The Mailer Review/Volume 3, 2009/Norman Mailer: The Magician as Tragic Hero: Difference between revisions

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With the publication of ''Ancient Evenings'' it became clear that a serious reassess­ment of Norman Mailer’s career was due. Any such reassessment, it seems to me, must take into consideration the degree to which Mailer’s self-proclaimed magnum opus is a culmination of his themes, especially the fantastic and magi­cal themes. The novel also represents a culmination of his heroes’ struggles to gain independent moral stature even amidst failure. Perhaps because it was published so late in this author’s career, ''Ancient Evenings'' even more than Fowles’ or Gardner’s magical narratives is prototypical of the author’s body of work. We have now a novel that gives significant order and emphasis to the narrative qualities and the ethical issues developed throughout Mailer’s fiction and nonfiction career. Chief among these qualities and issues is the dialectic between vitality and entropy. Those opposing forces create the conflict behind all the other conflicts in the narrative, just as, in turn, each specific conflict helps to characterize the nature of the hero’s task and the connections between his life and death.
{{dc|dc=W|ith the publication of ''Ancient Evenings''}} it became clear that a serious reassess­ment of Norman Mailer’s career was due. Any such reassessment, it seems to me, must take into consideration the degree to which Mailer’s self-proclaimed magnum opus is a culmination of his themes, especially the fantastic and magi­cal themes. The novel also represents a culmination of his heroes’ struggles to gain independent moral stature even amidst failure. Perhaps because it was published so late in this author’s career, ''Ancient Evenings'' even more than Fowles’ or Gardner’s magical narratives is prototypical of the author’s body of work. We have now a novel that gives significant order and emphasis to the narrative qualities and the ethical issues developed throughout Mailer’s fiction and nonfiction career. Chief among these qualities and issues is the dialectic between vitality and entropy. Those opposing forces create the conflict behind all the other conflicts in the narrative, just as, in turn, each specific conflict helps to characterize the nature of the hero’s task and the connections between his life and death.


We are reminded of Gardner’s dialectic of art and chaos, of artists/heroes and the abyss, of opposing philosophies (or constructive oppositions) that test values and seek synthesis or personal transformation. He and Mailer are both seeking consciousness rather than codes. Mailer’s underlying conflict between vitality and entropy is in Egypt mythologically reflected in Ra’s nightly descent into darkness to battle the great serpent of entropy and in Osiris’ role not only as Lord of Resurrection and Mind (consciousness). Similarly, that dialectic is symbolized by the conflicts between the gods and their opposing qualities. And ultimately it is symbolized by “the balance of Maat,” which holds in creative equipoise the dialectical polarities of existence — barbarism and civilization, bestiality and nobility, death and life, waste and generation, Set and Osiris. Entropy to Mailer is that which destroys the balance, the devouring of life principle by death principle.
We are reminded of Gardner’s dialectic of art and chaos, of artists/heroes and the abyss, of opposing philosophies (or constructive oppositions) that test values and seek synthesis or personal transformation. He and Mailer are both seeking consciousness rather than codes. Mailer’s underlying conflict between vitality and entropy is in Egypt mythologically reflected in Ra’s nightly descent into darkness to battle the great serpent of entropy and in Osiris’ role not only as Lord of Resurrection and Mind (consciousness). Similarly, that dialectic is symbolized by the conflicts between the gods and their opposing qualities. And ultimately it is symbolized by “the balance of Maat,” which holds in creative equipoise the dialectical polarities of existence — barbarism and civilization, bestiality and nobility, death and life, waste and generation, Set and Osiris. Entropy to Mailer is that which destroys the balance, the devouring of life principle by death principle.
