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* {{Anchor|Leeds (2002)}}{{cite book |last=Leeds |first=Barry H. |date=2002 |title=The Enduring Vision of Norman Mailer |url= |location=Bainbridge Island, Wash. |publisher=Pleasure Boat Studio |ref=harv }} Examination of Mailer’s later works, including an interview with Mailer, and a deft descriptive chapter, “The Critical Climate: Books on Mailer.” | * {{Anchor|Leeds (2002)}}{{cite book |last=Leeds |first=Barry H. |date=2002 |title=The Enduring Vision of Norman Mailer |url= |location=Bainbridge Island, Wash. |publisher=Pleasure Boat Studio |ref=harv }} Examination of Mailer’s later works, including an interview with Mailer, and a deft descriptive chapter, “The Critical Climate: Books on Mailer.” | ||
* {{Anchor|Leeds (1969)}}{{cite book |last=Leeds |first=Barry H. |date=1969 |title=[[The Structured Vision of Norman Mailer]] |url= |location=New York |publisher=NYU Press |ref=harv }} First major study of Mailer’s work; valuable for its analysis of ''An American Dream'' ([[65.7]]), and consideration of ''The Armies of the Night'' ([[68.8]]) and ''Deaths for the Ladies (and Other Disasters)'' ([[62.3]]). | * {{Anchor|Leeds (1969)}}{{cite book |last=Leeds |first=Barry H. |date=1969 |title=[[The Structured Vision of Norman Mailer]] |url= |location=New York |publisher=NYU Press |ref=harv }} First major study of Mailer’s work; valuable for its analysis of ''An American Dream'' ([[65.7]]), and consideration of ''The Armies of the Night'' ([[68.8]]) and ''Deaths for the Ladies (and Other Disasters)'' ([[62.3]]). | ||
* {{Anchor|Leigh (1990)}}{{cite book |last=Leigh |first=Nigel |date=1990 |title=Radical Fictions and the Novels of Norman Mailer |url=https://archive.org/details/radicalfictions00leig |location=London |publisher=Macmillan |author-link= |ref=harv}} Leigh writes about Mailer and power from a Foucauldian perspective, but ignores the nonfiction narratives. Excellent readings of ''Why Are We in Vietnam?'' ([[67.15]]) and ''Ancient Evenings'' ([[83.18]]). Many misquotations, typos, incorrect page numbers. | |||
* {{Anchor|Lehan (1973)}}{{cite book |last=Lehan |first=Richard |date=1973 |title=A Dangerous Crossing: French Literary Existentialism and the Modern American Novel |url=https://archive.org/details/dangerouscrossin00rich |location=Carbondale |publisher=Southern Illinois University Press |pages=81–95 |isbn= |author-link= }} Mailer’s cosmology as an existential recreation. | |||
* {{Anchor|Leigh (1990a)}}{{cite journal |last=Leigh |first=Nigel |date=1990 |title=Getting It Wrong: The Cinema of Norman Mailer |url= |journal=Journal of American Studies |volume=24 |issue=3 |pages=399–413 |access-date= }} Comment on Mailer’s films and those made from his novels. | |||
* {{Anchor|Leigh (1990)}}{{cite book |last=Leigh |first=Nigel |authormask=1 |date=1990 |title=Radical Fictions and the Novels of Norman Mailer |url=https://archive.org/details/radicalfictions00leig |location=London |publisher=Macmillan |author-link= |ref=harv}} Leigh writes about Mailer and power from a Foucauldian perspective, but ignores the nonfiction narratives. Excellent readings of ''Why Are We in Vietnam?'' ([[67.15]]) and ''Ancient Evenings'' ([[83.18]]). Many misquotations, typos, incorrect page numbers. | |||
* {{Anchor|Lennon (1986a)}}{{cite book |editor-last=Lennon |editor-first=J. Michael |date=1986 |title=Critical Essays on Norman Mailer |url= |location=Boston |publisher=G.K. Hall & Co. |author-link=J. Michael Lennon |ref=harv}} Ten reviews and ten essays, including two original ones: Robert F. Lucid’s overview of his proposed biography and Michael Cowan’s on Mailer’s Americanness. Introduction summarizes critical response to Mailer’s work. | * {{Anchor|Lennon (1986a)}}{{cite book |editor-last=Lennon |editor-first=J. Michael |date=1986 |title=Critical Essays on Norman Mailer |url= |location=Boston |publisher=G.K. Hall & Co. |author-link=J. Michael Lennon |ref=harv}} Ten reviews and ten essays, including two original ones: Robert F. Lucid’s overview of his proposed biography and Michael Cowan’s on Mailer’s Americanness. Introduction summarizes critical response to Mailer’s work. | ||
* {{Anchor|Lennon and Strozier (1981)}}{{cite journal |last=Lennon |first=J. Michael |last2=Strozier |first2=Charles B. |date=1981 |authormask=1 |title=Empathy and Detachment in the Narratives of Erikson and Mailer |url= |journal=Psychohistory Review |volume=10 |issue=fall |pages=18–32 |access-date= }} Comparison of the introspective-empathic narratives of Mailer and Erik Erikson. | |||
* {{Anchor|Lennon (1986)}}{{cite | * {{Anchor|Lennon (1986)}}{{cite journal |last=Lennon |first=J. Michael |date=1986 |authormask=1 |title=Mailer's Cosmology |url= |journal=Modern Language Studies |volume=12 |issue=summer |pages=18–29 |access-date= }} Delineation of the “three linked strands” of Mailer’s cosmology: 1) universe in process, 2) intensified free will and 3) intensified presence of evil. | ||
