The Mailer Review/Volume 5, 2011/Making Masculinity and Unmaking Jewishness: Norman Mailer’s Voice in Wild 90 and Beyond the Law: Difference between revisions
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* {{cite book |last=Brienes |first=Paul |date=1990 |title=''Tough Jews: Political Fantasies and the Moral Dilemma of American Jewry.'' |url= |location=New York |publisher=Basic Books |pages= |ref=harv }} | * {{cite book |last=Brienes |first=Paul |date=1990 |title=''Tough Jews: Political Fantasies and the Moral Dilemma of American Jewry.'' |url= |location=New York |publisher=Basic Books |pages= |ref=harv }} | ||
* {{cite magazine |last=Buckley |first=William F. |date=2005 |title= | * {{cite magazine |last=Buckley |first=William F. |date=2005 |title= Who Did What? |url= |magazine=''National Review'' |pages= |access-date= |ref=harv }} | ||
* {{cite journal |last=Damom |first=Maria |title= | * {{cite journal |last=Damom |first=Maria |title=Triangulated Desire and Tactical Silences in the Beat Hipscape: Bob Kaufman and Others. |url= |journal=College Literature |volume=27.1 |issue= |date=Winter 2000 |pages=139-157 |access-date= |ref=harv }} | ||
* {{cite book |last=Dearborn |first=Mary V. |date=1999 |title=''Mailer: A Biography'' |url= |location=New York |publisher=Houghton Mifflin |pages= |ref=harv }} | * {{cite book |last=Dearborn |first=Mary V. |date=1999 |title=''Mailer: A Biography'' |url= |location=New York |publisher=Houghton Mifflin |pages= |ref=harv }} | ||
* {{cite book |last=Doane |first=Mary Ann |date=1981 |title=“Film and the Masquerade: Theorizing the Female Spectator.” |url= |location=''Screen 23'' |publisher= |pages=74-87 |ref=harv }} | * {{cite book |last=Doane |first=Mary Ann |date=1981 |title=“Film and the Masquerade: Theorizing the Female Spectator.” |url= |location=''Screen 23'' |publisher= |pages=74-87 |ref=harv }} | ||
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* {{cite book |last=Hagberg |first=Gary |date=2008 |title=''Art and Ethical Criticism.'' |url= |location=Malden, MA |publisher=Wiley-Blackwell |pages= |ref=harv }} | * {{cite book |last=Hagberg |first=Gary |date=2008 |title=''Art and Ethical Criticism.'' |url= |location=Malden, MA |publisher=Wiley-Blackwell |pages= |ref=harv }} | ||
* {{cite magazine |last=Hitchens |first=Christopher |date=2007 |title=Remembering the Pint-Size Jewish Fireplug. |url= |magazine=''Slate'' |pages= |access-date= |ref=harv }} | * {{cite magazine |last=Hitchens |first=Christopher |date=2007 |title=Remembering the Pint-Size Jewish Fireplug. |url= |magazine=''Slate'' |pages= |access-date= |ref=harv }} | ||
* {{cite journal |last=Levine |first=Andrea |title= | * {{cite journal |last=Levine |first=Andrea |title=The Jewish White Negro: Norman Mailer’s Racialized Bodies. |url= |journal=''MELUS'' |volume=28.2 |issue= |date= |pages=59-81 |access-date= |ref=harv }} | ||
* {{cite news |last=Elmer |first=Clifton |date=1931 |title=''Little Caesar.'' |url= |work= |location= |access-date= |ref=harv }} | * {{cite news |last=Elmer |first=Clifton |date=1931 |title=''Little Caesar.'' |url= |work= |location= |access-date= |ref=harv }} | ||
* {{cite book |last=Mailer |first=Norman |date=1968 |title='' The Armies of the Night: History as a Novel, the Novel as History'' |url= |location=New York |publisher= New American Library |pages= |ref=harv }} | * {{cite book |last=Mailer |first=Norman |date=1968 |title='' The Armies of the Night: History as a Novel, the Novel as History'' |url= |location=New York |publisher= New American Library |pages= |ref=harv }} | ||
* {{cite news |last=Mailer |first=Norman |date=1968 |title=''Beyond the Law'' |url= |work= |location=Supreme Mix Productions |access-date= |ref=harv }} | * {{cite news |last=Mailer |first=Norman |date=1968 |title=''Beyond the Law'' |url= |work= |location=Supreme Mix Productions |access-date= |ref=harv }} | ||
* {{cite journal |last=Mailer |first=Norman |title= | * {{cite journal |last=Mailer |first=Norman |title=A Course in Film-Making. |url= |journal=''Existential Errands'' |volume= |issue= |date=1972 |pages=123-168 |access-date= |ref=harv }} | ||
* {{cite book |last=Mailer |first=Norman |date=1991 |title=''Harlot’s Ghost.'' |url= |location= |publisher=Random House, |pages= |ref=harv }} | * {{cite book |last=Mailer |first=Norman |date=1991 |title=''Harlot’s Ghost.'' |url= |location= |publisher=Random House, |pages= |ref=harv }} | ||
* {{cite magazine |last=Mailer |first=Norman |date=2008 |title= | * {{cite magazine |last=Mailer |first=Norman |date=2008 |title=In the Ring: Grappling with the Twentieth Century. |url= |magazine=''The New Yorker.'' |pages= |access-date= |ref=harv }} | ||
* {{cite news |last=Mailer |first=Norman |date=2006 |title= | * {{cite news |last=Mailer |first=Norman |date=2006 |title=Interview by Gilles Boulenger. |url= |work= |location=Cinémalta |access-date= |ref=harv }} | ||
* {{cite journal |last=Mailer |first=Norman |title=. | * {{cite journal |last=Mailer |first=Norman |title=.Some Dirt in the Talk. |url= |journal=''Existential Errands.'' |volume= |issue= |date=1972 |pages=89-123 |access-date= |ref=harv }} | ||
* {{cite magazine |last=Mailer |first=Norman |date=1959 |title=The White Negro: Superficial Reflections on the Hipster. |url= |magazine=''Advertisements for Myself'' |pages=337-358 |access-date= |ref=harv }} | * {{cite magazine |last=Mailer |first=Norman |date=1959 |title=The White Negro: Superficial Reflections on the Hipster. |url= |magazine=''Advertisements for Myself'' |pages=337-358 |access-date= |ref=harv }} | ||
* {{cite news |last=Mailer |first=Norman |date= |title=''Wild 90'' |url= |work= |location=Supreme Mix Productions |access-date= |ref=harv }} | * {{cite news |last=Mailer |first=Norman |date= |title=''Wild 90'' |url= |work= |location=Supreme Mix Productions |access-date= |ref=harv }} | ||
* {{cite book |last=Metz |first=Christian |date=1982 |title=''Imaginary Signifier: Psychoanalysis and the Cinema'' |url= |location=Bloomington |publisher=Indiana UP |pages= |ref=harv }} | * {{cite book |last=Metz |first=Christian |date=1982 |title=''Imaginary Signifier: Psychoanalysis and the Cinema'' |url= |location=Bloomington |publisher=Indiana UP |pages= |ref=harv }} | ||
* {{cite journal |last=Mewshaw |first=Michael |title= | * {{cite journal |last=Mewshaw |first=Michael |title=Vidal and Mailer |url= |journal=''South Central Review'' |volume=4-14 |issue= |date=2002 |pages= |access-date= |ref=harv }} | ||
* {{cite news |last=Fontaine |first=Dir. Dick |date=1970 |title=''Norman Mailer vs. Fun City U.S.A.'' |url= |work= |location= |access-date= |ref=harv }} | * {{cite news |last=Fontaine |first=Dir. Dick |date=1970 |title=''Norman Mailer vs. Fun City U.S.A.'' |url= |work= |location= |access-date= |ref=harv }} | ||
* {{cite magazine |last=O'Reilly |first=Jane |date=1974 |title=“Diary of a Mailer Trailer.” |url= |magazine=''Will the Real Norman Mailer Please Stand Up?'' |pages=195-215 |access-date= |ref=harv }} | * {{cite magazine |last=O'Reilly |first=Jane |date=1974 |title=“Diary of a Mailer Trailer.” |url= |magazine=''Will the Real Norman Mailer Please Stand Up?'' |pages=195-215 |access-date= |ref=harv }} | ||
* {{cite book |last=Rushdie |first=Salman |date=1992 |title='' The Wizard of Oz'' |url= |location=London |publisher=BFI |pages= |ref=harv }} | * {{cite book |last=Rushdie |first=Salman |date=1992 |title='' The Wizard of Oz'' |url= |location=London |publisher=BFI |pages= |ref=harv }} | ||
* {{cite AV media| last = Hawks| first = Howard| title = Scarface| date = 1932| type = Film| ref = harv}} | * {{cite AV media| last = Hawks| first = Howard| title = Scarface| date = 1932| type = Film| ref = harv}} | ||
* {{cite magazine |last=Scott |first=A.O. |date=2007 |title= | * {{cite magazine |last=Scott |first=A.O. |date=2007 |title=Norman Mailer Unbound and On Film: Revisiting His Bigger-Than-Life-Selves. |url= |magazine=''The New York Times'' |pages= |access-date= |ref=harv }} | ||
* {{cite book |last=Silverman |first=Kaja |date=1988 |title=''The Acoustic Mirror: The Female Voice in Psychoanalysis and the Cinema.'' |url= |location=Bloomington |publisher=Indiana UP |pages= |ref=harv }} | * {{cite book |last=Silverman |first=Kaja |date=1988 |title=''The Acoustic Mirror: The Female Voice in Psychoanalysis and the Cinema.'' |url= |location=Bloomington |publisher=Indiana UP |pages= |ref=harv }} | ||
* {{cite magazine |last=Sokolsky |first=George E. |date=1962 |title=“These Days: The First Lady.” |url= |magazine=''The Washington Post'' |pages= |access-date= |ref=harv }} | * {{cite magazine |last=Sokolsky |first=George E. |date=1962 |title=“These Days: The First Lady.” |url= |magazine=''The Washington Post'' |pages= |access-date= |ref=harv }} | ||
* {{cite book |last=Stern |first=Steve |date=2010 |title=''The Frozen Rabbi'' |url= |location=Chapel Hill |publisher=Algonquin P |pages= |ref=harv }} | * {{cite book |last=Stern |first=Steve |date=2010 |title=''The Frozen Rabbi'' |url= |location=Chapel Hill |publisher=Algonquin P |pages= |ref=harv }} | ||
* {{cite magazine |last=Stevens |first=Joe |date=2008 |title= | * {{cite magazine |last=Stevens |first=Joe |date=2008 |title=The FBI’s-Year Campaign to Ferret Out Norman Mailer. |url= |magazine=''The Washington Post'' |pages= |access-date= |ref=harv }} | ||
* {{cite magazine |last=Tanenhouse |first=Sam |date=2005 |title=“TheBuckley Effect” |url= |magazine=''New York Times'' |pages= |access-date= |ref=harv }} | * {{cite magazine |last=Tanenhouse |first=Sam |date=2005 |title=“TheBuckley Effect” |url= |magazine=''New York Times'' |pages= |access-date= |ref=harv }} | ||
* {{cite news |last=Pennebaker |first= Dir D.A |date= |title=''Town Bloody Hall.'' |url= |work= |location=Pennebaker Hegedus Films |access-date= |ref=harv }} | * {{cite news |last=Pennebaker |first= Dir D.A |date= |title=''Town Bloody Hall.'' |url= |work= |location=Pennebaker Hegedus Films |access-date= |ref=harv }} | ||