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« The Mailer ReviewVolume 4 Number 1 • 2010 • Literary Warriors »
Written by
Katharine Westaway
Abstract: Mailer has been . . . uniform edition.
Note: This paper served . . . me to participate.
URL: https://prmlr.us/mr07dick

On a in weekend in October of 1967, tens of thousands of demonstrators amassed in Washington DC to protest the war in Vietnam. Intending The Armies of the Night: History as a Novel, The Novel as History (1968) to record and commemorate this eventful weekend, Norman Mailer enlarged the march on the Pentagon’s meaning, working as a novelist to make it more than a four-day set of tremors in the nation’s capital. Some consider the march a watershed moment, “the first in a chain of events that led to Lyndon Johnson’s decision . . . to deescalate in Vietnam."[1] Mailer’s nonfiction novel carefully examines this defining event of American history. Through Mailer’s dual role as a demonstrator and narrator, readers are provided a rich witness to the many obstacles that were set before marchers in the form of a biased media and government officials opposed to the peace movement, including the military and police whose physical abuse is featured in the novel.


Citations

  1. Small 1994, p. 70.

Works Cited

  • Albert, Michael (10 November 2009), A Referral from Noam Chomsky, Message to Katharine Westaway. E-mail.
  • Baker, Russell (24 October 1967). "Observer: Dove Antics". The New York Times. p. 45.
  • Behar, Jack (1970). "History and Fiction". NOVEL: A Forum on Fiction. 3 (3): 260–265.
  • Bergonzi, Bernard (November 1968). "Selected Books". London Magazine. pp. 98–100. Rev. of Cannibals and Christians and Armies of the Night, by Norman Mailer.
  • Dearborn, Mary V. (1999). Mailer: A Biography. Boston: Houghton Mifflin.
  • Fontaine, Dick (1 April 2009), Question for Dick Fontaine, Message to Katharine Westaway. E-mail.
  • Gallup, George Horace, ed. (1972). Gallup Poll: Public Opinion, 1935–1971. 3. New York: Random House.
  • Gilman, Richard (8 June 1968). "What Mailer Has Done". The New Republic. pp. 27–31.
  • Isserman, Maurice (19 October 2007). "The Flower and the Gun". The Chronicle of Higher Education. pp. B14–B15.
  • Kazin, Alfred (5 May 1968). "The Trouble He's Seen". The New York Times. p. BR1.
  • Lehman, Daniel W. (1997). Matters of Fact: Reading Nonfiction over the Edge. Columbus: Ohio State UP.
  • MacFarlane, Scott (2007). The Hippie Narrative: A Literary Perspective on the Counterculture. Jefferson: McFarland.
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  • ———. Lennon, J. Michael, ed. (1988). Existential Aesthetics: An Interview with Norman Mailer. Interview by Laura Adams. Jackson: UP of Mississippi. pp. 207–227. Rpt. of "Existential Aesthetics: An Interview with Norman Mailer." Partisan Review 42.2 (1975): 197–214.
  • ———. Lennon, J. Michael, ed. (1982). "Prisoner of Success: An Interview with Paul Attanasio". Pieces and Pontifications. Boston: Little, Brown & Company. pp. 129–136.
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  • Miller, Joshua (1990). "No Success Like Failure: Existential Politics in Norman Mailer's The Armies of the Night". Polity. 22 (3): 379–396.
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  • Reston, James (23 October 1967). "Everyone is a Loser". The New York Times. p. 1.
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  • ———. Voices of Revolution: The Dissident Press in America. New York: Columbia UP. 2001.
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  • Wells, Tom (1994). The War Within: America’s Battle Over Vietnam. Berkeley: U of California P.
  • Whalen-Bridge, John (2003). "Norman Mailer". In Giles, James R.; Giles, Wanda H. American Novelists Since World War II. Seventh Series. Dictionary of Literary Biography. 278. New York: Gale Group. pp. 217–232. Vol. 278 of Dictionary of Literary Biography. 357 vols. to date. 1978–.
  • Wyatt, David (2008). "Living Out the Sixties". The Hopkins Review. 1 (2): 315–332.
  • Zaroulis, Nancy; Sullivan, Gerald (1984). Who Spoke Up? American Protest Against the War in Vietnam 1963–1975. Garden City: Doubleday.