The Mailer Review/Volume 2, 2008/Norman Mailer in “God’s Attic”: Difference between revisions

m
Tweaks.
(added body up to pg 303)
m (Tweaks.)
Line 4: Line 4:
the details of the only visit Mailer made to Alaska.|url=https://prmlr.us/mr08kauf}}
the details of the only visit Mailer made to Alaska.|url=https://prmlr.us/mr08kauf}}


The post-climax of Norman Mailer’s ''An American Dream'' (1965) features
{{start|The post-climax of Norman Mailer’s ''An American Dream''}} (1965) features
Stephen Rojack (some might say the author’s virtual alter ego) in the desert,
Stephen Rojack (some might say the author’s virtual alter ego) in the desert,
outside Vegas, in a surreal phone booth, ideal for a celestial call to his dead
outside Vegas, in a surreal phone booth, ideal for a celestial call to his dead
Line 164: Line 164:
“I-know-Norman-faces.” All was a murky mood. Then I saw the rarest of
“I-know-Norman-faces.” All was a murky mood. Then I saw the rarest of
sights. I nudged Ed Skellings and said, “Look, Norman Mailer is dancing.”
sights. I nudged Ed Skellings and said, “Look, Norman Mailer is dancing.”


===Citations===
===Citations===
{{Reflist}}
{{Reflist}}


 
===Work Cited===
 
===Works Cited===
{{Refbegin|indent=yes}}
{{Refbegin|indent=yes}}
* {{cite book |last=Lennon |first=J. Michael |date=1986 |title=Critical Essays on Norman Mailer |location=Boston |publisher=G. K. Hall |ref=harv }}
* {{cite book |last=Lennon |first=J. Michael |date=1986 |title=Critical Essays on Norman Mailer |location=Boston |publisher=G. K. Hall |ref=harv }}