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===A=== | ===A=== | ||
{{Shortcut|WD:Crit}} | {{Shortcut|WD:Crit}} | ||
* {{Anchor|Adams (1976)}}{{cite book |last=Adams |first=Laura |date=1976 |title=Existential Battles: The Growth of Norman Mailer |url=https://archive.org/details/existentialbattl0000adam |location=Athens |publisher=Ohio University Press |page= |author-link= }} Good discussion of themes and techniques, especially early narrators; includes description of extra-literary activities. | * {{Anchor|Adams (1976)}}{{cite book |last=Adams |first=Laura |date=1976 |title=Existential Battles: The Growth of Norman Mailer |url=https://archive.org/details/existentialbattl0000adam |location=Athens |publisher=Ohio University Press |page= |author-link= }} Good discussion of themes and techniques, especially early narrators; includes description of extra-literary activities. | ||
* {{Anchor|Adams (1974)}}{{cite book |editor-last=Adams |editor-first=Laura |editor-mask=1 |date=1974 |title=Will the Real Norman Mailer Please Stand Up |url=https://archive.org/details/willrealnormanma00adam |location=Port Washington, NY |publisher=Kennikat Press |page= |isbn= |author-link= }} Fourteen essays and reviews and one interview examining Mailer’s protean activities. Includes two essays on Mailer’s cosmology, a long bibliography and Adams’s useful introduction. | * {{Anchor|Adams (1974)}}{{cite book |editor-last=Adams |editor-first=Laura |editor-mask=1 |date=1974 |title=Will the Real Norman Mailer Please Stand Up |url=https://archive.org/details/willrealnormanma00adam |location=Port Washington, NY |publisher=Kennikat Press |page= |isbn= |author-link= }} Fourteen essays and reviews and one interview examining Mailer’s protean activities. Includes two essays on Mailer’s cosmology, a long bibliography and Adams’s useful introduction. | ||
* {{Anchor|Aldridge (1992)}}{{cite book |last=Aldridge |first=John W. |date=1992 |title=Classics and Contemporaries |url= |location=Columbia |publisher=University of Missouri Press |pages=54–58 |isbn= |author-link=w:John W. Aldridge }} Contains Aldridge’s reviews of ''Genius and Lust'' ([[76.12]]), ''The Long Patrol'' ([[71.29]]), and ''Harlot’s Ghost'' ([[91.26]]). | * {{Anchor|Aldridge (1992)}}{{cite book |last=Aldridge |first=John W. |date=1992 |title=Classics and Contemporaries |url= |location=Columbia |publisher=University of Missouri Press |pages=54–58 |isbn= |author-link=w:John W. Aldridge }} Contains Aldridge’s reviews of ''Genius and Lust'' ([[76.12]]), ''The Long Patrol'' ([[71.29]]), and ''Harlot’s Ghost'' ([[91.26]]). | ||
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* {{Anchor|Bloom (1986)}}{{cite book |editor-last=Bloom |editor-first=Harold |date=1986 |title=Norman Mailer: Modern Critical Views |url= |location=New York |publisher=Chelsea House |page= |isbn= |author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction. | * {{Anchor|Bloom (1986)}}{{cite book |editor-last=Bloom |editor-first=Harold |date=1986 |title=Norman Mailer: Modern Critical Views |url= |location=New York |publisher=Chelsea House |page= |isbn= |author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction. | ||
* {{Anchor|Bloom (2003)}}{{cite book |editor-last=Bloom |editor-first=Harold |editor-mask=1 |date=2003 |title=Norman Mailer: Critical Views |url= |location=Philadelphia |publisher=Chelsea House |page= |isbn= |author-link= }} Thirteen reviews and essays focusing on Mailer’s later works. | * {{Anchor|Bloom (2003)}}{{cite book |editor-last=Bloom |editor-first=Harold |editor-mask=1 |date=2003 |title=Norman Mailer: Critical Views |url= |location=Philadelphia |publisher=Chelsea House |page= |isbn= |author-link= }} Thirteen reviews and essays focusing on Mailer’s later works. | ||
* {{Anchor|Bozung (2017)}}{{cite book |last=Bozung |first=Justin |date=2017 |title=The Cinema of Norman Mailer: Film Is | * {{Anchor|Bozung (2017)}}{{cite book |last=Bozung |first=Justin |date=2017 |title=The Cinema of Norman Mailer: Film Is Like Death |url= |location=New York |publisher=Bloomsbury Academic |page= |isbn= |author-link=Justin Bozung }} A collection of mixed contributions: essays and memoirs from critics, collaborators, and Mailer himself ([[67.21]] and [[71.25]]), some reprinted, but mostly original texts including many stills from Mailer’s films. | ||
* {{Anchor|Booth (1988)}}{{cite book |last=Booth |first=Wayne |date=1988 |title=The Company We Keep: An Ethics of Fiction |url=https://archive.org/details/companywekeepeth0000boot |location=Berkeley and Los Angeles |publisher=University of California Press |page=207–210, 327–336 |isbn= |author-link= }} Useful to gauge how Mailer’s public image has alienated an important critic. | * {{Anchor|Booth (1988)}}{{cite book |last=Booth |first=Wayne |date=1988 |title=The Company We Keep: An Ethics of Fiction |url=https://archive.org/details/companywekeepeth0000boot |location=Berkeley and Los Angeles |publisher=University of California Press |page=207–210, 327–336 |isbn= |author-link= }} Useful to gauge how Mailer’s public image has alienated an important critic. | ||
