The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself: Difference between revisions

The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself (view source)

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 ===Notes===
 {{notelist}}
-In arguing her claim, Hilary Justice compares Hemingway’s Death in the Afternoon (1932) with Mailer’s Advertisements for Myself (1959), using the phrase “'''authorship''' and '''alienation'''.” This suggested to me the theme of writer/author alienation, but I decided to use instead Hemingway’s short story “The [http://Snows%20of%20Kilimanjaro Snows of Kilimanjaro]” (1936), published four years later, and to add Fitzgerald’s “The Crack-Up” (1936). It seemed to me that “Snows” is a more successful work than Death in the Afternoon, and was also published the same year as Fitzgerald’s articles. All three works, I believe, reveal this writer/author alienation, but I decided to use as my title “Angst, Authorship, and the Critics” to highlight other factors. The article by Justice, however, was the primary catalyst for my paper.
 ===Citations===