10,132
edits
m (Added shortcut note.) |
m (Added Bailey.) |
||
Line 15: | Line 15: | ||
===B=== | ===B=== | ||
* {{Anchor|Bailey (1979)}}{{cite book |last=Bailey |first=Jennifer |date=1979 |title=Norman Mailer: Quick-Change Artist |url=https://archive.org/details/normanmailerquic0000bail |location=New York |publisher=Harper and Row |page= |isbn= |author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work. | |||
* {{Anchor|Bloom (1986)}}{{cite book |editor-last=Bloom |editor-first=Harold |date=1986 |title=Norman Mailer: Modern Critical Views |url= |location=New York |publisher=Chelsea House |page= |isbn= |author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction. | * {{Anchor|Bloom (1986)}}{{cite book |editor-last=Bloom |editor-first=Harold |date=1986 |title=Norman Mailer: Modern Critical Views |url= |location=New York |publisher=Chelsea House |page= |isbn= |author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction. | ||
* {{Anchor|Braudy (1991)}}{{cite book |last=Braudy |first=Leo |date=1991 |chapter=''Maidstone: A Mystery'' by Norman Mailer |title=Native Informant: Essays on Film, Fiction and Popular Culture |url=https://archive.org/details/nativeinformante00braurich |location=New York |publisher=Oxford |pages=60–63, 145–151 |isbn= |author-link= }} Rpt: [[#Adams (1974)|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy. | * {{Anchor|Braudy (1991)}}{{cite book |last=Braudy |first=Leo |date=1991 |chapter=''Maidstone: A Mystery'' by Norman Mailer |title=Native Informant: Essays on Film, Fiction and Popular Culture |url=https://archive.org/details/nativeinformante00braurich |location=New York |publisher=Oxford |pages=60–63, 145–151 |isbn= |author-link= }} Rpt: [[#Adams (1974)|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy. |