* {{Anchor|Braudy (1991)}}{{cite book |last=Braudy |first=Leo |date=1991 |chapter=''Maidstone: A Mystery'' by Norman Mailer |title=Native Informant: Essays on Film, Fiction and Popular Culture |url=https://archive.org/details/nativeinformante00braurich |location=New York |publisher=Oxford |pages=60–63, 145–151 |isbn= |author-link= }} Rpt: [[#Adams (1974)|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy. | * {{Anchor|Braudy (1991)}}{{cite book |last=Braudy |first=Leo |date=1991 |chapter=''Maidstone: A Mystery'' by Norman Mailer |title=Native Informant: Essays on Film, Fiction and Popular Culture |url=https://archive.org/details/nativeinformante00braurich |location=New York |publisher=Oxford |pages=60–63, 145–151 |isbn= |author-link= }} Rpt: [[#Adams (1974)|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy. | ||
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* {{Anchor|Busch (1986)}}{{cite book |last=Busch |first=Frederick |date=1986 |chapter=The Whale as Shaggy Dog |title=When People Publish: Essays on Writers and Writing |url= |location=Iowa City |publisher=Iowa University Press |pages=65–82 |isbn= |author-link= }} Argues persuasively for the influence of ''Moby-Dick'' on “The Man Who Studied Yoga” ([[56.25]]). See [[51.2]]. | * {{Anchor|Busch (1986)}}{{cite book |last=Busch |first=Frederick |date=1986 |chapter=The Whale as Shaggy Dog |title=When People Publish: Essays on Writers and Writing |url= |location=Iowa City |publisher=Iowa University Press |pages=65–82 |isbn= |author-link= }} Argues persuasively for the influence of ''Moby-Dick'' on “The Man Who Studied Yoga” ([[56.25]]). See [[51.2]]. | ||
=== | ===C–G=== | ||
* {{Anchor|Cappell (2016)}}{{cite journal |last1=Cappell |first1=Ezra |date=2016 |title=Hemingway’s Jewish Progeny |url= |journal=Mailer Review |volume=10 |issue=1 |pages=208–228 |doi= |access-date= }} | * {{Anchor|Cappell (2016)}}{{cite journal |last1=Cappell |first1=Ezra |date=2016 |title=Hemingway’s Jewish Progeny |url= |journal=Mailer Review |volume=10 |issue=1 |pages=208–228 |doi= |access-date= }} | ||
* {{Anchor|Capote (1985)}}{{cite book |last=Capote |first=Truman |date=1985 |title=Conversations with Capote |url=https://archive.org/details/conversationswit00grob |editor-last=Grobel |editor-first=Lawrence |location=New York |publisher=New American Library |pages=112–116, passim |isbn= |author-link= }} Capote criticizes ''The Executioner’s Song'' ([[79.14]]). | * {{Anchor|Capote (1985)}}{{cite book |last=Capote |first=Truman |date=1985 |title=Conversations with Capote |url=https://archive.org/details/conversationswit00grob |editor-last=Grobel |editor-first=Lawrence |location=New York |publisher=New American Library |pages=112–116, passim |isbn= |author-link= }} Capote criticizes ''The Executioner’s Song'' ([[79.14]]). | ||
* {{Anchor|Foster (1968)}}{{cite book |last=Foster |first=Richard Jackson |date=1968 |title=Norman Mailer |url=https://archive.org/details/normanmailer00fost |location=Minneapolis |publisher=U of Minnesota P |volume=73 |series=University of Minnesota Pamphlets on American Writers |ref=harv}} Rpt: [[#Lucid (1971)|Lucid (1971)]]; partial in [[#Bloom (1986)|Bloom (1986)]]. This monograph, one of the first extended treatments of Mailer’s work, is still one of the best. Excellent on Mailer’s urgent, “forcing style.” | * {{Anchor|Foster (1968)}}{{cite book |last=Foster |first=Richard Jackson |date=1968 |title=Norman Mailer |url=https://archive.org/details/normanmailer00fost |location=Minneapolis |publisher=U of Minnesota P |volume=73 |series=University of Minnesota Pamphlets on American Writers |ref=harv}} Rpt: [[#Lucid (1971)|Lucid (1971)]]; partial in [[#Bloom (1986)|Bloom (1986)]]. This monograph, one of the first extended treatments of Mailer’s work, is still one of the best. Excellent on Mailer’s urgent, “forcing style.” | ||
* {{Anchor|Glenday (1995)}}{{cite book |last=Glenday |first=Michael |date=1995 |title=Norman Mailer |url= |location=London |publisher=Macmillan |author-link= |ref=harv}} Examines Mailer’s novels in a socio-political context. Contains one of the finest discussions of ''Why Are We in Vietnam'' ([[67.15]]), which he deftly relates to the issues of the day. | * {{Anchor|Glenday (1995)}}{{cite book |last=Glenday |first=Michael |date=1995 |title=Norman Mailer |url= |location=London |publisher=Macmillan |author-link= |ref=harv}} Examines Mailer’s novels in a socio-political context. Contains one of the finest discussions of ''Why Are We in Vietnam'' ([[67.15]]), which he deftly relates to the issues of the day. | ||
