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Talk:Lipton’s Journal (view source)

Revision as of 16:49, 31 May 2019

3,237 bytes added ,  31 May 2019
→‎December 29, 1954: Complete.
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===December 29, 1954===
===December 29, 1954===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 69 || 68 || “Vested interest” is enormously more || || ||
|-
| 70 || 69 || Get beneath words || || x || Partial cut.
|-
| 71 || 70 || The gossip is the great || || ||
|-
| 72 || 71 || Words have not only echoes || || ||
|-
| 73 || 72 || The concealments of language || || ||
|-
| 74 || 73 || The sensual is the soul’s || || ||
|-
| 75 || 74 || The Sense of the Past || || ||
|-
| 76 || 75 || There are two kinds of hatred || || ||
|-
| 77 || 76 || The power of the word || || || Note.
|-
| 78 || 77 || They key to Sergius’ character || || ||
|-
| 79 || 78 || The breakup with Lulu || || || Note.
|-
| 80 || 79 || Jokes. Charley Wiener just said || || x || Note needed?: Charley Wiener
|-
| 81 || 80 || Eitel in court || || x || Note.
|-
| 82 || 81 || In error there is also truth || || ||
|-
| 83 || 82 || Eitel and Elena—last chapter || || || Note. Use partial w/ L81, too.
|-
| 84 || 83 || Don Beda || || || Note.
|-
| 85 || 84 || Interpretations of present events || || || Notes.
|-
| 86 || 85 || My feeling about semantics || L42 || || Note.
|-
| 87 || 86 || One thing must be said || L85, L71 || ||
|-
| 88 || 87 || Stories of dreams || || x ||
|-
| 89 || 88 || Bombing as the great shitting || || x ||
|-
| 90 || 89 || Comedians and comic writers || || x ||
|-
| 91 || 90 || Women who always hate || || ||
|-
| 92 || 91 || The more knowledge || || ||
|-
| 93 || 92 || Possibly, bad works of art || || x ||
|-
| 94 || 93 || The spy (another adventurer) || || || Note.
|-
| 95 || 94 || Actors and spies || || ||
|-
| 96 || 95 || When a friend says || || x ||
|-
| 97 || 96 || “Am I boring you?” || || ||
|-
| 98 || 97 || So, boredom, depression, laughter || || ||
|-
| 99 || 98 || Saints and psychopaths || || ||
|-
| 100 || 99 || Laughter is spiritual || || ||
|-
| 101 || 100 || The psychopath sees the present || || ||
|-
| 102 || 101 || So the hipster is the adventurer || || ||
|-
| 103 || 102 || Given my intellectual verbal mind || || ||
|-
| 104 || 103 || A possibility occurs to me || || || Note.
|-
| 105 || 104 || Marion Faye note || || ||
|-
| 106 || 105 || Note 103 could be || L103 || || Could the x-ref actually be L105?
|-
| 107 || 106 || Marion Faye note || || || Note.
|-
| 108 || 107 || Marion Faye on Eitel || || ||
|-
| 109 || 108 || Marion Faye in prison || || ||
|-
| 110 || 109 || Sergius is my brother || || ||
|-
| 111 || 110 || Marion F Journal || || ||
|-
| 112 || 111 || My journal again || || ||
|-
| 113 || 112 || False humility || || x || Seems like this should not be cut, as L115 alludes to it.
|-
| 114 || 113 || Marion Faye journal || || ||
|-
| 115 || 114 || (My journal) Arrogance || || ||
|-
| 116 || 115 || Humor is more than wit || || ||
|-
| 117 || 116 || Marion Faye’s note || || x ||
|-
| 118 || 117 || Man may be terrible || || x ||
|-
| 119 || 118 || The fear of being ridiculous || || ||
|-
| 120 || 119 || Toward the end of Marion || || x ||
|-
| 121 || 120 || Marion Faye’s note about || || x ||
|-
| 122 || 121 || Any art-work which || || ||
|-
| 123 || 122 || “Do you know, Sergius?” || || ||
|-
| 124 || 123 || Dorothea O’Faye could figure || || ||
|}
===December 31, 1954===
===December 31, 1954===
===January 3, 1955===
===January 3, 1955===
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