cite book |editor-last=Hayes |editor-first=Harold |date=1969 |title=Smiling through the Apocalypse: Esquire’s History of th

...ring Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction. * {{Anchor|Bloom (2003)}}{{cite book |editor-last=Bloom |editor-first=Harold |editor-mask=1 |date=2003 |title=Norman Mailer: Critical Views |url= |locat

...ambitious script,” thereby, to “reclaim his integrity as an artist.”{{sfn|Bloom|2003|p=175}} However, unlike the relationship between Eitel and Elena, the ...and creative women” who “repeatedly offer their men redemptive love.”{{sfn|Bloom|1986|p=172}}

...t is okay to write about religion, say, in the high-minded way that Harold Bloom does, which is more about the history of religion rather than dealing with

...nd spirits as becoming increasingly artificial, even ‘plastic.{{' "}}{{sfn|Bloom|1986|p=40}} In other words, authentic experience and meaningful action is c * {{cite book |last= |first= |editor1-last=Bloom |editor1-first= Harold |date=1986 |title=Norman Mailer: Modern Critical Views |url= |location=New

...s |pages=79–92 |isbn= |author-link= |ref=harv }} Reprinted in [[#Bloom2003|Bloom, 2003]]. ...te=1990 |pages=434–47 |access-date= |ref=harv }} Reprinted in [[#Bloom2003|Bloom, 2003]].

...act with that meaning or he doesn’t. If he doesn’t, he needs help and even Harold Clurman, the godfather of the “Method,” said, “Give him [an actor] a ...me was approaching middle age and, although still handsome, was beyond the bloom of young manhood. No, this was some internal state of being. The honeyed co

...ia|publisher=Chelsea House |editor-first=Harold |editor-last=Bloom |series=Bloom’s Modern Critical Views |pages=181-196 |ref=harv }}

...t at once a zenith and nadir of Mailer’s critical reception; see {{harvtxt|Bloom|2005}}, {{harvtxt|Burgess|1985|pp=132–133}} and {{harvtxt|Poirier|1999|pp * {{cite book |last=Bloom |first=Harold |date={{date|2005}} |title=Novelists and Novels |url= |location=New York |p

...that American literature in {{date|2003}} is in “the Age of Pynchon”{{sfn|Bloom|2003|p=6}} and that it has been twenty-five years since the publication of ...er, personifies the agonistic conception of the writer theorized by Harold Bloom’s ''The Anxiety of Influence'' and related works. Leed’s fourth chapter

...n analogue of resurrection or personal survival through works of art.{{sfn|Bloom|1983|pp=3–5}} What Stade and Dick, and even Bloom, remind us of, then, is that Mailer is not merely showing us powerful, affe

...ogy in ''The Great Gatsby'' |title=Gatsby |editor-last=Bloom |editor-first=Harold |url= |location=New York |publisher=Chelsea House |series=Major Literary Ch