* {{Anchor|Gutman (1975)}}{{cite book |last=Gutman |first=Stanley T. |date=1975 |title=Mankind in Barbary: The Individual and Society in the Novels of Norman Mailer |url=https://archive.org/details/mankindinbarbary0000gutm |location=Hanover, NH |publisher=The University Press of New England |author-link= |ref=harv }} | |||
===H=== | ===H=== | ||
* {{Anchor|Handin (1978)}}{{cite book |last=Hendin |first=Josephine |date=1978 |chapter=American Rebels are Men of Action |title=Vulnerable People: A View of American Fiction Since 1945 |url=https://archive.org/details/vulnerablepeople00hend |location=New York |publisher=Oxford University Press |pages=117–144 |isbn= |author-link= }} Feminist critique focusing on the “fixed principles” of Mailer’s work: “anger and the adversary relation.” | |||
* {{Anchor|Hersey (1980)}}{{cite journal |last=Hersey |first=John |date=1980 |title=The Legend on the License |url= |journal=Yale Review |volume=70 |issue=October |pages=1–25 |access-date= }} Attack on the veracity of ''The Executioner’s Song'' ([[79.14]]). | |||
* {{Anchor|Hesla (1968)}}{{cite book |last=Hesla |first=David |date=1968 |chapter=The Two Roles of Norman Mailer |title=Adversity and Grace: Studies in Recent American Literature |editor-last=Scott |editor-first=Nathan, Jr. |url=https://archive.org/details/adversitygracest0004unse |location=Chicago |publisher=University of Chicago Press |pages=211–238 |isbn= |author-link= }} Argues that Mailer fails as a thinker and ignores earlier intellectual leaders. | |||
* {{Anchor|Hicks (1970)}}{{cite book |last=Hicks |first=Granville |date=1970 |title=Literary Horizons: A Quarter Century of American Fiction |url=https://archive.org/details/literaryhorizons00hick |location=New York |publisher=New York University Press |pages=273–290 |isbn= |author-link=w:Granville Hicks }} Reviews of four Mailer narratives by ''Saturday Review''’s longtime literary reviewer and Mailer misconstruer. | |||
* {{Anchor|Hollowell (1977)}}{{cite book |last=Hollowell |first=John |date=1977 |chapter=Mailer’s Vision: History as a Novel, The Novel as History |title=Fact and Fiction: The New Journalism and the Nonfiction Novel |url=https://archive.org/details/factfiction00john |location=Chapel Hill |publisher=University of North Carolina Press |pages=87–125 |isbn= |author-link= }} First major appraisal of Mailer as a New Journalist, with excellent bibliography. | |||
* {{Anchor|Horn (1982)}}{{cite journal |last=Horn |first=Bernard |date=1982 |title=[[Ahab and Ishmael at War: The Presence of Moby-Dick in The Naked and the Dead|Ahab and Ishmael at War: The Presence of ''Moby-Dick'' in ''The Naked and the Dead'']] |url= |journal=American Quarterly |volume=34 |issue=fall |pages=379–385 |access-date= }} Definitive. Rpt: [[The Mailer Review, Volume 10, 2016|''Mailer Review'' (2016)]], 379–85. See [[51.2]]. | |||
===J–K=== | ===J–K=== | ||
* {{Anchor|Jameson (1972)}}{{cite journal |last=Jameson |first=Fredric R. |date=1972 |title=The Great American Hunter, or Ideological Content in the Novel |url= |journal=College English |volume=34 |issue=November |pages=180–199 |access-date= |author-link=w:Fredric Jameson }} Marxist critique which argues that Mailer is dependent on the very diseases and poisons of technology that he condemns. | |||
* {{Anchor|Johnson (1982)}}{{cite book |last=Johnson |first=Diane |date=1982 |chapter=Death for Sale: Norman Mailer on Gary Gilmore |title=Terrorists and Novelists |url=https://archive.org/details/terroristsnoveli00john |location=New York |publisher=Knopf |pages=87–96 |isbn= |author-link= }} One of the few commentators to question the truthfulness of ''The Executioner’s Song'' ([[79.14]]). | |||
* {{Anchor|Karl (1983)}}{{cite book |last=Karl |first=Frederick R. |date=1983 |title=American Fictions, 1940-1980 |url=https://archive.org/details/americanfictions00karl |location=New York |publisher=Harper and Row |pages=12–14, 579–582 |isbn= |author-link=w:Frederick Karl }} Extravagant praise for Why Are We in Vietnam? (67.15) and delineation of Mailer’s concern for a schizophrenic America. | |||
* {{Anchor|Kaufmann (2014)}}{{cite book |last=Kaufmann |first=Donald L. |date=2014 |title=Norman Mailer: Legacy and Literary Americana |url= |location=Saarbruken, Germany |publisher=Scholar's Press |pages= |isbn= |author-link=Donald L. Kaufmann }} | |||
* {{Anchor|Kaufmann (1969)}}{{cite book |last=Kaufmann |first=Donald L. |authormask=1 |date=1969 |title=Norman Mailer: The Countdown (The First Twenty Years) |url=https://archive.org/details/normanmailercoun00dona |location=Carbondale |publisher=Southern Illinois University Press |pages= |isbn= |author-link= }} Pioneering discussion of the beast-seer conflict in the early work which overlooks Mailer’s political interests. | |||
