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The Mailer Review/Volume 3, 2009/Some Dirt in the Talk: Difference between revisions
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{{Byline|last=Mailer|first=Norman|note=This essay appeared in ''[[Existential Errands]]'' (Boston, Little Brown, 1972). It was first published in ''New American Review'', No. 12 (August 1971) and reprinted with small changes a few months later in ''Maidstone: A Mystery'' (New York: New American Library, 1971). Reprinted with the permission of The Norman Mailer Estate.|url=https://prmlr.us/ | {{Byline|last=Mailer|first=Norman|note=This essay appeared in ''[[Existential Errands]]'' (Boston, Little Brown, 1972). It was first published in ''New American Review'', No. 12 (August 1971) and reprinted with small changes a few months later in ''Maidstone: A Mystery'' (New York: New American Library, 1971). Reprinted with the permission of The Norman Mailer Estate.|url=https://prmlr.us/mr03mai1}} | ||
{{dc|dc=W|''ild 90'' is the name of a full-length underground movie}} which a few of us, soon to be cited, filmed on four consecutive nights in March this year. It was done in 16-millimeter and recorded on magnetic sound tape, and since the raw stock costs of processing 16-millimeter sound and film run about thirty cents a foot or ten dollars a minute of shooting, we shot only two and a half hours in all, or $1,500 worth of film. Obviously we couldn’t afford to shoot more. | {{dc|dc=W|''ild 90'' is the name of a full-length underground movie}} which a few of us, soon to be cited, filmed on four consecutive nights in March this year. It was done in 16-millimeter and recorded on magnetic sound tape, and since the raw stock costs of processing 16-millimeter sound and film run about thirty cents a foot or ten dollars a minute of shooting, we shot only two and a half hours in all, or $1,500 worth of film. Obviously we couldn’t afford to shoot more. | ||