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crown.... Admit your trickery!” “I don’t admit it,” he replies, “I ''relish'' in it.” Of course, Strauss recognizes that boxing requires physical ability and is
crown.... Admit your trickery!” “I don’t admit it,” he replies, “I ''relish'' in it.” Of course, Strauss recognizes that boxing requires physical ability and is
more than just deception. “McCoy knocked out Tommy Ryan thanks to real skill and the flimflam.”
more than just deception. “McCoy knocked out Tommy Ryan thanks to real skill and the flimflam.”
The contending views of boxing as either the brutal violence it immediately appears to be or something akin to art and equally complicated and ultimately irreducible to any simple explanation will not be settled for as long as human beings stage combat for enjoyment’s sake. Given that boxing’s roots can be traced back hundreds of years before Virgil and that writers continue to find something of themselves in fighters long after the sport’s
heyday in the twentieth century, imminent resolution seems unlikely. That does not mean the match is even, however. The conclusion of Paul Johnson and José Torres’s well-rehearsed account of their college speaking engagement has the union organizer wondering if he never became a better fighter than he did because he was too honest. It may be that writers and other successful practitioners of artifice (such as Ali) do not suffer from such scrupulousness. An indication of which perspective appears to have the upper hand might be found at Gleason’s, a deliberately spare gym in a once-gritty neighborhood that later transformed itself into one filled with galleries, boutiques, and pricy loft apartments. Almost every time I have visited the place to talk
with its proprietor, Bruce Silverglade, there have been camera crews filming movies or commercials or taking photographs of models. Athletes still train there, but meaning-making and spectacle-creation simultaneously
occur amid the sparring and shadow boxing. Artifice, whether dignified or not, should never be underestimated.
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