* {{Anchor|Kellman (1983)}}{{cite journal |last=Kellman |first=Steven G. |date=1983 |title=Mailer’s Strains of Fact |url= |journal=Southwest Review |volume=68 |issue=spring |pages=1226–133 |access-date= }} Richly allusive generic discussion of ''The Executioner’s Song'' ([[79.14]]). | |||
* {{Anchor|Kernan (1982)}}{{cite book |last=Kernan |first=Alvin B. |date=1982 |chapter=The Taking of the Moon: The Struggle of the Poetic and Scientific Myth in Norman Mailer’s ''Of a Fire on the Moon'' |title=The Imaginary Library: An Essay on Literature and Society |url=https://archive.org/details/imaginarylibrary00kern |location=Princeton |publisher=Princeton University Press |pages=130–161 |isbn= |author-link= }} Rpt: [[#Bloom (1986)|Bloom (1986)]]. Perhaps the best thing written on Mailer’s narrative of the Apollo 11 mission. | |||
* {{Anchor|Kuberski (1989)}}{{cite journal |last=Kuberski |first=Philip |date=1989 |title=The Metaphysics of Postmodern Death: Mailer’s ''Ancient Evenings'' and Merrill’s ''The Changing Light at Sandover'' |url= |journal=English Literary History |volume=56 |issue=spring |pages=229–254 |access-date= }} Mailer and Merrill against Cartesian mechanism and postmodern despair. | |||
===L=== | ===L=== | ||
* {{Anchor|Leeds (2002)}}{{cite book |last=Leeds |first=Barry H. |date=2002 |title=The Enduring Vision of Norman Mailer |url= |location=Bainbridge Island, Wash. |publisher=Pleasure Boat Studio |ref=harv }} Examination of Mailer’s later works, including an interview with Mailer, and a deft descriptive chapter, “The Critical Climate: Books on Mailer.” | * {{Anchor|Landow (1986)}}{{cite book |last=Landow |first=George P. |date=1986 |title=Elegant Jeremiahs: The Sage from Caryle to Mailer |url= |location=Ithaca, NY |publisher=Cornell University Press |pages=101–104, 128–129, 144–150 |isbn= |author-link= }} Careful tracing of the pattern of definition, revilement, warning and visionary promise in Mailer, Joan Didion, Tom Wolfe and earlier writers such as John Ruskin and Henry David Thoreau. | ||
* {{Anchor|Leeds (1969)}}{{cite book |last=Leeds |first=Barry H. |date=1969 |title=[[The Structured Vision of Norman Mailer]] |url= |location=New York |publisher=NYU Press |ref=harv }} First major study of Mailer’s work; valuable for its analysis of ''An American Dream'' ([[65.7]]), and consideration of ''The Armies of the Night'' ([[68.8]]) and ''Deaths for the Ladies (and Other Disasters)'' ([[62.3]]). | * {{Anchor|Langbaum (1970)}}{{cite book |last=Langbaum |first=Robert |date=1970 |chapter=Mailer's New Style |title=The Modern Spirit: Essays on the Continuity of Nineteenth and Twentieth Century Literature |url=https://archive.org/details/modernspiritessa00lang |location=New York |publisher=Oxford University Press |pages=147–163 |author-link= }} Rpt: [[#Bloom (1986)|Bloom (1986)]]. Important essay on the evolution of Mailer’s “hallucinated realism.” | ||
* {{Anchor|Leigh (1990)}}{{cite book |last=Leigh |first=Nigel |date=1990 |title=Radical Fictions and the Novels of Norman Mailer |url=https://archive.org/details/radicalfictions00leig |location=London |publisher=Macmillan |author-link= |ref=harv}} Leigh writes about Mailer and power from a Foucauldian perspective, but ignores the nonfiction narratives. Excellent readings of ''Why Are We in Vietnam?'' ([[67.15]]) and ''Ancient Evenings'' ([[83.18]]). Many misquotations, typos, incorrect page numbers. | * {{Anchor|Leeds (1992)}}{{cite journal |last=Leeds |first=Barry H. |date=1992 |title=Boxing as a Moral Paradigm in the Works of Norman Mailer |url= |journal=The New Review |volume=1 |issue=September/October |pages=12–16 |access-date= }} The most complete discussion of the topic. | ||
* {{Anchor|Leeds (1991)}}{{cite journal |last=Leeds |first=Barry H. |authormask=1 |date=1991 |title=Mailer and Marilyn: Prisoners of Sex |url= |journal=North Dakota Quarterly |volume= |issue=winter |pages=110–117 |access-date= }} “The coherence of Mailer’s vision of [Marilyn] Monroe, of women, and of heterosexual love.” | |||
* {{Anchor|Leeds (2002)}}{{cite book |last=Leeds |first=Barry H. |authormask=1 |date=2002 |title=The Enduring Vision of Norman Mailer |url= |location=Bainbridge Island, Wash. |publisher=Pleasure Boat Studio |ref=harv }} Examination of Mailer’s later works, including an interview with Mailer, and a deft descriptive chapter, “The Critical Climate: Books on Mailer.” | |||
* {{Anchor|Leeds (1969)}}{{cite book |last=Leeds |first=Barry H. |date=1969 |authormask=1 |title=[[The Structured Vision of Norman Mailer]] |url= |location=New York |publisher=NYU Press |ref=harv }} First major study of Mailer’s work; valuable for its analysis of ''An American Dream'' ([[65.7]]), and consideration of ''The Armies of the Night'' ([[68.8]]) and ''Deaths for the Ladies (and Other Disasters)'' ([[62.3]]). | |||