* {{Anchor|Lucid (1971)}}{{cite book |editor-last=Lucid |editor-first=Robert F. |date=1971 |title=Norman Mailer: The Man and His Work |url=https://archive.org/details/normanmailermana00luci |location=Boston |publisher=Little, Brown |page= |isbn= |author-link= }} First major collection of essays: 13 on his work, four on his life and Paul Carroll’s interview ([[68.1]]). Contains checklist of his work and important introduction in which Lucid attempts to resolve the apparent conflict between Mailer’s public and artistic activities. | * {{Anchor|Lennon (1977a)}}{{cite journal |last=Lennon |first=J. Michael |date=1977 |authormask=1 |title=Mailer’s Radical Bridge |url= |journal=Journal of Narrative Technique |volume=7 |issue=fall |pages=170–188 |access-date= }} Discussion of point of view in Mailer as it relates to his thought. | ||
* {{Anchor|Lennon (1977)}}{{cite journal |last=Lennon |first=J. Michael |date=1977 |authormask=1 |title=Mailer’s Sarcophagus: The Artist, the Media, and the ‘Wad.’ |url= |journal=Modern Fiction Studies |volume=23 |issue=summer |pages=179–187 |access-date= }} How Mailer’s view of his audience helps shape his work. | |||
* {{Anchor|Lodge (1971)}}{{cite book |last=Lodge |first=David |date=1971 |chapter=The Novelist at the Crossroads |title=The Novelist at the Crossroads and Other Essays on Fiction and Criticism |url=https://archive.org/details/novelistatcross00davi |location=Ithaca, NY |publisher=Cornell University Press |pages=3–34 |isbn= |author-link= }} Masterful delineation of the origins and possibilities of the nonfiction novel, including [[The Armies of the Night'' ([[68.8]]). | |||
* {{Anchor|Lounsberry (1990)}}{{cite book |last=Lounsberry |first=Barbara |date=1990 |chapter=Norman Mailer’s Ages of Man |title=The Art of Fact: Contemporary Artists of Nonfiction |url=https://archive.org/details/artoffact00barb |location=New York |publisher=Greenwood Press |pages=139–189 |isbn= |author-link= }} Careful exploration of the parallels between ''Advertisements for Myself'' ([[59.13]]) and Whitman’s “Song of Myself.” | |||
* {{Anchor|Loving (2017)}}{{cite book |last=Loving |first=Jerome |date=2017 |title=Jack and Norman: A State-Raised Convict and the Legacy of Norman Mailer’s ''The Executioner’s Song'' |url= |location= |publisher=Thomas Dunne Books |pages= |isbn= |author-link= }} A study of the relationship between Mailer and Jack Abbott. | |||
* {{Anchor|Lowell (1978)}}{{cite journal |last=Lowell |first=Robert |date=1978 |title=A Conversation with Ian Hamilton |url= |journal=American Poetry Review |volume= |issue=September/October |pages=23–27 |author-link=w:Robert Lowell }} Lowell says Mailer’s portrait of him in ''The Armies of the Night'' ([[68.8]]) is “the best, the only thing written about me as a living person.” | |||
* {{Anchor|Lucid (1971a)}}{{cite book |contributor-last=Lucid |contributor-first=Robert F. |contribution=Introduction |date=1971 |last=Mailer |first=Norman |title=The Long Patrol: 25 Years of Writing from the Work of Norman Mailer |url= |location=New York |publisher=World |pages=xi–xxvii |isbn= |author-link=Robert F. Lucid }} “The Ambition of Norman Mailer” could serve as the title to this brilliant recapitulation of Mailer’s career through ''Of a Fire on the Moon'' ([[71.1]]). See [[71.29]]. | |||
* {{Anchor|Lucid (1974a)}}{{cite journal |last=Lucid |first=Robert F. |authormask=1 |date=1974 |title=Norman Mailer: The Artist as Fantasy Figure |url= |journal=Massachusetts Review |volume=15 |issue=autumn |pages=581–595 |access-date= }} How increasingly greater demands on Mailer have made him disassemble himself into various avatars and employ new narrative strategies. Indispensable. | |||
* {{Anchor|Lucid (1971)}}{{cite book |editor-last=Lucid |editor-first=Robert F. |editor-mask=1 |date=1971 |title=Norman Mailer: The Man and His Work |url=https://archive.org/details/normanmailermana00luci |location=Boston |publisher=Little, Brown |page= |isbn= |author-link= }} First major collection of essays: 13 on his work, four on his life and Paul Carroll’s interview ([[68.1]]). Contains checklist of his work and important introduction in which Lucid attempts to resolve the apparent conflict between Mailer’s public and artistic activities. | |||
* {{Anchor|Lucid (1974)}}{{cite journal |last=Lucid |first=Robert F. |authormask=1 |date=1974 |title=Three Public Performances: Fitzgerald, Hemingway, Mailer |url= |journal=American Scholar |volume=43 |issue=summer |pages=447–466 |access-date= }} Subtle exploration of the love-hate relationship of three public writers and their audiences. | |||
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