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 * {{cite book |last=Frye|first=Northrop |date=1963 |title=The Well-Tempered Critic|location=Bloomington |page=123 |ref=harv }}
 * {{cite book |last=Krieger|first=Murray |date=1959 |title=The Myth of Sisyphus|location=New York|page=p.72 ff |ref=harv }}
 * {{cite book |last=Krieger |first=Murray |date=1960 |title=The Tragic Vision |location=New York |page=p.251 |ref=harv }}
 * {{cite book |last= Lawrence, |first= D.H. |date=1931 |title= Apocalypse |location=Florence |page=233 ff |ref=harv }}
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 * {{cite book |last=Trilling |first=Lionel |date=1962 |title=On the Modern Element in Modern Literature |url= |location=New York |publisher=The Partisan Review Antholog|page=267|ref=harv }}
 * {{cite book |last=Welleck |first=René |date=1963 |title=Concepts of Criticism |url= |location=New Haven|page=343 |isbn= |author-link= |ref=harv }}
- Lawrence Durrell and Alfred Perles, ''Art and Outrage: A Correspondence about Henry Miller'' (New York, 1961), p. 9.
-(, Conn., ); and ''Time of the Assassins'' (Norfork, Conn., 1956), pp.38 ff.
- James E. Miller, Jr., Karl Shapiro, and Bernice Slote, ''Start With the Sun'' (Lincoln, Neb., 1960), p. 238.
- In recent criticism, certain works have already begun to reflect this particular concern. Besides the works by R.W.B. Lewis and Murray Krieger already cited, one might mention Geoffrey Hartman, ''The Unmediated Vision'' (New Haven, 1954), Ihab Hassan, ''Radical Innocence'' (Princeton, 1961), Frederick J. Hoffman, ''The Mortal No'' (Princeton, 1964) and Arturo B. Fallico, ''Art and Existentialism'' (Englewood Cliffs, N.J., 1962).
-These heretical statements are developed more fully in my essay "The Dismemberment of Orpheus," ''American Scholar'', XXXII (Summer 1963), pp. 463-484.