* {{Anchor|Leeds (1994)}}{{cite book |last=Leeds |first=Barry H. |authormask=1 |chapter=Tough Guy Goes Hollywood: Mailer and the Movies |date=1994 |title=Take Two: Adapting the Contemporary American Novel to Film |editor-last=Lupack |editor-first=Barbara Tepa |url= |location=Bowling Green, OH |publisher=Popular Press |pages=154–168 |access-date= }} Most nuanced discussion of the adaptation of ''Tough Guys Don’t Dance'' ([[84.17]]) to the screen. | |||
* {{Anchor|Lehan (1973)}}{{cite book |last=Lehan |first=Richard |date=1973 |title=A Dangerous Crossing: French Literary Existentialism and the Modern American Novel |url=https://archive.org/details/dangerouscrossin00rich |location=Carbondale |publisher=Southern Illinois University Press |pages=81–95 |isbn= |author-link= }} Mailer’s cosmology as an existential recreation. | |||
* {{Anchor|Leigh (1990a)}}{{cite journal |last=Leigh |first=Nigel |date=1990 |title=Getting It Wrong: The Cinema of Norman Mailer |url= |journal=Journal of American Studies |volume=24 |issue=3 |pages=399–413 |access-date= }} Comment on Mailer’s films and those made from his novels. | |||
* {{Anchor|Leigh (1990)}}{{cite book |last=Leigh |first=Nigel |authormask=1 |date=1990 |title=Radical Fictions and the Novels of Norman Mailer |url=https://archive.org/details/radicalfictions00leig |location=London |publisher=Macmillan |author-link= |ref=harv}} Leigh writes about Mailer and power from a Foucauldian perspective, but ignores the nonfiction narratives. Excellent readings of ''Why Are We in Vietnam?'' ([[67.15]]) and ''Ancient Evenings'' ([[83.18]]). Many misquotations, typos, incorrect page numbers. | |||
* {{Anchor|Lennon (1986a)}}{{cite book |editor-last=Lennon |editor-first=J. Michael |date=1986 |title=Critical Essays on Norman Mailer |url= |location=Boston |publisher=G.K. Hall & Co. |author-link=J. Michael Lennon |ref=harv}} Ten reviews and ten essays, including two original ones: Robert F. Lucid’s overview of his proposed biography and Michael Cowan’s on Mailer’s Americanness. Introduction summarizes critical response to Mailer’s work. | * {{Anchor|Lennon (1986a)}}{{cite book |editor-last=Lennon |editor-first=J. Michael |date=1986 |title=Critical Essays on Norman Mailer |url= |location=Boston |publisher=G.K. Hall & Co. |author-link=J. Michael Lennon |ref=harv}} Ten reviews and ten essays, including two original ones: Robert F. Lucid’s overview of his proposed biography and Michael Cowan’s on Mailer’s Americanness. Introduction summarizes critical response to Mailer’s work. | ||
* {{Anchor|Lennon and Strozier (1981)}}{{cite journal |last=Lennon |first=J. Michael |last2=Strozier |first2=Charles B. |date=1981 |authormask=1 |title=Empathy and Detachment in the Narratives of Erikson and Mailer |url= |journal=Psychohistory Review |volume=10 |issue=fall |pages=18–32 |access-date= }} Comparison of the introspective-empathic narratives of Mailer and Erik Erikson. | |||
* {{Anchor|Lennon (1986)}}{{cite | * {{Anchor|Lennon (1986)}}{{cite journal |last=Lennon |first=J. Michael |date=1986 |authormask=1 |title=Mailer's Cosmology |url= |journal=Modern Language Studies |volume=12 |issue=summer |pages=18–29 |access-date= }} Delineation of the “three linked strands” of Mailer’s cosmology: 1) universe in process, 2) intensified free will and 3) intensified presence of evil. | ||
* {{Anchor|Lucid (1971)}}{{cite book |editor-last=Lucid |editor-first=Robert F. |date=1971 |title=Norman Mailer: The Man and His Work |url=https://archive.org/details/normanmailermana00luci |location=Boston |publisher=Little, Brown |page= |isbn= |author-link= }} First major collection of essays: 13 on his work, four on his life and Paul Carroll’s interview ([[68.1]]). Contains checklist of his work and important introduction in which Lucid attempts to resolve the apparent conflict between Mailer’s public and artistic activities. | * {{Anchor|Lennon (1977a)}}{{cite journal |last=Lennon |first=J. Michael |date=1977 |authormask=1 |title=Mailer’s Radical Bridge |url= |journal=Journal of Narrative Technique |volume=7 |issue=fall |pages=170–188 |access-date= }} Discussion of point of view in Mailer as it relates to his thought. | ||
* {{Anchor|Lennon (1977)}}{{cite journal |last=Lennon |first=J. Michael |date=1977 |authormask=1 |title=Mailer’s Sarcophagus: The Artist, the Media, and the ‘Wad.’ |url= |journal=Modern Fiction Studies |volume=23 |issue=summer |pages=179–187 |access-date= }} How Mailer’s view of his audience helps shape his work. | |||
