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the details of the only visit Mailer made to Alaska.|url=https://prmlr.us/mr08kauf}} | the details of the only visit Mailer made to Alaska.|url=https://prmlr.us/mr08kauf}} | ||
The post-climax of Norman Mailer’s ''An American Dream'' (1965) features | {{start|The post-climax of Norman Mailer’s ''An American Dream''}} (1965) features | ||
Stephen Rojack (some might say the author’s virtual alter ego) in the desert, | Stephen Rojack (some might say the author’s virtual alter ego) in the desert, | ||
outside Vegas, in a surreal phone booth, ideal for a celestial call to his dead | outside Vegas, in a surreal phone booth, ideal for a celestial call to his dead | ||
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“I-know-Norman-faces.” All was a murky mood. Then I saw the rarest of | “I-know-Norman-faces.” All was a murky mood. Then I saw the rarest of | ||
sights. I nudged Ed Skellings and said, “Look, Norman Mailer is dancing.” | sights. I nudged Ed Skellings and said, “Look, Norman Mailer is dancing.” | ||
===Citations=== | ===Citations=== | ||
{{Reflist}} | {{Reflist}} | ||
===Work Cited=== | |||
=== | |||
{{Refbegin|indent=yes}} | {{Refbegin|indent=yes}} | ||
* {{cite book |last=Lennon |first=J. Michael |date=1986 |title=Critical Essays on Norman Mailer |location=Boston |publisher=G. K. Hall |ref=harv }} | * {{cite book |last=Lennon |first=J. Michael |date=1986 |title=Critical Essays on Norman Mailer |location=Boston |publisher=G. K. Hall |ref=harv }} |