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   In recent criticism, certain works have already begun to reflect this particular concern. Besides the works by R.W.B. Lewis and Murray Krieger already cited, one might mention Geoffrey Hartman, ''The Unmediated Vision'' (New Haven, 1954), Ihab Hassan, ''Radical Innocence'' (Princeton, 1961), Frederick J. Hoffman, ''The Mortal No'' (Princeton, 1964) and Arturo B. Fallico, ''Art and Existentialism'' (Englewood Cliffs, N.J., 1962).
 These heretical statements are developed more fully in my essay "The Dismemberment of Orpheus," ''American Scholar'', XXXII (Summer 1963), pp. 463-484.
- Welleck, p. 65.
- ''Ibid''., p.68.
- ''Ibid''., pp.333 ff.
- ''Ibid''. p. 342.
-''Ibid''., p.136
- ''Ibid''.,p. 140.
- Maurice Blanchot, ''Le Livre à Venir'' (Paris, 1959), p. 237.
- Gaston Bachelard, ''Lautréamont'' (Paris, 1963), p. 154.
- H.H. Rowley, ''The Relevance of Apocalyptic'', rev.ed. (New York, n.d), pp. 150 - 178.
- Krieger, p. 21.
- Revelation xx.6.
- Norman O. Brown,"Apocalypse," ''Harper's'' (May 1961), p. 47.
- D.H. Lawrence, ''Apocalypse'' (Florence, 1931), pp. 233 ff.