* {{Anchor|Lodge (1971)}}{{cite book |last=Lodge |first=David |date=1971 |chapter=The Novelist at the Crossroads |title=The Novelist at the Crossroads and Other Essays on Fiction and Criticism |url=https://archive.org/details/novelistatcross00davi |location=Ithaca, NY |publisher=Cornell University Press |pages=3–34 |isbn= |author-link= }} Masterful delineation of the origins and possibilities of the nonfiction novel, including [[The Armies of the Night'' ([[68.8]]). | |||
* {{Anchor|Lounsberry (1990)}}{{cite book |last=Lounsberry |first=Barbara |date=1990 |chapter=Norman Mailer’s Ages of Man |title=The Art of Fact: Contemporary Artists of Nonfiction |url=https://archive.org/details/artoffact00barb |location=New York |publisher=Greenwood Press |pages=139–189 |isbn= |author-link= }} Careful exploration of the parallels between ''Advertisements for Myself'' ([[59.13]]) and Whitman’s “Song of Myself.” | |||
* {{Anchor|Loving (2017)}}{{cite book |last=Loving |first=Jerome |date=2017 |title=Jack and Norman: A State-Raised Convict and the Legacy of Norman Mailer’s ''The Executioner’s Song'' |url= |location= |publisher=Thomas Dunne Books |pages= |isbn= |author-link= }} A study of the relationship between Mailer and Jack Abbott. | |||
* {{Anchor|Lowell (1978)}}{{cite journal |last=Lowell |first=Robert |date=1978 |title=A Conversation with Ian Hamilton |url= |journal=American Poetry Review |volume= |issue=September/October |pages=23–27 |author-link=w:Robert Lowell }} Lowell says Mailer’s portrait of him in ''The Armies of the Night'' ([[68.8]]) is “the best, the only thing written about me as a living person.” | |||
* {{Anchor|Lucid (1971a)}}{{cite book |contributor-last=Lucid |contributor-first=Robert F. |contribution=Introduction |date=1971 |last=Mailer |first=Norman |title=The Long Patrol: 25 Years of Writing from the Work of Norman Mailer |url= |location=New York |publisher=World |pages=xi–xxvii |isbn= |author-link=Robert F. Lucid }} “The Ambition of Norman Mailer” could serve as the title to this brilliant recapitulation of Mailer’s career through ''Of a Fire on the Moon'' ([[71.1]]). See [[71.29]]. | |||
* {{Anchor|Lucid (1974a)}}{{cite journal |last=Lucid |first=Robert F. |authormask=1 |date=1974 |title=Norman Mailer: The Artist as Fantasy Figure |url= |journal=Massachusetts Review |volume=15 |issue=autumn |pages=581–595 |access-date= }} How increasingly greater demands on Mailer have made him disassemble himself into various avatars and employ new narrative strategies. Indispensable. | |||
* {{Anchor|Lucid (1971)}}{{cite book |editor-last=Lucid |editor-first=Robert F. |editor-mask=1 |date=1971 |title=Norman Mailer: The Man and His Work |url=https://archive.org/details/normanmailermana00luci |location=Boston |publisher=Little, Brown |page= |isbn= |author-link= }} First major collection of essays: 13 on his work, four on his life and Paul Carroll’s interview ([[68.1]]). Contains checklist of his work and important introduction in which Lucid attempts to resolve the apparent conflict between Mailer’s public and artistic activities. | |||
* {{Anchor|Lucid (1974)}}{{cite journal |last=Lucid |first=Robert F. |authormask=1 |date=1974 |title=Three Public Performances: Fitzgerald, Hemingway, Mailer |url= |journal=American Scholar |volume=43 |issue=summer |pages=447–466 |access-date= }} Subtle exploration of the love-hate relationship of three public writers and their audiences. | |||
===M=== | ===M=== | ||
* {{Anchor|McKinley (2015)}}{{cite book |last=McKinley |first=Maggie |date=2015 |title=Masculinity and the Paradox of Violence in American Fiction, 1950–75 |url= |location=New York |publisher=Bloomsbury |pages= |isbn= |author-link= }} An examination of violence, masculinity, and racial and ethnic tension in several American novelists, including Mailer. | * {{Anchor|Macdonald (1958)}}{{cite magazine |last=Mcdonald |first=Dwight |date=1958 |title=The Bright Young Men in the Arts |url=https://classic.esquire.com/article/1958/9/1/the-bright-young-men-the-arts |url-access=subscription |magazine=Esquire |pages=38–40 |publisher= |access-date= }} Besides Mailer, Macdonald chooses James Baldwin in the prose category and mentions Truman Capote, Norman Podhoretz, John Updike and Flannery O’Connor. Macdonald says Mailer’s failures are “more interesting than the successes of less-talented writers” and praises “his enthusiasm for general ideas.” | ||
* {{Anchor|Marks (1979)}}{{cite journal |last=Marks |first=Barry A. |date=1979 |title=Civil Disobedience in Retrospect: Henry Thoreau and Norman Mailer |url= |journal=Soundings 2 |volume=62 |issue= |pages=144–165 |access-date= }} Inevitable and careful comparison. | |||