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To express this vision of bold effort and failure, Mailer chooses two narrators. In a spirit of outrageous experimentation Mailer grants his six-year-old first narrator a first-person omniscient point of view. Having the lineage and gifts of pharaohs, as Mailer depicts them, Meni II sees others’ minds. Through this first narrator, the grandfather in tum tells the stories of his four lives for most of the novel. The grandfather guides the young Meni through the World of the Dead as well as the world of the living, as Conchis and Tag Hodge guide their initiates by the use of a series of parabolic tales about human nature and history. Like the archetypal guides of ancient and modem literature, and again like Fowles’ and Gardner’s, Mailer’s guide figure is at once magus, odoriferous old man, shapeshifter, and obscene fool. Like the artist himself, the guide may even lie to get at the truth: “The traveler from distant places is an everlasting liar.”{{sfn|Mailer|1983|p=65}} Previously a student of magic, medicine, and religion and the High Priest of Thebes, Menenhetet I has the lore to negotiate the Land of the Dead and mediate between the worlds of gods and humans. “I will offer a story far better than any father ever gave a son, and I would like my granddaughter to listen as well,” Menenhetet tells the pharaoh. “They are now nearest my flesh of all four lives.”{{sfn|Mailer|1983|p=232}}
To express this vision of bold effort and failure, Mailer chooses two narrators. In a spirit of outrageous experimentation Mailer grants his six-year-old first narrator a first-person omniscient point of view. Having the lineage and gifts of pharaohs, as Mailer depicts them, Meni II sees others’ minds. Through this first narrator, the grandfather in tum tells the stories of his four lives for most of the novel. The grandfather guides the young Meni through the World of the Dead as well as the world of the living, as Conchis and Tag Hodge guide their initiates by the use of a series of parabolic tales about human nature and history. Like the archetypal guides of ancient and modem literature, and again like Fowles’ and Gardner’s, Mailer’s guide figure is at once magus, odoriferous old man, shapeshifter, and obscene fool. Like the artist himself, the guide may even lie to get at the truth: “The traveler from distant places is an everlasting liar.”{{sfn|Mailer|1983|p=65}} Previously a student of magic, medicine, and religion and the High Priest of Thebes, Menenhetet I has the lore to negotiate the Land of the Dead and mediate between the worlds of gods and humans. “I will offer a story far better than any father ever gave a son, and I would like my granddaughter to listen as well,” Menenhetet tells the pharaoh. “They are now nearest my flesh of all four lives.”{{sfn|Mailer|1983|p=232}}


The three interior books of the novel (4 through 6) are devoted to Meni I’s story of his first life and all the embedded tales, digressions, and commentaries within that story. This is the heart of the novel, the repository of all the lore, folly, and wisdom revealed to Meni II, his family, and Ramses IX. Appropri­ately, “Menehetet” means “foundation of speech,” and such a name itself asso­ciates him with magical powers, for the word to Egyptians is basic to magic, to affecting actuality. The spoken/written word is believed to have a significance, therefore, that any modern writer would envy.<ref>Compare {{harvnb|McCann|1964|p=99}}. Two sources come to mind for Mailer’s narrator-hero. The first is Ramses II himself who speaks of one “Menena”—his charioteer and shield-bearer at Kadesh­ who, alone with certain household butlers and his two steeds, was with the king at the outbreak of battle and who became “weak and faint-hearted.” See the “Kadesh Battle Inscriptions of Ramses II, The Poem,” in {{harvnb|Lichtheim|1976|pp=68, 70}}. The second source might be an actual son of Ramses II, Khaemwise, a high priest whose celebrity as a
