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Norman Mailer: Works and Days/Bibliography/Criticism: Difference between revisions

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* {{Anchor|Merrill (1978)}}{{cite book |last=Merrill |first=Robert |date=1978 |title=Norman Mailer |url=https://archive.org/details/normanmailer00merr |publisher=Twayne Publishers |location=Boston |ref=harv }} Thoughtful examination of the formal structure of Mailer’s novels and nonfiction narratives; contains perhaps best analysis of ''The Executioner’s Song'' ([[79.14]]). Includes biographical chapter. Most comprehensive study to date.
* {{Anchor|McKinley (2015)}}{{cite book |last=McKinley |first=Maggie |date=2015 |title=Masculinity and the Paradox of Violence in American Fiction, 1950–75 |url= |location=New York |publisher=Bloomsbury |pages= |isbn= |author-link= }} An examination of violence, masculinity, and racial and ethnic tension in several American novelists, including Mailer.
* {{Anchor|Merrill (1992)}}{{cite book |last=Merrill |first=Robert |date=1992 |title=Norman Mailer Revisited |location=Boston |publisher=Twayne Publishers |author-link= |ref=harv}}
* {{Anchor|McKinley (2017)}}{{cite book |last=McKinley |first=Maggie |authormask=1 |date=2017 |title=Understanding Norman Mailer |url= |location= |publisher=University of South Carolina Press |pages= |isbn= |author-link= }} An introduction to Mailer’s work in an accessible volume. A solid primer on Mailer’s writings and concerns.
* {{Anchor|Mendelson (2015)}}{{cite book |last=Mendelson |first=Edward |date=2015 |chapter=Mythmaker: Norman Mailer |title=Moral Agents: Eight Twentieth-Century American Writers |url= |location=New York |publisher=New York Review of Books |pages=124–144 |isbn= |author-link= }}
* {{Anchor|Meredith (1971)}}{{cite journal |last=Meredith |first=Robert |date=1971 |title=The 45-Second Piss: A Left Critique of Norman Mailer and ''The Armies of the Night'' |url= |journal=Modern Fiction Studies |volume=17 |issue=autumn |pages= 433–448|access-date= }} Forceful and detailed critique.
* {{Anchor|Merrill (1974)}}{{cite journal |last=Merrill |first=Robert |date=1974 |title=''The Armies of the Night'': The Education of Norman Mailer |url= |journal=Illinois Quarterly |volume=37 |issue= |pages=30–44 |access-date= }} Rpt: [[#Bloom (1986)|Bloom (1986)]]. Sound analysis of point of view and structure in [[68.8]].
* {{Anchor|Merrill (1978)}}{{cite book |last=Merrill |first=Robert |authormask=1 |date=1992 |orig-year=1978 |title=Norman Mailer |edition=Revised |url=https://archive.org/details/normanmailer00merr |publisher=Twayne Publishers |location=Boston |ref=harv }} Thoughtful examination of the formal structure of Mailer’s novels and nonfiction narratives; contains perhaps best analysis of ''The Executioner’s Song'' ([[79.14]]). Includes biographical chapter. Most comprehensive study to date.
* {{Anchor|Merrill (1974)}}{{cite journal |last=Merrill |first=Robert |authormask=1 |date=1974 |title=Norman Mailer’s Early Nonfiction: The Art of Self-Revelation |url= |journal=Western Humanities Review |volume=228 |issue=winter |pages=1–12 |access-date= }} A shrewd study of Mailer’s emerging persona in the essays preceding ''The Armies of the Night'' ([[68.8]]).
* {{Anchor|Middlebrook (1976)}}{{cite book |last=Middlebrook |first=Jonathan |date=1976 |title=Mailer and the Times of His Time |url= |location=San Francisco |publisher=Bay Books |pages= |isbn= |author-link= }} Extended personal essay on Mailer’s ties to American romantics, including a comic account of his first meeting with Mailer.
* {{Anchor|Mosser (2012)}}{{cite book |last=Mosser |first=Jason |date=2012 |title=The Participatory Journalism of Michael Herr, Norman Mailer, Hunter S. Thompson, and Joan Didion: Creating New Reporting Styles |url= |location=Lewiston |publisher=Edwin Mellon Press |pages= |isbn= |author-link= }}
* {{Anchor|Muste (1971)}}{{cite journal |last=Muste |first=John M. |date=1971 |title=Norman Mailer and John Dos Passos: The Question of Influence |url= |journal=Modern Fiction Studies |volume=17 |issue=autumn |pages=361–374 |access-date= }} Raises serious doubts about the specific influence of John Dos Passos’s ''U.S.A.'' on ''The Naked and the Dead'' ([[48.2]]).


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