* {{Anchor|Marx (1973)}}{{cite journal |last=Marx |first=Leo |date=1973 |title=‘Noble Shit’: The Uncivil Response of American Writers to Civil Religion in America |url= |journal=Massachusetts Review |volume=14 |issue=autumn |pages=109–739 |access-date= }} The virtues of the American vernacular in Mailer, Walt Whitman, Ralph Waldo Emerson, Mark Twain and others. | |||
* {{Anchor|Matz (1970)}}{{cite journal |last=Matz |first=Charles |date=February 21, 1970 |title=Mailer's Opera |url= |journal=Opera News |volume=34 |issue= |pages=14–16 |access-date= }} See [[70.4]]. | |||
* {{Anchor|Maud (1971)}}{{cite journal |last=Maud |first=Ralph |date=1971 |title=Faulkner, Mailer, and Yogi Bear |url= |journal=Canadian Review of American Studies |volume=2 |issue=2 |pages=69–75 |access-date= }} ''Why Are We in Vietnam?'' ([[67.15]]) and William Faulkner’s “The Bear” are related to Indian stories, with an ecological emphasis. | |||
* {{Anchor|McConnell (1977}}{{cite book |last=McConnell |first=Frank D. |date=1977 |chapter=[[Norman Mailer and the Cutting Edge of Style]] |title=Four Postwar American Novelists: Bellow, Mailer, Barth and Pynchon |url= |location=Chicago |publisher=University of Chicago Press |pages=58–107 |isbn= |author-link=Frank D. McConnell }} Traces the shift from ideological to “visionary” politics in Mailer’s work. | |||
* {{Anchor|McCord (1986)}}{{cite journal |last=McCord |first=Phyllis Frus |date=1986 |title=The Ideology of Form: The Nonfiction Novel |url= |journal=Genre |volume=19 |issue=spring |pages=59–79 |access-date= }} Convincingly sorts out the generic status of ''The Executioner’s Song'' ([[79.14]]) by comparing/contrasting it with Truman Capote’s ''In Cold Blood''. | |||
* {{Anchor|McKinley (2015)}}{{cite book |last=McKinley |first=Maggie |date=2015 |title=Masculinity and the Paradox of Violence in American Fiction, 1950–75 |url= |location=New York |publisher=Bloomsbury |pages= |isbn= |author-link=Maggie McKinley }} An examination of violence, masculinity, and racial and ethnic tension in several American novelists, including Mailer. | |||
* {{Anchor|McKinley (2017)}}{{cite book |last=McKinley |first=Maggie |authormask=1 |date=2017 |title=Understanding Norman Mailer |url= |location= |publisher=University of South Carolina Press |pages= |isbn= |author-link= }} An introduction to Mailer’s work in an accessible volume. A solid primer on Mailer’s writings and concerns. | * {{Anchor|McKinley (2017)}}{{cite book |last=McKinley |first=Maggie |authormask=1 |date=2017 |title=Understanding Norman Mailer |url= |location= |publisher=University of South Carolina Press |pages= |isbn= |author-link= }} An introduction to Mailer’s work in an accessible volume. A solid primer on Mailer’s writings and concerns. | ||
* {{Anchor|Mendelson (2015)}}{{cite book |last=Mendelson |first=Edward |date=2015 |chapter=Mythmaker: Norman Mailer |title=Moral Agents: Eight Twentieth-Century American Writers |url= |location=New York |publisher=New York Review of Books |pages=124–144 |isbn= |author-link= }} | * {{Anchor|Mendelson (2015)}}{{cite book |last=Mendelson |first=Edward |date=2015 |chapter=Mythmaker: Norman Mailer |title=Moral Agents: Eight Twentieth-Century American Writers |url= |location=New York |publisher=New York Review of Books |pages=124–144 |isbn= |author-link= }} | ||
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* {{Anchor|Muste (1971)}}{{cite journal |last=Muste |first=John M. |date=1971 |title=Norman Mailer and John Dos Passos: The Question of Influence |url= |journal=Modern Fiction Studies |volume=17 |issue=autumn |pages=361–374 |access-date= }} Raises serious doubts about the specific influence of John Dos Passos’s ''U.S.A.'' on ''The Naked and the Dead'' ([[48.2]]). | * {{Anchor|Muste (1971)}}{{cite journal |last=Muste |first=John M. |date=1971 |title=Norman Mailer and John Dos Passos: The Question of Influence |url= |journal=Modern Fiction Studies |volume=17 |issue=autumn |pages=361–374 |access-date= }} Raises serious doubts about the specific influence of John Dos Passos’s ''U.S.A.'' on ''The Naked and the Dead'' ([[48.2]]). | ||
=== | ===N–O=== | ||
* {{Anchor|Newlove (1969)}}{{cite magazine |last=Newlove |first=Donald |date=1969 |title=Dinner at the Lowells |url=https://classic.esquire.com/article/1969/9/1/dinner-at-the-lowells |url-access=subscription |magazine=Esquire |pages=128–129, 168, 170–178, 180, 184 |publisher= |access-date=2019-03-26 }} Lowell comments on his portrait in ''The Armies of the Night'' ([[68.8]]). | * {{Anchor|Newlove (1969)}}{{cite magazine |last=Newlove |first=Donald |date=1969 |title=Dinner at the Lowells |url=https://classic.esquire.com/article/1969/9/1/dinner-at-the-lowells |url-access=subscription |magazine=Esquire |pages=128–129, 168, 170–178, 180, 184 |publisher= |access-date=2019-03-26 }} Lowell comments on his portrait in ''The Armies of the Night'' ([[68.8]]). | ||
