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Norman Mailer: Works and Days/Bibliography/Criticism: Difference between revisions
Norman Mailer: Works and Days/Bibliography/Criticism (view source)
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* {{Anchor|Bloom (1986)}}{{cite book |editor-last=Bloom |editor-first=Harold |date=1986 |title=Norman Mailer: Modern Critical Views |url= |location=New York |publisher=Chelsea House |page= |isbn= |author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction. | * {{Anchor|Bloom (1986)}}{{cite book |editor-last=Bloom |editor-first=Harold |date=1986 |title=Norman Mailer: Modern Critical Views |url= |location=New York |publisher=Chelsea House |page= |isbn= |author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction. | ||
* {{Anchor|Bloom (2003)}}{{cite book |editor-last=Bloom |editor-first=Harold |editor-mask=1 |date=2003 |title=Norman Mailer: Critical Views |url= |location=Philadelphia |publisher=Chelsea House |page= |isbn= |author-link= }} Thirteen reviews and essays focusing on Mailer’s later works. | * {{Anchor|Bloom (2003)}}{{cite book |editor-last=Bloom |editor-first=Harold |editor-mask=1 |date=2003 |title=Norman Mailer: Critical Views |url= |location=Philadelphia |publisher=Chelsea House |page= |isbn= |author-link= }} Thirteen reviews and essays focusing on Mailer’s later works. | ||
* {{Anchor|Bozung (2017)}}{{cite book |last=Bozung |first=Justin |date=2017 |title=The Cinema of Norman Mailer: Film Is | * {{Anchor|Bozung (2017)}}{{cite book |last=Bozung |first=Justin |date=2017 |title=The Cinema of Norman Mailer: Film Is Like Death |url= |location=New York |publisher=Bloomsbury Academic |page= |isbn= |author-link=Justin Bozung }} A collection of mixed contributions: essays and memoirs from critics, collaborators, and Mailer himself ([[67.21]] and [[71.25]]), some reprinted, but mostly original texts including many stills from Mailer’s films. | ||
* {{Anchor|Booth (1988)}}{{cite book |last=Booth |first=Wayne |date=1988 |title=The Company We Keep: An Ethics of Fiction |url=https://archive.org/details/companywekeepeth0000boot |location=Berkeley and Los Angeles |publisher=University of California Press |page=207–210, 327–336 |isbn= |author-link= }} Useful to gauge how Mailer’s public image has alienated an important critic. | * {{Anchor|Booth (1988)}}{{cite book |last=Booth |first=Wayne |date=1988 |title=The Company We Keep: An Ethics of Fiction |url=https://archive.org/details/companywekeepeth0000boot |location=Berkeley and Los Angeles |publisher=University of California Press |page=207–210, 327–336 |isbn= |author-link= }} Useful to gauge how Mailer’s public image has alienated an important critic. | ||
* {{Anchor|Braudy (1991)}}{{cite book |last=Braudy |first=Leo |date=1991 |chapter=''Maidstone: A Mystery'' by Norman Mailer |title=Native Informant: Essays on Film, Fiction and Popular Culture |url=https://archive.org/details/nativeinformante00braurich |location=New York |publisher=Oxford |pages=60–63, 145–151 |isbn= |author-link= }} Rpt: [[#Adams (1974)|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy. | * {{Anchor|Braudy (1991)}}{{cite book |last=Braudy |first=Leo |date=1991 |chapter=''Maidstone: A Mystery'' by Norman Mailer |title=Native Informant: Essays on Film, Fiction and Popular Culture |url=https://archive.org/details/nativeinformante00braurich |location=New York |publisher=Oxford |pages=60–63, 145–151 |isbn= |author-link= }} Rpt: [[#Adams (1974)|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy. | ||