The three interior books of the novel (4 through 6) are devoted to Meni I’s story of his first life and all the embedded tales, digressions, and commentaries within that story. This is the heart of the novel, the repository of all the lore, folly, and wisdom revealed to Meni II, his family, and Ramses IX. Appropri­ately, “Menehetet” means “foundation of speech,” and such a name itself asso­ciates him with magical powers, for the word to Egyptians is basic to magic, to affecting actuality. The spoken/written word is believed to have a significance, therefore, that any modern writer would envy.<ref>Compare {{harvnb|Mertz|1964|p=99}}. Two sources come to mind for Mailer’s narrator-hero. The first is Ramses II himself who speaks of one “Menena”—his charioteer and shield-bearer at Kadesh­ who, alone with certain household butlers and his two steeds, was with the king at the outbreak of battle and who became “weak and faint-hearted.” See the “Kadesh Battle Inscriptions of Ramses II, The Poem,” in {{harvnb|Lichtheim|1976|pp=68, 70}}. The second source might be an actual son of Ramses II, Khaemwise, a high priest whose celebrity as a
learned man and magician carried his name into Graeco-Roman times. See {{harvnb|Gardnier|1980|p=267}}.</ref>
learned man and magician carried his name into Graeco-Roman times. See {{harvnb|Gardiner|1980|p=267}}.</ref>


This magician, tale-teller, and guide, like Gardner’s heroic models from Clumly to Lars-Goren, is not known so much for his quickness of wit as for his peasant-like persistence, truth-seeking, and courage despite all his foibles and failures. These qualities of endurance and risk-taking are what first endeared him to the youthful Ramses II. Above all, Meni I’s tale is one of personal courage, ambition, and folly, and each of these qualities of his tale are in turn reflected by the desires, maneuverings, and comments of his three interlocu­tors — Ramses IX, Hathfertiti (little Meni’s mother), Meni’s father Nef-khep­aukhem. All of the characters at both levels of the narrative are caught in a web of conflicting ambitions and historical contexts — a context extended by com­parison even as far back to such earlier pharaohs as Kufhu, for example. If by the end of the novel, the historical context extends forward to Greece and Rome, then by appropriate comparisons each reader may extrapolate to modem history as well. Such themes as the value of courage and strength, the necessity of balance or proportion, the brutal and disconnected nature of social and political establishments, and the psychic underworld of ambition, greed, and lust are emphatic themes in the novel with ethical ramifications in many historical con­texts.
This magician, tale-teller, and guide, like Gardner’s heroic models from Clumly to Lars-Goren, is not known so much for his quickness of wit as for his peasant-like persistence, truth-seeking, and courage despite all his foibles and failures. These qualities of endurance and risk-taking are what first endeared him to the youthful Ramses II. Above all, Meni I’s tale is one of personal courage, ambition, and folly, and each of these qualities of his tale are in turn reflected by the desires, maneuverings, and comments of his three interlocu­tors — Ramses IX, Hathfertiti (little Meni’s mother), Meni’s father Nef-khep­aukhem. All of the characters at both levels of the narrative are caught in a web of conflicting ambitions and historical contexts — a context extended by com­parison even as far back to such earlier pharaohs as Kufhu, for example. If by the end of the novel, the historical context extends forward to Greece and Rome, then by appropriate comparisons each reader may extrapolate to modem history as well. Such themes as the value of courage and strength, the necessity of balance or proportion, the brutal and disconnected nature of social and political establishments, and the psychic underworld of ambition, greed, and lust are emphatic themes in the novel with ethical ramifications in many historical con­texts.
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==Works Cited==
==Works Cited==
{{Refbegin|30em|indent=yes}}
{{Refbegin|30em|indent=yes}}
* {{cite book |last=Begiebing |first=Robert J. |date=1981 |title=Acts of Regeneration: Allegory and Archetype in the Works of Normal Mailer |url= |location=Columbia |publisher=University of Missouri Press |page= |isbn= |author-link=Robert J. Begiebing }}
