The Mailer Review/Volume 2, 2008/"Their Humor Annoyed Him": Cavalier Wit and Sympathy for the Devil in The Castle in the Forest: Difference between revisions
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{{Byline|last=Whalen-Bridge|first=John|abstract= | {{Byline|last=Whalen-Bridge|first=John|abstract=Mailer’s innovative device of having a mind-entering demon narrate backgrounds denied to us by the enclosures of history allows Mailer to conflate the epistemological realism of first person narration with the omniscience of third person. Mailer’s Hitler novel recapitulates his karmic unified-field theory of life in a number of ways. We cannot make sense of the last two decades of Mailer’s writing career without paying attention to the ''Castle''’s cavalier wit, which is, at its heart, almost invariably alone.|url=https://prmlr.us/mr08whal}} | ||
Revision as of 07:45, 3 September 2020
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Written by
John Whalen-Bridge
Abstract: Mailer’s innovative device of having a mind-entering demon narrate backgrounds denied to us by the enclosures of history allows Mailer to conflate the epistemological realism of first person narration with the omniscience of third person. Mailer’s Hitler novel recapitulates his karmic unified-field theory of life in a number of ways. We cannot make sense of the last two decades of Mailer’s writing career without paying attention to the Castle’s cavalier wit, which is, at its heart, almost invariably alone.
URL: https://prmlr.us/mr08whal
John Whalen-Bridge
Abstract: Mailer’s innovative device of having a mind-entering demon narrate backgrounds denied to us by the enclosures of history allows Mailer to conflate the epistemological realism of first person narration with the omniscience of third person. Mailer’s Hitler novel recapitulates his karmic unified-field theory of life in a number of ways. We cannot make sense of the last two decades of Mailer’s writing career without paying attention to the Castle’s cavalier wit, which is, at its heart, almost invariably alone.
URL: https://prmlr.us/mr08whal