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The Mailer Review/Volume 4, 2010: Difference between revisions
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{{DISPLAYTITLE:''The Mailer Review'', Volume 4, 2010}} | {{DISPLAYTITLE:''The Mailer Review'', Volume 4, 2010}} | ||
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[[File:MR04.jpg|thumb]] | [[File:MR04.jpg|thumb]] | ||
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===[[Reflections 2010|Reflections]]=== | ===[[Reflections 2010|Reflections]]=== | ||
==Articles and Miscellany== | ==Articles and Miscellany== | ||
* ''' | * '''Ernest Hemingway'''<br />[Letter to Norman Mailer, August 12, 1959] | ||
* '''[[Norman Mailer]]'''<br />[[Postscript to the Fourth Advertisement for Myself]] | * '''[[Norman Mailer]]'''<br />[[Postscript to the Fourth Advertisement for Myself]] | ||
* '''Norman Mailer'''<br />[[Hemingway Revisited]] | * '''Norman Mailer'''<br />[[Hemingway Revisited]] | ||
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* '''[[Mimi R. Gladstein]]'''<br />[[Norman, Papa, and the Autoerotic Construction of Woman]] | * '''[[Mimi R. Gladstein]]'''<br />[[Norman, Papa, and the Autoerotic Construction of Woman]] | ||
* '''[[Bob Batchelor]]'''<br />[[Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']] | * '''[[Bob Batchelor]]'''<br />[[Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']] | ||
* '''[[Kathleen Robinson]]'''<br />[[Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River | * '''[[Kathleen Robinson]]'''<br />[[Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River and Into the Trees'' and ''The Naked and the Dead'']] | ||
* '''[[Raymond M. Vince]]'''<br />[[Rumors of Grace: God-Language in Hemingway and Mailer]] | * '''[[Raymond M. Vince]]'''<br />[[Rumors of Grace: God-Language in Hemingway and Mailer]] | ||
* '''[[J’aimé L. Sanders]]'''<br />[[Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing]] | * '''[[J’aimé L. Sanders]]'''<br />[[Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing]] | ||
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==Masthead== | ==Masthead== | ||
{{div col}} | {{div col}} | ||
* ''' | * {{smallcaps|'''editor'''}}<br />[[Phillip Sipiora]] | ||
* ''' | * {{smallcaps|'''deputy editor'''}}<br />[[Michael L. Shuman]] | ||
* ''' | * {{smallcaps|'''senior media and digital editor'''}}<br />[[Gerald R. Lucas]] | ||
* ''' | * {{smallcaps|'''managing editors'''}}<br />Constance E. Holmes<br />Shannon L. Zinck | ||
* ''' | * {{smallcaps|'''design editor'''}}<br />James R. Miller | ||
* ''' | * {{smallcaps|'''associate editors'''}}<br />Taylor Joy Mitchell<br />Christine Auger<br />Jennifer Yirinec<br />Raymond M. Vince<br />Dianne Donnelly | ||
{{div col end}} | {{div col end}} | ||
* ''' | * {{smallcaps|'''editorial board'''}}<br />J. Michael Lennon, Chair of Editorial Board (Wilkes University), Robert J. Begiebing (Southern New Hampshire University), John Whalen-Bridge (National University of Singapore), Philip Bufithis (Shepherd University), Christopher Busa (Founder and Editor of Provincetown Arts Press), Morris Dickstein (Graduate Center, City University of New York), Laura Adams Dunham (Independent Scholar), Michael Glenday (The Open University, United Kingdom), Hunt Hawkins (University of South Florida), Barry H. Leeds (Central Connecticut State University), Deborah Martinson (Occidental College), Michael Millgate (University of Toronto), Christopher Ricks (Boston University), Phillip Sipiora (University of South Florida), Thomas F. Staley (Harry Ransom Center, University of Texas at Austin), Barbara Mailer Wasserman (Memoirist). | ||
==Notes== | ==Notes== | ||
{{notelist}} | {{notelist}} | ||
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{{DEFAULTSORT: Mailer Review, The}} | {{DEFAULTSORT: Mailer Review, The}} | ||