Mann Rubin, March 24, 1966: Difference between revisions

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::::::::::::::::::::Brooklyn 1, New York<br />
::::::::::::::::::::Brooklyn 1, New York<br />
::::::::::::::::::::March 24, 1966
::::::::::::::::::::March 24, 1966
Dear Mann Rubin,<ref> Rubin wrote the first screenplay for An American Dream, one that was altered considerably by Warner Brothers. For example, the setting was changed to Los Angeles.</ref>
Dear [[w:Mann Rubin|Mann Rubin]],<ref>Rubin wrote the first screenplay for ''[[An American Dream]]'', one that was altered considerably by Warner Brothers. For example, the setting was changed to Los Angeles.</ref>
 
Well, your letter confirmed the little messages I was getting in my dreams, and so I got to work on my agent, who’s gotten to work on Warner’s, and that of course accomplished wonders, you bet. Now I hear they’ve got Janet Leigh playing Cherry<ref>Janet Leigh did indeed play Cherry.</ref>. Someday they will do the life of Jennie Grossinger, and Tuesday Weld will sit on Natalie Wood’s head long enough to grind the kasha in the second reel. Well, Mann, when you come to New York, give me a ring and we will commiserate—UL 58966.


Well, your letter confirmed the little messages I was getting in my dreams, and so I got to work on my agent, who’s gotten to work on Warner’s, and that of course accomplished wonders, you bet. Now I hear they’ve got [[w:Janet Leigh|Janet Leigh]] playing Cherry.<ref>Janet Leigh did indeed play Cherry.</ref> Someday they will do the life of Jennie Grossinger, and [[w:Tuesday Weld|Tuesday Weld]] will sit on [[w:Natalie Wood|Natalie Wood]]’s head long enough to grind the kasha in the second reel. Well, Mann, when you come to New York, give me a ring and we will commiserate—UL 58966.


::::::::::::::::::::Yours in show biz,<br />
::::::::::::::::::::Yours in show biz,<br />
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===Notes===
===Notes===
{{reflist}}
{{reflist}}
{{Aad-letters}}