* {{cite book |last=Begiebing |first=Robert J. |date=1981 |title=Acts of Regeneration: Allegory and Archetype in the Works of Normal Mailer |url= |location=Columbia |publisher=University of Missouri Press |page= |isbn= |author-link=Robert J. Begiebing |ref=harv }}
* {{cite journal |last1=Begiebing |first1=Robert J. |authormask=1 |date=1983 |title=[[Twelfth Round: An Interview with Norman Mailer|Twelfth Round]] |url= |journal=Harvard Magazine |volume=85 |issue=March-April |pages=40–50 |doi= |access-date= |ref=harv }}
* {{cite journal |last1=Begiebing |first1=Robert J. |authormask=1 |date=1983 |title=[[Twelfth Round: An Interview with Norman Mailer|Twelfth Round]] |url= |journal=Harvard Magazine |volume=85 |issue=March-April |pages=40–50 |doi= |access-date= |ref=harv }}
* {{cite magazine |last=Bloom |first=Harold |date=April 28, 1983 |title=Norman in Egypt |url= |magazine=New York Review of Books |location= |publisher= |access-date= |pages=3–5 |ref=harv }}
* {{cite magazine |last=Bloom |first=Harold |date=April 28, 1983 |title=Norman in Egypt |url= |magazine=New York Review of Books |location= |publisher= |access-date= |pages=3–5 |ref=harv }}
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* {{cite magazine |last=Epstein |first=Joseph |date=July 1983 |title=Mailer Hits Bottom |url= |magazine=Commentary |pages=62–68 |publisher= |access-date= |ref=harv }}
* {{cite magazine |last=Epstein |first=Joseph |date=July 1983 |title=Mailer Hits Bottom |url= |magazine=Commentary |pages=62–68 |publisher= |access-date= |ref=harv }}
* {{cite magazine |last=Fiedler |first=Leslie |date=June 1983 |title=Going for the Long Ball |url= |magazine=Psychology Today |location= |publisher= |access-date= |ref=harv }}
* {{cite magazine |last=Fiedler |first=Leslie |date=June 1983 |title=Going for the Long Ball |url= |magazine=Psychology Today |location= |publisher= |access-date= |ref=harv }}
* {{cite book |last=Frazer |first=Sir James George |date=1959 |title=The New Golden Bough |url= |editor-last=Gaster |editor-first=Theodor H. |location=New York |publisher=Criterion Books |page= |isbn= |author-link= }}
* {{cite book |last=Frazer |first=Sir James George |date=1959 |title=The New Golden Bough |url= |editor-last=Gaster |editor-first=Theodor H. |location=New York |publisher=Criterion Books |ref=harv }}
* {{cite book |last=Gardiner |first=Sir Alan |date=1980 |orig-year=1961 |title=Egypt of the Pharaohs |url= |location=New York |publisher=Oxford University Press |ref=harv }}
* {{cite book |last=Gardiner |first=Sir Alan |date=1980 |orig-year=1961 |title=Egypt of the Pharaohs |url= |location=New York |publisher=Oxford University Press |ref=harv }}
* {{cite book |last=Girard |first=Rene |date=1977 |title=Violence and the Sacred |url= |location=Baltimore |publisher=Johns Hopkins University Press |page= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Girard |first=Rene |date=1977 |title=Violence and the Sacred |url= |location=Baltimore |publisher=Johns Hopkins University Press |page= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Jung |first=Carl |date=1951 |title=Aion: Researches into the Phenomenology of the Self |volume=9 |url= |translator-last=Hull |translator-first=R. F. C. |location=Princeton |publisher=Princeton University Press |page= |isbn= |author-link= }}
* {{cite book |last=Jung |first=Carl |date=1951 |title=Aion: Researches into the Phenomenology of the Self |volume=9 |url= |translator-last=Hull |translator-first=R. F. C. |location=Princeton |publisher=Princeton University Press |ref=harv }}
* {{cite book |last=Lentricchia |first=Frank |date=1983 |title=Criticism and Social Change |url= |location=Chicago |publisher=University of Chicago Press |page= |isbn= |ref=harv }}
* {{cite book |last=Lentricchia |first=Frank |date=1983 |title=Criticism and Social Change |url= |location=Chicago |publisher=University of Chicago Press |page= |isbn= |ref=harv }}
* {{cite book |last=Lichtheim |first=Mariam |date=1976 |title=Ancient Egyptian Literature: The New Kingdom |volume=2 |url= |location=Berkley and Los Angles |publisher=University of California Press |page= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Lichtheim |first=Mariam |date=1976 |title=Ancient Egyptian Literature: The New Kingdom |volume=2 |url= |location=Berkley and Los Angles |publisher=University of California Press |page= |isbn= |author-link= |ref=harv }}
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* {{cite book |last=Mailer |first=Norman |authormask=1 |date=1963 |title=The Presidential Papers |url= |location=New York |publisher=G. P. Putnam's Sons |page= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Mailer |first=Norman |authormask=1 |date=1963 |title=The Presidential Papers |url= |location=New York |publisher=G. P. Putnam's Sons |page= |isbn= |author-link= |ref=harv }}
* {{cite news |last=Manning |first=Margaret |date=April 3, 1983 |title=Look upon this Work, Oh ye Mailer, and Despair |url= |work=Boston Globe |location=A10–A11 |access-date= |ref=harv }}
* {{cite news |last=Manning |first=Margaret |date=April 3, 1983 |title=Look upon this Work, Oh ye Mailer, and Despair |url= |work=Boston Globe |location=A10–A11 |access-date= |ref=harv }}
* {{cite book |last=Mertz |first=Barbara |date=1964 |title=Temples, Tombs, and Hieroglyphs |url= |location=New York |publisher=Coward-McCann |page= |isbn= |author-link= }}
* {{cite book |last=Mertz |first=Barbara |date=1964 |title=Temples, Tombs, and Hieroglyphs |url= |location=New York |publisher=Coward-McCann |page= |isbn= |ref=harv }}
{{cite book |last=Neumann |first=Erich |date=1973 |title=The Origins and History of Consciousness |url= |location=Princeton |publisher=Princeton University Press |page= |isbn= |ref=harv }}
* {{cite book |last=Neumann |first=Erich |date=1973 |title=The Origins and History of Consciousness |url= |location=Princeton |publisher=Princeton University Press |page= |isbn= |ref=harv }}
* {{cite book |last=Oates |first=Joyce Carol |date=1974 |title=New Heaven, New Earth: The Visionary Experience in Literature |url= |location=New York |publisher=Vanguard Press |page= |isbn= |author-link= }}
* {{cite book |last=Oates |first=Joyce Carol |date=1974 |title=New Heaven, New Earth: The Visionary Experience in Literature |url= |location=New York |publisher=Vanguard Press |page= |isbn= |ref=harv }}
* {{cite magazine |last=Poirier |first=Richard |date=June 10, 1983 |title=Review of ''Ancient Evenings'' |url= |magazine=Times Literary Supplement |location= |pages591–592= |access-date= |ref=harv }}
* {{cite magazine |last=Poirier |first=Richard |date=June 10, 1983 |title=Review of ''Ancient Evenings'' |url= |magazine=Times Literary Supplement |location= |pages591–592= |access-date= |ref=harv }}
* {{cite journal |last1=Post |first1=Robert C. |date=1981 |title=A Theory of Genre: Romance, Realism, and Moral Reality |url= |journal=American Quarterly |volume=33 |issue=fall |pages=367–390 |doi= |access-date= }}
* {{cite journal |last1=Post |first1=Robert C. |date=1981 |title=A Theory of Genre: Romance, Realism, and Moral Reality |url= |journal=American Quarterly |volume=33 |issue=fall |pages=367–390 |ref=harv }}
* {{cite book |last=Russell |first=Jeffrey Burton |date=1977 |title=The Devil: Perceptions of Evil from Antiquity to Primitive Christianity |url= |location=Ithaca |publisher=Cornell University Press |page= |isbn= |author-link= }}
* {{cite book |last=Russell |first=Jeffrey Burton |date=1977 |title=The Devil: Perceptions of Evil from Antiquity to Primitive Christianity |url= |location=Ithaca |publisher=Cornell University Press |ref=harv }}
* {{cite magazine |last=Shaw |first=Peter |date=September 1983 |title=Norman Mailer Turns Victim |url= |magazine=The American Spectator |location= |pages=45–46 |access-date= |ref=harv }}
* {{cite magazine |last=Shaw |first=Peter |date=September 1983 |title=Norman Mailer Turns Victim |url= |magazine=The American Spectator |location= |pages=45–46 |access-date= |ref=harv }}
* {{cite magazine |last=Stade |first=George |date=May 2, 1983 |title=A Chthonic Novel |url= |magazine=The New Republic |location= |publisher= |access-date= |pages=32–36 |ref=harv }}
* {{cite magazine |last=Stade |first=George |date=May 2, 1983 |title=A Chthonic Novel |url= |magazine=The New Republic |location= |publisher= |access-date= |pages=32–36 |ref=harv }}