* {{cite journal |last= |first= |date=1973 |title=Norman Mailer Issue |url= |journal=New Orleans Review |volume=3 |issue=3 |pages= |access-date= }} Contains three essays and an interview by Matthew Grace and Steve Roday. See [[73.14]]. | * {{cite journal |last= |first= |date=1973 |title=Norman Mailer Issue |url= |journal=New Orleans Review |volume=3 |issue=3 |pages= |access-date= }} Contains three essays and an interview by Matthew Grace and Steve Roday. See [[73.14]]. | ||
* {{Anchor|Oates (1974)}}{{cite book |last=Oates |first=Joyce Carol |date=1974 |chapter=[[The Teleology of the Unconscious: The Art of Norman Mailer]] |title=New Heaven, New Earth: The Visionary Experience in Literature |url=https://archive.org/details/newheavenneweart00oate |location=New York |publisher=Vanguard Press |pages=170–192 |isbn= |author-link=w:Joyce Carol Oates }} Discussion of Mailer’s dualisms in ''Why Are We In Vietnam?'' ([[67.15]]) and ''Of a Fire on the Moon'' ([[71.1]]) by a novelist who “disagree[s] with nearly every one of Mailer’s stated or implied ideas.” | * {{Anchor|Oates (1974)}}{{cite book |last=Oates |first=Joyce Carol |date=1974 |chapter=[[The Teleology of the Unconscious: The Art of Norman Mailer]] |title=New Heaven, New Earth: The Visionary Experience in Literature |url=https://archive.org/details/newheavenneweart00oate |location=New York |publisher=Vanguard Press |pages=170–192 |isbn= |author-link=w:Joyce Carol Oates }} Discussion of Mailer’s dualisms in ''Why Are We In Vietnam?'' ([[67.15]]) and ''Of a Fire on the Moon'' ([[71.1]]) by a novelist who “disagree[s] with nearly every one of Mailer’s stated or implied ideas.” | ||
* {{Anchor|Olster (1989)}}{{cite book |last=Olster |first=Stacey |date=1989 |chapter=The Transition to Post-Modernism: Norman Mailer |title=Reminiscence and Re-creation in Contemporary American Fiction |url=https://archive.org/details/reminiscencerecr0000olst |location=Cambridge |publisher=University of Cambridge Press |pages=36–71 |isbn= |author-link= }} Mailer is seen as a transitional figure between modernism and postmodernism; focus is on his writings of the 1960s. | * {{Anchor|Olster (1989)}}{{cite book |last=Olster |first=Stacey |date=1989 |chapter=The Transition to Post-Modernism: Norman Mailer |title=Reminiscence and Re-creation in Contemporary American Fiction |url=https://archive.org/details/reminiscencerecr0000olst |location=Cambridge |publisher=University of Cambridge Press |pages=36–71 |isbn= |author-link= }} Mailer is seen as a transitional figure between modernism and postmodernism; focus is on his writings of the 1960s. | ||
* {{Anchor|Ostriker (1972)}}{{cite magazine |last=Ostriker |first=Dane Proxpeals |date=November 1972 |title=Norman Mailer and the Mystery Woman or, The Rape of the C—k |url=https://classic.esquire.com/article/1972/11/1/norman-mailer-and-the-mystery-woman |url-access=subscription |magazine=Esquire |pages=122–125 |publisher= |access-date= }} Pseudonymous attack in rhymed couplets on Mailer as male chauvinist. | * {{Anchor|Ostriker (1972)}}{{cite magazine |last=Ostriker |first=Dane Proxpeals |date=November 1972 |title=Norman Mailer and the Mystery Woman or, The Rape of the C—k |url=https://classic.esquire.com/article/1972/11/1/norman-mailer-and-the-mystery-woman |url-access=subscription |magazine=Esquire |pages=122–125 |publisher= |access-date= }} Pseudonymous attack in rhymed couplets on Mailer as male chauvinist. | ||
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* {{Anchor|Wilson (2008)}}{{cite book |last=Wilson |first=Andrew |date=2008 |title=Norman Mailer: An American Aesthetic |url= |location=Oxford, England |publisher=Peter Lang |page= |isbn= |author-link= }} | * {{Anchor|Wilson (2008)}}{{cite book |last=Wilson |first=Andrew |date=2008 |title=Norman Mailer: An American Aesthetic |url= |location=Oxford, England |publisher=Peter Lang |page= |isbn= |author-link= }} | ||
* {{Anchor|Zavarzadeh (1976)}}{{cite book |last=Zavarzadeh |first=Mas'ud |date=1976 |title=The Mythopoeic Reality: The Postwar American Nonfiction Novel |url=https://archive.org/details/mythopoeicrealit0000zava |location=Urbana |publisher=University of Illinois Press |pages=153–176 and passim |isbn= |author-link= }} Attempts to prove, unconvincingly, that ''The Armies of the Night'' ([[68.8]]) has a “zero degree of interpretation” of reality. | * {{Anchor|Zavarzadeh (1976)}}{{cite book |last=Zavarzadeh |first=Mas'ud |date=1976 |title=The Mythopoeic Reality: The Postwar American Nonfiction Novel |url=https://archive.org/details/mythopoeicrealit0000zava |location=Urbana |publisher=University of Illinois Press |pages=153–176 and passim |isbn= |author-link= }} Attempts to prove, unconvincingly, that ''The Armies of the Night'' ([[68.8]]) has a “zero degree of interpretation” of reality. | ||
{{Refend}} |