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The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself: Difference between revisions
The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself (view source)
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===Citations=== | ===Citations=== | ||
{{reflist}} | {{reflist|20em}} | ||
===Works Cited=== | ===Works Cited=== | ||
{{Refbegin}} | {{Refbegin|40em|indent=yes}} | ||
* {{cite journal |last=Justice |first=Hilary K. |title=Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'' |url= |journal=The Mailer Review |volume=4 |issue=1 |date=2010 |pages=259–272 |access-date= |ref=harv }} | * {{cite journal |last=Appel |first=Alfred |title=The Annotated Lolita| | ||
* {{cite journal |last=Baker |first=Carlos |title=Hemingway:The Writer as Artist| | |||
{{cite journal |last=Justice |first=Hilary K. |title=Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'' |url= |journal=The Mailer Review |volume=4 |issue=1 |date=2010 |pages=259–272 |access-date= |ref=harv }} | |||
{{Refend}} | {{Refend}} | ||
{{Review}} | {{Review}} | ||
{{DEFAULTSORT:Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself | {{DEFAULTSORT:Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself | ||