The Mailer Review/Volume 4, 2010: Difference between revisions

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* '''[[Mimi R. Gladstein]]'''<br />[[Norman, Papa, and the Autoerotic Construction of Woman]]
* '''[[Mimi R. Gladstein]]'''<br />[[Norman, Papa, and the Autoerotic Construction of Woman]]
* '''[[Bob Batchelor]]'''<br />[[Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']]
* '''[[Bob Batchelor]]'''<br />[[Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']]
* '''[[Kathleen Robinson]]'''<br />[[Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River'' and ''Into the Trees'' and ''The Naked and the Dead'']]
* '''[[Kathleen Robinson]]'''<br />[[Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River and Into the Trees'' and ''The Naked and the Dead'']]
* '''[[Raymond M. Vince]]'''<br />[[Rumors of Grace: God-Language in Hemingway and Mailer]]
* '''[[Raymond M. Vince]]'''<br />[[Rumors of Grace: God-Language in Hemingway and Mailer]]
* '''[[J’aimé L. Sanders]]'''<br />[[Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing]]
* '''[[J’aimé L. Sanders]]'''<br />[[Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing]]